Kirjahaku

This is a survey of Broadway musicals all through the 20th century, from the Tin Pan Alley-driven comedy works of the early part of the century, to the integrated musical plays that flourished in the heyday years of midcentury, and to the rock era, concept musicals, and the arrival of British playwrights and musicals late in the century. Some of the theater world's leading composers, writers, and directors are profiled, and the book considers some of the most unforgettable shows (but not forgetting the forgettable ones), illustrates the fragility of the libretto, explains the compensating nature of production elements, and examines shows from every decade. An extensive discography offers a brief critique of over 300 show cast albums.

The return to New York in 2002 of Rodgers and Hammerstein's Flower Drum Song--with a totally new book by playwright David Henry Hwang--was considered the most revolutionary chapter in the history of Broadway revivals. Why? The musical, a clear hit when it was originally produced in 1958, had later acquired a debatable reputation for quaint, racially offensive Asian stereotypes. Yet Hwang's controversial rewrite--driven at least in part by concerns about such offenses--was a box-office failure. Drawing upon fresh interviews with members of both the original and the revival casts, whose first-hand accounts enliven the narrative with surprising candor, David H. Lewis charts in detail the difficult production history of Flower Drum Song. He explores the forces that turned against the original show; the arguably inferior movie version (upon which its most outspoken critics would base their discontent and public resistance); rising criticism from within the Asian American community fueled by ethnic-studies programs that swept across college campuses in the 1970s; and, ultimately, the indifference of the Rodgers and Hammerstein Organization, itself caught up in its own quest to update the works of two musical theatre giants and keep their names blazing on theatre marquees. This well-illustrated story of the two Flower Drum Songs is replete with fascinating anecdotes by turns colorful, humorous and sad. The shared memories of the cast offer an eye-opening look at the often chaotic journey of a musical along the precarious path to opening night. The author addresses the value of preserving the rich and revered legacy of Broadway's greatest team.

Given the popularity of all types of skating—on the ice, on the boards, and on the streets—why isn't roller skating an Olympic event? Author David H. Lewis sought out people involved in every aspect of the sport in an attempt to answer this question. He talked to competition judges and coaches, rink operators and rink organists, and scores of skaters from around the world. The answers he found—and there are many—are likely to anger and astound readers in turn. Those answers, along with a wealth of information on the world of roller skating past, present and future, are detailed Whether you skate for the love of it, or have higher aspirations in the world on wheels, Roller Skating for Gold is fascinating and illuminating reading.

Was it really a golden age? Prime Time Rising gives a personal voice to the excitement of watching TV in its start-up years. From Milton Berle to Jack Paar, I Love Lucy to The Twilight Zone-Wrestling and Roller Derby to the Kennedy-Nixon presidential debates- Lewis offers a fast-moving panorama of television's meteoric rise through the 1950s. He traces early-day programing milestones, and how the new marvel matured as a news-reporting participant through one of the most polarizing decades in American history. A decade as reviled as it is revered. From Gunsmoke to Omnibus, rigged games shows to live dramatic adaptations equal to a seat at the theatre-they're all here, honestly covered and thoughtfully reviewed. Tune in for a prime time read