Kirjahaku

Sarah Caldwell: The First Woman of Opera is the first biography of this significant musician, conductor, and director and documents Ms. Caldwell's genius as an indomitable force for opera in America. Caldwell mounted many U.S. premieres and brought rare editions of standard works to her audiences. At the height of her career, she raised her baton over four of the top five orchestras, including the New York Philharmonic and the Boston Symphony Orchestra, and conducted orchestras in such cities as Pittsburgh, St. Louis, San Antonio, Atlanta, Mexico City, and Puerto Rico. She conducted ensembles in Canada, Sweden, South Africa, and Russia; was a musical director for Wolf Trap; and was the first woman to conduct at the Metropolitan Opera. She founded the renowned Opera Company of Boston, as well as the outreach effort Opera New England and a nation-wide touring enterprise, the American National Opera Company. Caldwell's undeniable zeal was evident in whatever she undertook, and her accomplishments invite reflection, showing what an opera company could and should be in America. Daniel Kessler presents Ms. Caldwell's life in flashbacks and explores her 1978 landmark production of Gaetano Donizetti's Don Pasquale, which serves as a prime example of how she engaged with her creative Muse. He describes her personal and professional life, including her experience with the impresario Boris Goldovsky, her ability to create her own brand of 'stage wizardry,' and her moments of overreaching and hubris, such as her unorthodox fundraising methods and her experience with Imelda Marcos. Complete with several illustrations, a bibliography, an index, and the comprehensive annals of her three opera companies, Sarah Caldwell demonstrates what one person of genius, imagination, and passion can accomplish single-handedly.

Sarah Caldwell: The First Woman of Opera is the first biography of this significant musician, conductor, and director and documents Ms. Caldwell's genius as an indomitable force for opera in America. Caldwell mounted many U.S. premieres and brought rare editions of standard works to her audiences. At the height of her career, she raised her baton over four of the top five orchestras, including the New York Philharmonic and the Boston Symphony Orchestra, and conducted orchestras in such cities as Pittsburgh, St. Louis, San Antonio, Atlanta, Mexico City, and Puerto Rico. She conducted ensembles in Canada, Sweden, South Africa, and Russia; was a musical director for Wolf Trap; and was the first woman to conduct at the Metropolitan Opera. She founded the renowned Opera Company of Boston, as well as the outreach effort Opera New England and a nation-wide touring enterprise, the American National Opera Company. Caldwell's undeniable zeal was evident in whatever she undertook, and her accomplishments invite reflection, showing what an opera company could and should be in America. Daniel Kessler presents Ms. Caldwell's life in flashbacks and explores her 1978 landmark production of Gaetano Donizetti's Don Pasquale, which serves as a prime example of how she engaged with her creative Muse. He describes her personal and professional life, including her experience with the impresario Boris Goldovsky, her ability to create her own brand of "stage wizardry," and her moments of overreaching and hubris, such as her unorthodox fundraising methods and her experience with Imelda Marcos. Complete with several illustrations, a bibliography, an index, and the comprehensive annals of her three opera companies, Sarah Caldwell demonstrates what one person of genius, imagination, and passion can accomplish single-handedly.

Debt is a fact of life nowadays. Debt is used to help businesses grow and individuals secure their futures. But sometimes things go awry - the financial upheaval of pandemic being a prime example - and a debtor is left facing bills they cannot pay. Their creditors may then start to take legal action to recover their money and, if they are still not paid, creditors may threaten to present a bankruptcy or a winding up petition. The law and procedures involved are complex and can seem overwhelming to someone with little legal knowledge. Insolvency Law Made Clear: A Guide for Debtors aims to help such people. It is a clear, plain English guide to personal and corporate insolvency law and procedure that will help the debtor either challenge their creditors or enable them to come out the other side with the best outcome possible so they can move on to the next chapter in their life. Daniel Kessler, a barrister who represents both debtors and creditors in the insolvency courts, answers all the key questions that the reader will need to answer such as: Should a debtor go bankrupt? If not, what are the alternatives? Should the debtor resist? What is a statutory demand and what is a bankruptcy petition? What powers does a Trustee in Bankruptcy have? And can they be challenged? What are the different types of corporate insolvency? When will a director have to pay the debts of their company? What happens after a company is wound up? Crucially, he also provides invaluable tips, guidance and checklists on how to represent yourself in proceedings - sometimes, the only option where funds are tight- alongside a collection of precedent documents and forms that will help in that effort. This comprehensive combination of guidance and precedents in Insolvency Law Made Clear: A Guide for Debtors makes it an essential reference for everyone facing a debt they cannot afford to repay, whether as an individual or a business.