Kirjahaku

Retired Matthew is happy eating his breakfast on his patio in the morning sunlight. However, constant interruptions from his do-gooding niece. June, force him to seek sanctuary in Kew Gardens. There he meets young businessman Tony and Tania, a beautiful but bewildering visitor from southeast Europe. Meanwhile June sperkls her day helping in a local charity shop, assisted by Harold, an insecure bus-driver with an encyclopedic knowledge of routes. Two paintings and a bizarre set of events bring these five very different and lonely people together to dine by candlclight. But will the pursuit of private passions cause chaos among this disparate company?

Every morning, George Jackson, a bank-clerk from Peckham, believes that two million pounds will miraculously arrive in the post and when it doesn't he is miserable. Harry, George's son, sends a message to a mysterious website - [email protected], requesting happiness for his dad. He summons the help of a troublesome magical Unicorn, who wishes to be useful not just beautiful, and his keeper, Stanley. However, George is only interested in wealth and the Unicorn has to teach him some valuable lessons before peace is restored to the Jackson house.

Written for London's Theatre Royal, Stratford East, this pantomime combines all the traditional elements with original characterizations, imaginative and innovative staging ideas and witty, melodic songs.-Large flexible cast

This book is the broad application of queer theories to the original plays of the contemporary Irish dramatist Frank McGuinness, the only author in Ireland to consistently utilize gay and lesbian themes in his writing. McGuinness continually represents sexual difference in his character development in a way that previous Irish authors have not. In particular McGuinness portrays homosexual protagonists in his dramas, allowing the queer the narrative prerogative, not merely a secondary role in the formation of theatrical perspective. Often it is the homosexual who tells the story or alters the plot through his or her alternative perspective. This book not only analyzes the queer in McGuinness’s work, but also contributes to a widening of the conversation and criticism on Irish theatre in general. Its implementation of the internationally recognized paradigm of analysis, queer theory, is cutting-edge in its contribution to the general field of Irish studies as well. As a result of its two-fold agenda of theatrical and cultural analysis, this book not only brings together theories of the queer and the theatre of McGuinness, but it also maps the way in which this queer dramaturgy intersects with contemporary Irish society as it faces a new era of cultural re-invention.

A country comedy from the author of Nice Dorothy