Kirjahaku

Unlocking the Poetry of W.B. Yeats undertakes a thorough re-reading of Yeats' oeuvre as an extended meditation on the image and theme of the heart as it is evident within the poetry. It places the heart at the centre of a complex web of Yeatsian preoccupations and associations—from the biographical, to the poetic and philosophical, to the mythological and mystical. In particular, the book seeks to unlock Yeats’ mystifying aesthetic vision via his understanding of the ancient Egyptian "Weighing of the Heart" ceremony. The work provides a chronological narrative arc that looks to use the theme of the heart as it recurs in the poetry in order to circumvent and overcome more established frameworks. Its purpose is to offer refreshing ways of conceptualizing and building alternatives to more deeply entrenched, but not entirely satisfactory arguments that have been offered since Yeats' death in 1939, while demonstrating the centrality of the occult to Yeats' art.

This book studies Wallace Stevens and pre-Socratic philosophy, showing how concepts that animate Stevens’ poetry parallel concepts and techniques found in the poetic works of Parmenides, Empedocles, and Xenophanes, and in the fragments of Heraclitus. Tompsett traces the transition of pre-Socratic ideas into poetry and philosophy of the post-Kantian period, assessing the impact that the mythologies associated with pre-Socratism have had on structures of metaphysical thought that are still found in poetry and philosophy today. This transition is treated as becoming increasingly important as poetic and philosophic forms have progressively taken on the existential burden of our post-theological age. Tompsett argues that Stevens’ poetry attempts to ‘play’ its audience into an ontological ground in an effort to show that his ‘reduction of metaphysics’ is not dry philosophical imposition, but is enacted by our encounter with the poems themselves. Through an analysis of the language and form of Stevens’ poems, Tompsett uncovers the mythology his poetry shares with certain pre-Socratics and with Greek tragedy. This shows how such mythic rhythms are apparent within the work of Friedrich Nietzsche, Martin Heidegger and Hans-Georg Gadamer, and how these rhythms release a poetic understanding of the violence of a ‘reduction of metaphysics.’

This book studies Wallace Stevens and pre-Socratic philosophy, showing how concepts that animate Stevens’ poetry parallel concepts and techniques found in the poetic works of Parmenides, Empedocles, and Xenophanes, and in the fragments of Heraclitus. Tompsett traces the transition of pre-Socratic ideas into poetry and philosophy of the post-Kantian period, assessing the impact that the mythologies associated with pre-Socratism have had on structures of metaphysical thought that are still found in poetry and philosophy today. This transition is treated as becoming increasingly important as poetic and philosophic forms have progressively taken on the existential burden of our post-theological age. Tompsett argues that Stevens’ poetry attempts to ‘play’ its audience into an ontological ground in an effort to show that his ‘reduction of metaphysics’ is not dry philosophical imposition, but is enacted by our encounter with the poems themselves. Through an analysis of the language and form of Stevens’ poems, Tompsett uncovers the mythology his poetry shares with certain pre-Socratics and with Greek tragedy. This shows how such mythic rhythms are apparent within the work of Friedrich Nietzsche, Martin Heidegger and Hans-Georg Gadamer, and how these rhythms release a poetic understanding of the violence of a ‘reduction of metaphysics.’

Unlocking the Poetry of W.B. Yeats undertakes a thorough re-reading of Yeats' oeuvre as an extended meditation on the image and theme of the heart as it is evident within the poetry. It places the heart at the centre of a complex web of Yeatsian preoccupations and associations—from the biographical, to the poetic and philosophical, to the mythological and mystical. In particular, the book seeks to unlock Yeats’ mystifying aesthetic vision via his understanding of the ancient Egyptian "Weighing of the Heart" ceremony. The work provides a chronological narrative arc that looks to use the theme of the heart as it recurs in the poetry in order to circumvent and overcome more established frameworks. Its purpose is to offer refreshing ways of conceptualizing and building alternatives to more deeply entrenched, but not entirely satisfactory arguments that have been offered since Yeats' death in 1939, while demonstrating the centrality of the occult to Yeats' art.

This book looks back over thousands of years to explore the period in Egyptian history when the Bible identifies that Ancient Israel was resident in Egypt. It asks and answers one very simple question: What new things can we learn about this period of history if we treat the Bible as a valid historical document? Whereas this topic is often approached from either the perspective of the Bible or Egyptology, this work genuinely attempts to occupy the ground between the two. It uses Scripture like a torch carried into the deepest recesses of the established historical facts and theories concerning the late Middle Kingdom period, the Second Intermediate period, and the early New Kingdom period in Egyptian history. Along the way, it considers some of the latest discoveries, innovations, and theories from the world of Egyptology and unearths a trove of tangible points of connection. As such, the narrative forms a two-way perspective, where the biblical account illuminates stubbornly opaque moments in Egyptian history and chronology and where the meticulous work of Egyptologists provides appropriate additional background to the Bible. The result is a sharper perspective of an ancient account that has a surprisingly current application for us all.

This book looks back over thousands of years to explore the period in Egyptian history when the Bible identifies that Ancient Israel was resident in Egypt. It asks and answers one very simple question: What new things can we learn about this period of history if we treat the Bible as a valid historical document? Whereas this topic is often approached from either the perspective of the Bible or Egyptology, this work genuinely attempts to occupy the ground between the two. It uses Scripture like a torch carried into the deepest recesses of the established historical facts and theories concerning the late Middle Kingdom period, the Second Intermediate period, and the early New Kingdom period in Egyptian history. Along the way, it considers some of the latest discoveries, innovations, and theories from the world of Egyptology and unearths a trove of tangible points of connection. As such, the narrative forms a two-way perspective, where the biblical account illuminates stubbornly opaque moments in Egyptian history and chronology and where the meticulous work of Egyptologists provides appropriate additional background to the Bible. The result is a sharper perspective of an ancient account that has a surprisingly current application for us all.