Kirjahaku

In the race to discover real solutions for the conflicts that plague contemporary society, it is essential that we look to precedent. Many of today's conflicts involve ethno-religious tensions that modern wisdom alone is ill-equipped to resolve. In Third-Party Peacemakers in Judaism, Rabbi Dr. Daniel Roth asks us to consider ancient religious and traditional cultural solutions to such present-day issues. Roth presents thirty-six case studies featuring third-party peacemakers drawn from Jewish classical, medieval, and early-modern rabbinic literature. Each case is explored through three layers of analysis - text, theory, and practice. The first layer offers historical and literary analysis of textual case studies, many of which are critically analyzed here for the first time. The second layer examines the theoretical model of third-party peacemaking imbedded within the selected cases and comparing them to other cultural and religious models of third-party peacemaking and conflict resolution. The final layer of analysis, based upon the author's personal experience of religious conflict resolution and peacemaking, looks at the practical implications of these case studies as models for modern peacemaking. Third-Party Peacemakers in Judaism serves as an inspiration for fostering indigenous practices of third-party peacemaking and mediation in the modern era.

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Unver nderter Nachdruck der Originalausgabe von 1847.

Unver nderter Nachdruck der Originalausgabe von 1847.

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Comparative Literature, grade: 1,5, University of Trier, course: The Films of Martin Scorsese, language: English, abstract: Introduction Starting point for my term paper was the question of how to approach such a complex work of art, since I had no previous experience or theoretical knowledge in the analysis of films. It quickly dawned on me that a literal analysis of the film s plot and its characters under particular consideration of the author s intention, that I was used to in the field of literary studies, would be dysfunctional, since there were too many creative sources involved in the genesis of a film. To further complicate matters, I became in my search for appropriate secondary literature quickly acquainted with some post-modern scholars such as Robin Wood, who sees Paul Schrader as a "neo-fascist," "whose films amount to a systematic repudiation of all minority groups and any possible social alternative, in order to re-assert a quasi-mystical sense of male supremacy, heterosexual superiority, and a total spurious "transcendence." ...] the film's interest is inseparable from its sense of confusion, its failure to define a coherent attitude towards its protagonist." (Wood) Since I was convinced that there was more to Taxi Driver than its "sense of confusion" and, that a coherent, clear analysis was possible, though coming to a definite conclusion might not be possible due to its character s ambivalence, I intended my term paper to be a step out of this academic mingling of terms by the use of an integral approach. I use the word integral in a Wilberian sense, which is "to include as many perspectives, styles, and methodologies as possible within a coherent view of a] topic." ("integral thought" -Wikipedia) Part one of my paper is generally a brief summary of the main underlying motives that I identified in the secondary literature on Taxi Driver. These motiv