Kirjahaku

ISSN 0014-5815Folklore Fellows' Communications 317Where does poetic inspiration come from? This has been a puzzle for as long as poetry has been around. This book surveys some of the ways poets have thought of their craft, focusing particularly on medieval sources which see the Otherworld as a fastness of poetic inspiration, whence it has to be raided.Clive Tolley is a docent in the folkloristics department of the University of Turku in Finland, specialising in comparative mythology.

ISSN0014-5815Publisher Kalevalaseura-säätiöSeries Folklore Fellows' CommunicationsNew edition 2023Medieval Norse written sources, ranging from poems originally handed down in oral tradition from pagan times to prose sagas composed in literate Christian Iceland, as well as histories and laws, present acts of magic and initiation, performed both by humans in fictionalized histories and by gods in myths. The summoning of spirits, journeys to the otherworld, the taking of animal shape, and drumming are some of the features of these rites that have prompted many to see in pre-Christian Scandinavian practices some form of shamanism. But what exactly are the features of shamanism that are being compared? And how reliable are the Norse sources in revealing the true nature of pre-Christian practices?In this study, Clive Tolley presents the main features of Siberian shamanism, as they are relevant for comparison with Norse sources, and examines the Norse texts in detail to determine how far it is reasonable to assign a label of "shamanism" to the human and divine magical practices of pre-Christian Scandinavia, whose existence, it is argued, in many cases resides mainly in the imaginative tradition of the poets.Publisher of the first edition 2009: Academia Scientarium Fennica

ISSN 0014-5815Series: Folklore Fellows' CommunicationsAttn: In this volume are only the reference materials.Medieval Norse written sources, ranging from poems originally handed down in oral tradition from pagan times to prose sagas composed in literate Christian Iceland, as well as histories and laws, present acts of magic and initiation, performed both by humans in fictionalized histories and by gods in myths. The summoning of spirits, journeys to the otherworld, the taking of animal shape, and drumming are some of the features of these rites that have prompted many to see in pre-Christian Scandinavian practices some form of shamanism. But what exactly are the features of shamanism that are being compared? And how reliable are the Norse sources in revealing the true nature of pre-Christian practices?In this study, Clive Tolley presents the main features of Siberian shamanism, as they are relevant for comparison with Norse sources, and examines the Norse texts in detail to determine how far it is reasonable to assign a label of "shamanism" to the human and divine magical practices of pre-Christian Scandinavia, whose existence, it is argued, in many cases resides mainly in the imaginative tradition of the poets.Publisher of the first edition 2009: Academia Scientarium Fennica