Kirjahaku

Bruce Springsteen: Two Hearts is the definitive biography of one of the most important songwriters and performers of the last three decades. Critic Dave Marsh has traced Springsteen's career from its beginning, and has earned the singer's respect through his careful documentation and critical description of Springsteen's work. This biography brings together for the first time Marsh's two previous biographies, Born To Run (which covered Springsteen's early career through the mid-'70s) and Glory Days (which took him through the mid-'80s). Both were widely praised for their insightful and near definitive coverage of Springsteen's life and music. For this book, Marsh has written a new chapter covering major developments in Springsteen's career to today, particularly focusing on his album The Rising and its impact on American culture.

A new edition of Dave Marsh's classic work on the three-chord song that rocked the world"A tale as compelling as any John Grisham thriller."-Rolling Stone"Dave Marsh's Louie Louie is part rant, part rock criticism and part cultural analysis, with a good dose of Ripley's Believe It or Not! thrown in."-The New York Times Book Review"Marsh keeps the story of one trashy song interesting by revealing how 'three chords and a cloud of dust' contains within it the history and future of rock 'n' roll."-Booklist"What you don't know about 'Louie Louie' probably won't hurt you. But everything you need to know is in Marsh's book, including the lyrics-the real ones and the ones people thought they heard. If there is a better measure of your pop-cultural IQ, I don't know where to find it."-USA Today Since his days as the original editor of Creem, Dave Marsh has been revered as one of rock's greatest critics. During the 70s he was record editor at Rolling Stone, and in 1983 he founded Rock & Roll Confidential. His other books include Glory Days: Bruce Springsteen in the 1980s (1987), and Before I Get Old: The Story of the Who (1983).

Heaven Was Detroit: From Jazz to Hip-hop and Beyond is the first of its kind to capture the full spectrum of Detroit popular music from the early 1900s to the twenty-first century. Readers will find in this unique and stimulating anthology new essays, and a few classics, by widely known and respected music writers, critics, and recording artists who weigh in on their careers and experiences in the Detroit music scene, from rock to jazz and everything in between. With a foreword by the acclaimed rock writer Dave Marsh and iconic photos by Leni Sinclair, the book features such well-known writers as Greil Marcus, Jaan Uhelszki, Al Young, Susan Whitall, Gary Graff, John Sinclair, and many others.Divided into nine sections, the book moves chronologically through the early days of jazz in Detroit, to the rock ’n’ roll of the 1960s, and on to today’s electronica scene, with so many groundbreaking moments in between. Topics in this collection of essays include Motown’s connection to the Civil Rights Movement and the Black Power Movement through its side label, Black Forum Records; Lester Bangs’s exemplary piece on Alice Cooper; the story behind the emergence of rap legend Eminem; and Craig Maki’s enlightening history on ""hillbilly rock"" — just to name a few. With a rich musical tradition to rival Nashville, Detroit serves as the inspiration, backdrop, and playground for some of the most influential music artists of the past century. Heaven Was Detroit captures the essence of the Detroit music scene: the grit, the spark, the desire to tell a story set to the rhythm of the city. Fans of any music genre will find something that speaks to them in the pages of this collection.

Before I Get Old stands as one of the best books ever written about rock n roll. After best-selling Rolling Stone writer Dave Marsh was invited by Pete Townshend to write a history of legendary band the Who, he spent three years investigating and researching their story. The result is the first in-depth biography of the band, discarding the myth and nonsense which has become so much a part of the usual Who coverage. Before I Get Old tells the story of not one but six personalities guitarist Pete Townshend, bassist John Entwistle, drummer Keith Moon and singer Roger Daltrey plus their original managers Kit Lambert and Chris Stamp. It describes the group s origins in the steamy nightlife of London, charts their meteoric rise to fame, and describes the creation of the rock opera Tommy which turned them into superstars. Here is the pathos, the laughter, the crazy world they worked in, the drugs, the destruction, the vandalism, the debts, the multi-million-dollar tours, and of course the music. In short, this story contains every inch of the fascinating, shocking, hilarious, and provocatively relevant material that makes up the Who and their wild lives and careers. Before I Get Old is essential reading, an exhaustive study of an exhausting band, who have always lived up to their legend."

Bruce Springsteen: Two Hearts is the definitive biography of one of the most important songwriters and performers of the last three decades. Critic Dave Marsh has traced Springsteen's career from its beginning, and has earned the singer's respect through his careful documentation and critical description of Springsteen's work. This biography brings together for the first time Marsh's two previous biographies, Born To Run (which covered Springsteen's early career through the mid-'70s) and Glory Days (which took him through the mid-'80s). Both were widely praised for their insightful and near definitive coverage of Springsteen's life and music. For this book, Marsh has written a new chapter covering major developments in Springsteen's career to today, particularly focusing on his album The Rising and its impact on American culture.

Selected writings on three decades of popular music from one of the most influential critics of his generation.Spanning three decades worth of astute, acerbic, and overall astounding music writing, Kick Out the Jams is the first large-scale anthology of the work of renowned critic Dave Marsh. Ranging from Elvis Presley to Kurt Cobain, from Nina Simone to Ani DiFranco, from the Beatles to Green Day, the book gives an opinionated, eye-opening overview of 20th century popular music—offering a portrait not just of an era but of a writer wrestling with the American empire. Every essay bears the distinct Dave Marsh attitude and voice. That passion is evident in a heart-wrenching piece on Cobain’s suicide and legacy; a humorous attack on “Bono’s bullshit;” an indignant look at James Brown and the FBI; deep, revelatory probes into the work of underappreciated artists like Patty Griffin and Alejandro Escovedo; and inspiring insight into what drives Marsh as a writer, namely “a raging passion to explain things in the hope that others would not be trapped and to keep the way clear so that others from the trashy outskirts of barbarous America still had a place to stand—if not in the culture at large, at least in rock and roll.” If you want to explore the recent history of pop music—its politics as well as its performers—Kick Out the Jams is the perfect guidebook.

Selected writings on three decades of popular music from one of the most influential critics of his generation.Spanning three decades worth of astute, acerbic, and overall astounding music writing, Kick Out the Jams is the first large-scale anthology of the work of renowned critic Dave Marsh. Ranging from Elvis Presley to Kurt Cobain, from Nina Simone to Ani DiFranco, from the Beatles to Green Day, the book gives an opinionated, eye-opening overview of 20th-century popular music—offering a portrait not just of an era but of a writer wrestling with the American empire. Every essay bears the distinct Dave Marsh attitude and voice. That passion is evident in a heart-wrenching piece on Cobain’s suicide and legacy; a humorous attack on “Bono’s bullshit;” an indignant look at James Brown and the FBI; deep, revelatory probes into the work of underappreciated artists like Patty Griffin and Alejandro Escovedo; and inspiring insight into what drives Marsh as a writer, namely “a raging passion to explain things in the hope that others would not be trapped and to keep the way clear so that others from the trashy outskirts of barbarous America still had a place to stand—if not in the culture at large, at least in rock and roll.” If you want to explore the recent history of pop music—its politics as well as its performers—Kick Out the Jams is the perfect guidebook.

A compilation of rock music notables by the author of Born to Run and the senior editor for The Source includes "The Ten Worst Performers of All Time," "The 100 Best Songwriters," and more. Original. 75,000 first printing. Major ad/promo.

Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording