The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT110125With a half-title.London: printed for T. Hookham, and J. Carpenter, 1792. viii,244p.; 12
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT070080London: printed for Hookham and Carpenter, 1793. 3v.; 12
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT070080London: printed for Hookham and Carpenter, 1793. 3v.; 12
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)T175102The imprint to volume 2 omits the name of William Porter.Dublin: printed by William Porter, for P. Wogan, P. Byrne, H. Colbert, J. Moore, J. Halpen and 5 others in Dublin], 1791. 2v.; 12
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)T175102The imprint to volume 2 omits the name of William Porter.Dublin: printed by William Porter, for P. Wogan, P. Byrne, H. Colbert, J. Moore, J. Halpen and 5 others in Dublin], 1791. 2v.; 12
In this enthralling gothic novel, Clara Reeve takes the foundation laid by Horace Walpole's The Castle of Otranto and crafts a unique narrative set against the backdrop of medieval England. This volume is part of the Mothers of the Macabre series, celebrating the gothic horror masterpieces of pioneering women writers who played a pivotal role in shaping and advancing the genre. Breathing new life into the gothic horror genre, The Old English Baron serves as a compelling rewrite of the influential classic, The Castle of Otranto (1764). First published in 1777, Clara Reeve's masterful storytelling pays homage to Walpole's, while infusing the narrative with realism and her own distinct vision. Through atmospheric settings, complex characters, and intricate plotlines, this volume stands as a testament to the enduring allure of gothic literature.
Clara Reeve (23 January 1729 - 3 December 1807) was an English novelist, best known for her Gothic novel The Old English Baron (1777).She also wrote an innovative history of prose fiction, The Progress of Romance (1785). Her first work was a translation from Latin, then an unusual language for a woman to learn............. The Old English Baron is an early Gothic novel by the English author Clara Reeve. It was first published under this title in 1778, although it had anonymously appeared in 1777 under its original name of The Champion of Virtue, before Samuel Richardson's daughter, Mrs Bridgen, had edited it for her. Apart from typographical errors, the revision was trifling. Miss Reeve noted in the 1778 preface that "This Story is the literary offspring of The Castle of Otranto, written upon the same plan, with a design to unite the most attractive and interesting circumstances of the ancient Romance and modern Novel, at the same time it assumes a character and manner of its own, that differs from both; it is distinguished by the appellation of a Gothic Story, being a picture of Gothic times and manners." Originally Miss Reeve presented the story, as Walpole had done before her, as an old manuscript she had merely discovered and transcribed. Under Mrs Bridgen's auspices this fiction was removed from the preface, but more subtle textual references to its authenticity were allowed to remain. These included the claim that the four-year interval was a lacuna in the manuscript, where the original author was supposed to have left off and a "more modern hand" continued the manuscript; there are many subsequent breaches in the narrative where the original was supposed to have been defaced by damp.The Oxford World's Classics edition notes that it was a major influence in the development of Gothic fiction.It was dramatized in 1799 as Edmond, Orphan of the Castle. Plot The story follows the adventures of Sir Philip Harclay, who returns to medieval England to find that Arthur Lord Lovel, the friend of his youth, is dead. His cousin Walter Lord Lovel had succeeded to the estate, and sold the family castle to the baron, Fitz-Owen. Among the baron's household were his two sons and daughter Emma, several young gentlemen relations being educated with the sons, and Edmund Twyford, the son of a peasant, who had been brought to live with them. When Sir Philip saw him, he took an immediate liking to him, being struck by his resemblance to his lost friend. The Knight proposing to take him into his own family, being childless, Edmund preferred to remain with the baron, receiving however an assurance that if ever he was in need of it, Sir Philip would renew his offer. The narrative then oversteps the interval of four years. By his manifestly superior nature and qualities Edmund had attracted the enmity of his benefactor's nephews, and the coldness of Sir Robert, the eldest son. William, his younger brother, is his staunch friend however, and Edmund is in love with the Lady Emma...................
'Though I have been dead these fifteen years, I still command here, and none can enter these gates without my permission.' When Sir Philip Harclay returns to England after a long absence, he finds that his childhood friend, Arthur, Lord Lovel, is no longer alive, and that the castle and estates of the Lovel family have twice changed hands. But a mysteriously abandoned set of rooms in the castle of Lovel promises to disclose the secrets of the past. After a series of frantic episodes and surprising revelations, culminating in a trial by combat, the crimes of the usurper and the legitimacy of the true heir are finally discovered. 'The literary offspring of the castle of Otranto', as Reeve described it, The Old English Baron provides an ambitious rewriting of Horace Walpole's groundbreaking work, transporting the trappings of the Gothic to medieval England. Innovative and original in its day, Reeve's historical romance is increasingly recognized as a major influence on the development of Gothic fiction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Journey back to medieval England in Clara Reeve's classic gothic novel, "The Old English Baron." Steeped in historical detail and intrigue, this enduring work of historical fiction transports readers to the reign of Henry VI. Reeve masterfully crafts a tale that explores themes of heritage, justice, and the mysteries hidden within ancient estates. A cornerstone of gothic literature, "The Old English Baron" provides a glimpse into a bygone era, capturing the atmosphere and societal structures of 15th-century England. Discover a captivating story that has resonated with readers for generations, meticulously prepared for this print edition. A true classic, "The Old English Baron" remains a compelling read for anyone interested in historical fiction and the gothic tradition.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Journey back to medieval England in Clara Reeve's classic gothic novel, "The Old English Baron." Steeped in historical detail and intrigue, this enduring work of historical fiction transports readers to the reign of Henry VI. Reeve masterfully crafts a tale that explores themes of heritage, justice, and the mysteries hidden within ancient estates. A cornerstone of gothic literature, "The Old English Baron" provides a glimpse into a bygone era, capturing the atmosphere and societal structures of 15th-century England. Discover a captivating story that has resonated with readers for generations, meticulously prepared for this print edition. A true classic, "The Old English Baron" remains a compelling read for anyone interested in historical fiction and the gothic tradition.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
