Kirjahaku

A scholarly edition of poetical works by Christopher Smart. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of poetical works by Christopher Smart. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

This volume contains miscellaneous verse, arranged in chronological order, showing the pattern of Smart`s evolution from both academic and popular roles into a poet dedicated to Christian service.

The third of a five-volume edition of Smart's original poems and verse translations, which is particularly concerned to show how Smart attempted to adapt the Psalms for his eighteenth-century English Christian audience.

Published here for the first time since 1767, Christopher Smart's verse translation of Horace was made in the prodigiously creative years between his release from the madhouse and his death. The translation strengthens the impression made by all Smart's later verse of a poet of remarkable lyrical virtuosity and boldness of expression. The translation now emerges as testimony to Smart's tireless creativity and poetic energy, and as a significant contribution to the present reappraisal of Horace's influence on English literature. Smart's contemporaries, however, either ignored the project, or treated it with contempt, and it was never reprinted. This edition includes Smart's own critical preface, which is important for its declaration of the writer's principles as translator, and for its unorthodox ideas about poetic language. Karina Williamson's informative introduction discusses Smart's principles and methods in the context of eighteenth century attitudes to the translation of clasical works. Full scholarly apparatus is provided, together with a detailed and clarifying commentary which explains Smart's more obscure passages.

This is the first literary critical edition of Christopher Smart's translation of Phaedrus' fables, and the first literary commentary on these fables in English. Many of the best known Aesopian fables are in fact the work of the Roman poet Phaedrus, a freed slave of the first century. In the eighteenth century, Phaedrus was in the pantheon of great classical authors, while Christopher Smart was considered the outstanding fabulist of his time. Yet today, while Aesop's fables are a household name, and other works by Smart enjoy critical acclaim, Phaedrus' fables and Smart's translation of them are both largely disregarded or unknown. The fables themselves are familiar yet fresh; their social and political implications often have a startlingly contemporary flavour, and Smart's versions successfully catch the spirit and humour of the Latin originals. This edition provides a full introduction, commentary, and scholarly apparatus, and constitutes a history of the reception of the text. Also presented is the case for a possible new attribution to Smart - the Phaedrus by a Gentleman of the University of Cambridge.

First published in 1949, this book presents the collected works of Christopher Smart, the eighteenth-century poet whose life has an attraction for the curioso of literature. There is the early marriage with Anne Vane, his secret marriage, eighteenth-century Cambridge life, the intrigues of Grub Street, and, finally, insanity and confinement in an asylum. Smart remains a strange, enigmatic figure, repulsive or attractive according to the temperament of the investigator. His poetry is not easy to disentangle from his character – egocentric, given to exhibitionism, childish, oscillating between the extremes of self-belittlement and self-glorification; but he has his own claim to fame. Few other poets match him in directness of expression. He is a poet with the eye of a painter, developed in an unusually high degree. He has a stereoscopic vision which makes the object leap to the eye, the painter’s sense of physical texture and his skill in composing a picture. Then again, there is his versatility. He practised almost every kind of poetry and gave to each kind his own personal inflection. It is the aim of this edition to present as complete a text as possible in the way that Smart himself would have seen it and, in giving some account of the poet’s life, to link his poetry with it. The book will be of interest to students of eighteenth-century literature and history.

First published in 1949, this book presents the collected works of Christopher Smart, the eighteenth-century poet whose life has an attraction for the curioso of literature. There is the early marriage with Anne Vane, his secret marriage, eighteenth-century Cambridge life, the intrigues of Grub Street, and, finally, insanity and confinement in an asylum. Smart remains a strange, enigmatic figure, repulsive or attractive according to the temperament of the investigator. His poetry is not easy to disentangle from his character – egocentric, given to exhibitionism, childish, oscillating between the extremes of self-belittlement and self-glorification; but he has his own claim to fame. Few other poets match him in directness of expression. He is a poet with the eye of a painter, developed in an unusually high degree. He has a stereoscopic vision which makes the object leap to the eye, the painter’s sense of physical texture and his skill in composing a picture. Then again, there is his versatility. He practised almost every kind of poetry and gave to each kind his own personal inflection. It is the aim of this edition to present as complete a text as possible in the way that Smart himself would have seen it and, in giving some account of the poet’s life, to link his poetry with it. The book will be of interest to students of eighteenth-century literature and history.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT042626With a list of subscribers.London: printed for the author, by W. Strahan; and sold by J. Newbery, 1752. 16],230p., plates; 4