Kirjahaku

“Ever since Pa hit him in the head with the two-by-four, Earl had lived with blinders on. Not real blinders, of course, because that would be foolish. It was his own brain that blinkered him.” EARL HAHN is slow, the last one to catch on to things. Since the day his father hit him in the head with a 2x4 of loblolly pine, he’s struggled with a “thickness in his brain.” It takes him longer to make the connections others arrive at easily. When his father is prosecuted for the crime of incest, it feels like deliverance for Earl, his mother Lizzie Belle, and the entire Hahn family. Unfortunately, his father’s abhorrent actions are not done exacting a price. Everyone in the household will pay for their patriarch’s crimes – no one more than Earl. So begins a powerful coming-of-age tale about a shy, damaged boy who must overcome unimaginable personal tragedy – both as its victim and its perpetrator. Raw, honest, and filled with heart, Earl, Honey recounts an extraordinary search for redemption amid the perilous world of the 1920s American South.

“Ever since Pa hit him in the head with the two-by-four, Earl had lived with blinders on. Not real blinders, of course, because that would be foolish. It was his own brain that blinkered him.” EARL HAHN is slow, the last one to catch on to things. Since the day his father hit him in the head with a 2x4 of loblolly pine, he’s struggled with a “thickness in his brain.” It takes him longer to make the connections others arrive at easily. When his father is prosecuted for the crime of incest, it feels like deliverance for Earl, his mother Lizzie Belle, and the entire Hahn family. Unfortunately, his father’s abhorrent actions are not done exacting a price. Everyone in the household will pay for their patriarch’s crimes – no one more than Earl. So begins a powerful coming-of-age tale about a shy, damaged boy who must overcome unimaginable personal tragedy – both as its victim and its perpetrator. Raw, honest, and filled with heart, Earl, Honey recounts an extraordinary search for redemption amid the perilous world of the 1920s American South.

Some days are fast days – busy days -- “too much to do” days. Some days are slow. On this slow day, Kya and her grandmother explore the seaside, interacting with nature, asking questions and being present in the moment. Kya discovers the best days can be days when very little happens.

Some days are fast days – busy days -- “too much to do” days. Some days are slow. On this slow day, Kya and her grandmother explore the seaside, interacting with nature, asking questions and being present in the moment. Kya discovers the best days can be days when very little happens.