Kirjahaku

Hermann Cohen (1842-1918) is widely regarded as the most influential representative of twentieth-century Jewish philosophy, and his Religion of Reason is often described as one of the most significant attempts to wrestle with the competing claims of philosophy and the Jewish religious tradition since Maimonides' Guide of the Perplexed. Nevertheless, Cohen has often been treated merely as an historical precursor to later Jewish thinkers like Buber, Rosenzweig, and Levinas. Daniel H. Weiss offers an insightful new reading of Religion of Reason, arguing that the style and method of Cohen's final work have long been fundamentally misunderstood. Previous readers, puzzled by the seemingly incompatible perspectives within Religion of Reason, have tended either to uphold one or another of the text's 'voices' or to criticize the text for intellectual incoherence. Weiss demonstrates that the multiplicity of Cohen's text is an essential element of its rational and communicative purposes. Drawing upon Kierkegaard as a theorist of indirect communication, he shows how Cohen combines the 'incompatible voices' of philosophy and of Scripture in order to convey religious and ethical ideas-such as the unique God, the other as You, and the messianic future-that would be distorted in a fully consistent, single-voiced mode of thought and communication. While focusing on the details and style of Cohen's text, Paradox and the Prophets also explores the broader philosophical claim that Religion of Reason, far from representing an outdated mode of thought, serves as a model for contemporary efforts to reason about religion and ethics.

A powerful reflection on the universal art museum, considering the values critical to its history and anticipating its evolving place in our cultural future Art museums have played a vital role in our culture, drawing on Enlightenment ideals in shaping ideas, advancing learning, fostering community, and providing spaces of beauty and permanence. In this thoughtful and often personal volume, Daniel H. Weiss contemplates the idea of the universal art museum alongside broad considerations about the role of art in society and what defines a cultural experience. The future of art museums is far from secure, and Weiss reflects on many of the difficulties these institutions face, from their financial health to their collecting practices to the audiences they engage to ensuring freedom of expression on the part of artists and curators. In grappling with these challenges, Weiss sees a solution in shared governance. His tone is one of optimism as he looks to a future where the museum will serve a greater public while continuing to be a steward of culture and a place of discovery, discourse, inspiration, and pleasure. This poignant questioning and affirmation of the museum explores our enduring values while embracing the need for change in a rapidly evolving world.

A powerful reflection on the universal art museum, considering the values critical to its history and anticipating its evolving place in our cultural future Art museums have played a vital role in our culture, drawing on Enlightenment ideals in shaping ideas, advancing learning, fostering community, and providing spaces of beauty and permanence. In this thoughtful and often personal volume, Daniel H. Weiss contemplates the idea of the universal art museum alongside broad considerations about the role of art in society and what defines a cultural experience. The future of art museums is far from secure, and Weiss reflects on many of the difficulties these institutions face, from their financial health to their collecting practices to the audiences they engage to ensuring freedom of expression on the part of artists and curators. In grappling with these challenges, Weiss sees a solution in shared governance. His tone is one of optimism as he looks to a future where the museum will serve a greater public while continuing to be a steward of culture and a place of discovery, discourse, inspiration, and pleasure. This poignant questioning and affirmation of the museum explores our enduring values while embracing the need for change in a rapidly evolving world.

Is commitment to God compatible with modern citizenship? In this book, Daniel H. Weiss provides new readings of four modern Jewish philosophers – Moses Mendelssohn, Hermann Cohen, Franz Rosenzweig, and Walter Benjamin – in light of classical rabbinic accounts of God's sovereignty, divine and human violence, and the embodied human being as the image of God. He demonstrates how classical rabbinic literature is relevant to contemporary political and philosophical debates. Weiss brings to light striking political aspects of the writings of the modern Jewish philosophers, who have often been understood as non-political. In addition, he shows how the four modern thinkers are more radical and more shaped by Jewish tradition than has previously been thought. Taken as a whole, Weiss' book argues for a fundamental rethinking of the relationship between Judaism and politics, the history of Jewish thought, and the ethical and political dynamics of the broader Western philosophical tradition.

Is commitment to God compatible with modern citizenship? In this book, Daniel H. Weiss provides new readings of four modern Jewish philosophers – Moses Mendelssohn, Hermann Cohen, Franz Rosenzweig, and Walter Benjamin – in light of classical rabbinic accounts of God's sovereignty, divine and human violence, and the embodied human being as the image of God. He demonstrates how classical rabbinic literature is relevant to contemporary political and philosophical debates. Weiss brings to light striking political aspects of the writings of the modern Jewish philosophers, who have often been understood as non-political. In addition, he shows how the four modern thinkers are more radical and more shaped by Jewish tradition than has previously been thought. Taken as a whole, Weiss' book argues for a fundamental rethinking of the relationship between Judaism and politics, the history of Jewish thought, and the ethical and political dynamics of the broader Western philosophical tradition.

In That Time tells the story of the American experience in Vietnam through the life of Michael O'Donnell, a promising young poet who became a soldier and helicopter pilot in Vietnam. O'Donnell wrote with great sensitivity and poetic force about his world and especially the war that was slowly engulfing him and his most well-known poem is still frequently cited and reproduced. Nominated for the Congressional Medal of Honour, O'Donnell never fired a shot in Vietnam. During an ill-fated attempt to rescue fellow soldiers, O'Donnell's helicopter was shot down in the jungles of Cambodia where he and his crew remained missing for almost 30 years. In telling O'Donnell's story, In That Time also tells the stories of those around him, both famous and ordinary, who helped to shape the events of the time and who were themselves shaped by them. The book is both a powerful personal story and a compelling, universal one about how America lost its way in the 1960s.

Through the story of the brief, brave life of apromising poet, the president and CEO of New York's Metropolitan Museum of Artevokes the turmoil and tragedy of the Vietnam War era. In That Time tells the story of the American experience in Vietnam through the lifeof Michael O'Donnell, a bright young musician and poet who served as a soldierand helicopter pilot. O'Donnell wrote with great sensitivity and poetic force, and his best-known poem is among the most beloved of the war. In 1970, duringan attempt to rescue fellow soldiers stranded under heavy fire, O'Donnell'shelicopter was shot down in the jungles of Cambodia. He remained missing inaction for almost three decades. Althoughhe never fired a shot in Vietnam, O'Donnell served in one of the most dangerousroles of the war, all the while using poetry to express his inner feelings andto reflect on the tragedy that was unfolding around him. O'Donnell's life isboth a powerful, personal story and a compelling, universal one about howAmerica lost its way in the 1960s, but also how hope can flower in the marginsof even the darkest chapters of the American story.