Kirjahaku

Christopher J. Knight’s Penelope Fitzgerald and the Consolation of Fiction is a study of the British author Penelope Fitzgerald (1916 – 2000), attending to her nine novels, especially as viewed through the lens both of "late style" (she published her first novel, The Golden Child, at age sixty) and, in her words, of "consolation, that is, for doubts and fears as well as for naked human loss." As in Shakespeare’s late, religiously inflected, romances, the two concerns coincide; and Fitzgerald’s ostensible comedies are marked by a clear experience of the tragic and the palpable sense of a world that verges on the edge of indifference to human loss. Yet Fitzgerald, her late age pessimism notwithstanding, seeks (with the aid of her own religious understandings), in each of her novels, to wrestle meaning, consolation and even comedy from circumstances not noticeably propitious. Or as she herself memorably spoke of her own "deepest convictions": "I can only say that however close I’ve come, by this time, to nothingness, I have remained true to my deepest convictions—I mean to the courage of those who are born to be defeated, the weaknesses of the strong, and the tragedy of misunderstandings and missed opportunities, which I have done my best to treat as a comedy, for otherwise how can we manage to bear it?" The recipient of Britain’s Booker Prize and America’s National Book Critics Circle Award, Penelope Fitzgerald’s reputation as a novelist, and author more generally, has grown, since her death, significantly, to the point that she is now widely judged one of Britain’s finest writers, comparable in worth to the likes of Jane Austen, George Eliot and Virginia Woolf.

Christopher J. Knight’s Penelope Fitzgerald and the Consolation of Fiction is a study of the British author Penelope Fitzgerald (1916 – 2000), attending to her nine novels, especially as viewed through the lens both of "late style" (she published her first novel, The Golden Child, at age sixty) and, in her words, of "consolation, that is, for doubts and fears as well as for naked human loss." As in Shakespeare’s late, religiously inflected, romances, the two concerns coincide; and Fitzgerald’s ostensible comedies are marked by a clear experience of the tragic and the palpable sense of a world that verges on the edge of indifference to human loss. Yet Fitzgerald, her late age pessimism notwithstanding, seeks (with the aid of her own religious understandings), in each of her novels, to wrestle meaning, consolation and even comedy from circumstances not noticeably propitious. Or as she herself memorably spoke of her own "deepest convictions": "I can only say that however close I’ve come, by this time, to nothingness, I have remained true to my deepest convictions—I mean to the courage of those who are born to be defeated, the weaknesses of the strong, and the tragedy of misunderstandings and missed opportunities, which I have done my best to treat as a comedy, for otherwise how can we manage to bear it?" The recipient of Britain’s Booker Prize and America’s National Book Critics Circle Award, Penelope Fitzgerald’s reputation as a novelist, and author more generally, has grown, since her death, significantly, to the point that she is now widely judged one of Britain’s finest writers, comparable in worth to the likes of Jane Austen, George Eliot and Virginia Woolf.

Saved by my burger and chips The police were giving me lip, nearly dropped my chips. You should have seen me there on the boulevard, trying to act so hard with my dinner in my hand. I wish I looked so grand with my dinner in my hand. Although he has embraced joy in his young life, Christopher Knight has also faced many challenges that include the loss of his beloved mum and dad. In a debut collection of poetry, he shares a unique exploration of his life experiences and perspectives of the world around him. Within his diverse verse, he playfully reflects on his lovable pups, Alfie and Malty, the smell of coffee in the air, ghostly ghouls that scare him right out of his underwear, a near arrest by the police, the colors of nature, playing the lottery, and much more. Sonnet for Mum and Dad is a volume of poetry that explores a young man's journey through life as he faces trials, tribulations, and loves unconditionally.

Does God exist? While the possibility of there being a creator has been hotly disputed over many generations, with scientists on one side and theologians on the other, evidence either way has been non-existent. Faith has been the basis for the world's major religions. Many scientists reject the notion of God because they require empirical evidence in order to accept any proposition as being real. However, new information is now available, which appears to provide hard-nosed evidence of God's existence. Can faith be replaced by understanding, and can scientists formally embrace, once again, the concept of a supreme being as they did in Isaac Newton's day? Nothing less than God's 'blueprint' appears to have been discovered found by chance by the author while researching the science of the Neolithic people of Western Europe. You are invited to evaluate the evidence and asked to make a judgment as to whether the case is proven or not.

This is the amazing story of how a quest to try to crack the mystery of the Megalithic Yard - an ancient unit of linear measurement - led to the discovery of compelling evidence pointing to the existence of an unknown, highly advanced culture which was the precursor to the earliest known civilizations such as the Sumerians and the Egyptians. There must have been a Civilization One. Knight and Butler reveal the secrets of an extraordinary integrated measuring system which might have been lost to the world for ever. It was a system, far more advanced than anything used today, which forms the basis of both the Imperial and Metric measure systems! These ancient scientists understood the dimensions, motions and relationships of the Earth, Moon and Sun - they measured the solar system and even understood how the speed of light was integrated into the movements of our planet. Their conclusions fly in the face of everything that we thought we knew about the origins of the modern world - but the evidence is incontrovertible. And the implications of these revelations go far beyond the fascination of the discovery of a 'super-science' of prehistory; they indicate a grand plan which will have far reaching theological ramifications!

The suggestion that the Giza pyramids were laid out to represent the stars of Orion's belt, with the position of the River Nile reflecting the Milky Way, was first put forward by the renowned author Robert Bauval in his bestselling book The Orion Mystery. In Before the Pyramids Knight and Butler reveal that the British henges were arranged in the same formation - but much earlier. They also present irrefutable evidence that the astronomical calculations determining the layout of the pyramids could only have been made from the site of the henges in North Yorkshire. From this they can conclude that the pyramids of the pharaohs were conceived and planned in Britain! Their next stunning discovery takes us to modern times. They have found evidence that the whole Megalithic measuring system has survived into the 20th century. There are examples in Washington, DC - even in the positioning and construction of the Pentagon, which was only commenced in 1942 and is an exact copy of the dimensions of Stonehenge, dating to 3,000 BC.