Kirjahaku

Georg Simmel predicted that he would have no followers after his death. However he is now widely recognized as the father of the sociology of Modernity. His ideas on the metropolis, consumer culture, social space and aesthetics are at the crux of contemporary debate in sociology. This collection brings together the essential secondary literature on Simmel. It is selected and edited by David Frisby - a scholar who has perhaps done more than anyone else to rehabilitate Simmel's reputation in the English speaking world. What emerges is the most concise yet comprehensive view of this astonishingly prescient and penetrating sociologist. The volumes will be of interest to graduate students and anyone with a serious interest in Simmel.

Until recently little of Simmel's work was available in translation and certain key texts were unknown outside Germany. David Frisby, the eminent Simmel scholar, provides not only an introduction to the major sociological writings of this important figure, but also an argument for a reconsideration of his work. The author outlines the cultural and historical context in which Simmel worked; reviews Simmel's most important writings; and examines his legacy to sociology by illuminating his links with Weber's theories and his influential relationship with Marxism. Simmel, a central figure in the development of modern sociology, and a contemporary of Weber and Durkheim, was one of the first to identify sociology as a separate discipline. His ideas influenced Weber, the Chicago School, and many later sociologists. His introduction of a number of basic concepts to sociology, such as exchange, interaction and differentiation, attest to his intellectual stature and the far-reaching significance of his work.

Until recently little of Simmel's work was available in translation and certain key texts were unknown outside Germany. David Frisby, the eminent Simmel scholar, provides not only an introduction to the major sociological writings of this important figure, but also an argument for a reconsideration of his work. The author outlines the cultural and historical context in which Simmel worked; reviews Simmel's most important writings; and examines his legacy to sociology by illuminating his links with Weber's theories and his influential relationship with Marxism. Simmel, a central figure in the development of modern sociology, and a contemporary of Weber and Durkheim, was one of the first to identify sociology as a separate discipline. His ideas influenced Weber, the Chicago School, and many later sociologists. His introduction of a number of basic concepts to sociology, such as exchange, interaction and differentiation, attest to his intellectual stature and the far-reaching significance of his work.

Originally published in 1992, this book, written by one of the world's leading experts on Simmel, provides a fascinating set of insights into a thinker who is fast becoming recognized as the sociologist of modernity; an indispensible resource in confronting post-modernity. It examines the relevance of his work in relation to contemporary debates on culture, aesthetics and modernity.

Originally published in 1992, this book, written by one of the world's leading experts on Simmel, provides a fascinating set of insights into a thinker who is fast becoming recognized as the sociologist of modernity; an indispensible resource in confronting post-modernity. It examines the relevance of his work in relation to contemporary debates on culture, aesthetics and modernity.

Fragments of Modernity, first published in 1985, provides a critical introduction to the work of three of the most original German thinkers of the early twentieth century. In their different ways, all three illuminated the experience of the modern urban life, whether in mid nineteenth-century Paris, Berlin at the turn of the twentieth century or later as the vanguard city of the Weimar Republic. They related the new modes of experiencing the world to the maturation of the money economy (Simmel), the process of rationalization of capital (Kracauer) and the fantasy world of commodity fetishism (Benjamin). In each case they focus on those fragments of social experience that could best capture the sense of modernity.

When Sociological Impressionism was first published in 1981, it was the first comprehensive study on Simmel’s social theory to appear in English since 1925. A pioneering work, it did much to bring about the rediscovery of Georg Simmel as one of the key sociologists of the twentieth century. David Frisby provides a provocative introduction to aspects of Simmel’s social theory, seriously challenging many interpretations of his work, most notably the view that Simmel produced a formal sociology. By drawing on many little-known essays and pieces by Simmel and his contemporaries, the book locates him within the social and intellectual milieu in which he was working. This is a reissue of the second edition, published in 1992, which includes a new afterword confronting critical responses to the first edition. This is an important work, which will be of interest to students of sociology and social philosophy in Germany in the late nineteenth and early twentieth century.

This book, first published in 1983, with a second edition in 1992, investigates the emergence of the sociology of knowledge in Germany in the critical period from 1918 to 1933. These years witnessed the development of distinctive paradigms centred on the works of Max Scheler, Georg Lukács and Karl Mannheim. Each theorist sought to confront the base-superstructure models of the relationship between knowledge and society, which originated in Orthodox Marxism. David Frisbsy illustrates how these and other themes in the sociology of knowledge were contested through a detailed account of the central sociological debates in Weimar Germany. This reissue of The Alienated Mind will be of particular interest to students and academics concerned with the development of an important tradition in the sociology of knowledge and culture, social theory and German history.

When Sociological Impressionism was first published in 1981, it was the first comprehensive study on Simmel’s social theory to appear in English since 1925. A pioneering work, it did much to bring about the rediscovery of Georg Simmel as one of the key sociologists of the twentieth century. David Frisby provides a provocative introduction to aspects of Simmel’s social theory, seriously challenging many interpretations of his work, most notably the view that Simmel produced a formal sociology. By drawing on many little-known essays and pieces by Simmel and his contemporaries, the book locates him within the social and intellectual milieu in which he was working. This is a reissue of the second edition, published in 1992, which includes a new afterword confronting critical responses to the first edition. This is an important work, which will be of interest to students of sociology and social philosophy in Germany in the late nineteenth and early twentieth century.

This book, first published in 1983 with a second edition in 1992, investigates the emergence of the sociology of knowledge in Germany in the critical period from 1918 to 1933. These years witnessed the development of distinctive paradigms centred on the works of Max Scheler, Georg Lukács and Karl Mannheim. Each theorist sought to confront the base-superstructure models of the relationship between knowledge and society, which originated in Orthodox Marxism. David Frisbsy illustrates how these and other themes in the sociology of knowledge were contested through a detailed account of the central sociological debates in Weimar Germany. This reissue of The Alienated Mind will be of particular interest to students and academics concerned with the development of an important tradition in the sociology of knowledge and culture, social theory and German history.

Fragments of Modernity, first published in 1985, provides a critical introduction to the work of three of the most original German thinkers of the early twentieth century. In their different ways, all three illuminated the experience of the modern urban life, whether in mid nineteenth-century Paris, Berlin at the turn of the twentieth century or later as the vanguard city of the Weimar Republic. They related the new modes of experiencing the world to the maturation of the money economy (Simmel), the process of rationalization of capital (Kracauer) and the fantasy world of commodity fetishism (Benjamin). In each case they focus on those fragments of social experience that could best capture the sense of modernity.

The modern metropolis has been one of the crucial sites for the exploration of modernity since at least the mid-nineteenth century. In this new volume, David Frisby provides an original and critical examination of the construction and experience of metropolitan modernity. Drawing on a rich variety of sources, Frisby seeks to reveal some key features of metropolitan experience in modernity. Among the issues examined are Benjamin's account of the flâneur and its relevance for social investigation and urban detection; Simmel's influential essay on the metropolis; contrasting interpretations of fin-de-siècle Berlin and Vienna by Sombart; the work of Otto Wagner; and the response to the modern metropolis as highlighted in German Expressionism and Weimar Berlin. Cityscapes of Modernity will be a valuable text for students of sociology, social theory, urban theory, cultural studies and architectural history, as well as all those interested in the urban culture of modernity.

The modern metropolis has been one of the crucial sites for the exploration of modernity since at least the mid-nineteenth century. In this new volume, David Frisby provides an original and critical examination of the construction and experience of metropolitan modernity. Drawing on a rich variety of sources, Frisby seeks to reveal some key features of metropolitan experience in modernity. Among the issues examined are Benjamin's account of the flâneur and its relevance for social investigation and urban detection; Simmel's influential essay on the metropolis; contrasting interpretations of fin-de-siècle Berlin and Vienna by Sombart; the work of Otto Wagner; and the response to the modern metropolis as highlighted in German Expressionism and Weimar Berlin. Cityscapes of Modernity will be a valuable text for students of sociology, social theory, urban theory, cultural studies and architectural history, as well as all those interested in the urban culture of modernity.