Kirjahaku

This new revised edition includes an updated bibliography, a new glossary and index and fresh suggestions for further reading, as well as a discussion of ideology after September 11.Ideology:*traces the history of the term and the debates which surround it, from Machiavelli to the present day*asks why ideology matters*examines ideology within the critical frameworks of empiricism, idealism, Marxism, post-Marxism and postmodernism.With plenty of clear examples to illuminate the discussion, Ideology offers an accessible introduction to this controversial and widely debated critical concept.

This new revised edition includes an updated bibliography, a new glossary and index and fresh suggestions for further reading, as well as a discussion of ideology after September 11.Ideology:*traces the history of the term and the debates which surround it, from Machiavelli to the present day*asks why ideology matters*examines ideology within the critical frameworks of empiricism, idealism, Marxism, post-Marxism and postmodernism.With plenty of clear examples to illuminate the discussion, Ideology offers an accessible introduction to this controversial and widely debated critical concept.

An examination of federal and provincial government responsibilities with respect to native peoples, these essays deal with the most appalling "political football" in Canadian politics. Specially commissioned experts in the field write on topics such as fiscal, legal and constitutional issues, and examine the circumstances of specific native groups in Canada.

Over the last 20 years, the concept of 'economic' activity has come to seem inseparable from psychological, semiotic and ideological experiences. In fact, the notion of the 'economy' as a discrete area of life seems increasingly implausible. This returns us to the situation of Shakespeare's England, where the financial had yet to be differentiated from other forms of representation. This book shows how concepts and concerns that were until recently considered purely economic affected the entire range of sixteenth and seventeenth century life. Using the work of such critics as Jean-Christophe Agnew, Douglas Bruster, Hugh Grady and many others, Shakespeare and Economic Theory traces economic literary criticism to its cultural and historical roots, and discusses its main practitioners. Providing new readings of Timon of Athens, King Lear, The Winter’s Tale, The Merchant of Venice, Measure for Measure, Julius Caesar, Macbeth and The Tempest, David Hawkes shows how it can reveal previously unappreciated qualities of Shakespeare’s work.

John Milton poet, polemicist, public servant, and author of one of the greatest masterpieces in English literature, Paradise Lost is revered today as a great writer and a proponent of free speech. In his time, however, his ideas far exceeded the orthodoxy of English life; spurred by his conscience and an iron grip on logic, Milton was uncompromising in his beliefs at a time of great religious and political flux in England.In John Milton, David Hawkes expertly interweaves details from Milton's public and private life, providing new insight into the man and his prophetic stance on politics and the social order. By including a broad range of Milton's iconoclastic views on issues as diverse as politics, economics, and sex, Hawkes suggests that Milton's approach to market capitalism, political violence, and religious terrorism continues to be applicable even in the twenty-first century.This insightful biography closely examines Milton's participation in the English civil war and his startlingly modern ideas about capitalism, love, and marriage, reminding us that human liberty and autonomy should never be taken for granted.

The concept of ‘performativity’ has risen to prominence throughout the humanities. The rise of financial derivatives reflects the power of the performative sign in the economic sphere. As recent debates about gender identity show, the concept of performativity is also profoundly influential on people’s personal lives. Although the autonomous power of representation has been studied in disciplines ranging from economics to poetics, however, it has not yet been evaluated in ethical terms. This book supplies that deficiency, providing an ethical critique of performative representation as it is manifested in semiotics, linguistics, philosophy, poetics, theology and economics. It constructs a moral criticism of the performative sign in two ways: first, by identifying its rise to power as a single phenomenon manifested in various different areas; and second, by locating efficacious representation in its historical context, thus connecting it to idolatry, magic, usuryand similar performative signs. The book concludes by suggesting that earlier ethical critiques of efficacious representation might be revived in our own postmodern era.

The concept of ‘performativity’ has risen to prominence throughout the humanities. The rise of financial derivatives reflects the power of the performative sign in the economic sphere. As recent debates about gender identity show, the concept of performativity is also profoundly influential on people’s personal lives. Although the autonomous power of representation has been studied in disciplines ranging from economics to poetics, however, it has not yet been evaluated in ethical terms. This book supplies that deficiency, providing an ethical critique of performative representation as it is manifested in semiotics, linguistics, philosophy, poetics, theology and economics. It constructs a moral criticism of the performative sign in two ways: first, by identifying its rise to power as a single phenomenon manifested in various different areas; and second, by locating efficacious representation in its historical context, thus connecting it to idolatry, magic, usuryand similar performative signs. The book concludes by suggesting that earlier ethical critiques of efficacious representation might be revived in our own postmodern era.

Der Risikofaktor Mensch hat technische Faktoren in den letzten beiden Jahrzehnten als Hauptrisikoquelle abgelost. Die Schadensursachen beim Umgang mit komplexen Technologien reichen dabei vom individuellen menschlichen Versagen bis hin zu wissenschaftlichen Kenntnisdefiziten. Mit den traditionellen prognosegestutzten Rechtsbegriffen der Gefahrenabwehr und Vorsorge sind durch menschliches Fehlverhalten uberraschend auftretende Schadensverlaufe kaum zu erfassen. Anhand des Gentechnikrechts werden die Probleme des sicherheitsrechtlichen Instrumentariums beschrieben und versucht, Losungsmoglichkeiten zu entwickeln."

The deepest and most varied of the Tang Dynasty poets, Tu Fu (Du Fu) is, in the words of David Hinton, the "first complete poetic sensibility in Chinese literature." He merged the public and the private, often in the same poem, as his subjects ranged from the horrors of war to the delights of friendship, from closely observed landscapes to remembered dreams, from the evocation of historical moments to the wry lament over his own thinning hair.Although Tu Fu has been translated before, David Hawkes' classic study, first published in 1967, is the only book that demonstrates in depth how the poems were written. Hawkes presents thirty-five poems in the original Chinese, with a pinyin transliteration, a character-by-character translation, and a commentary on the subject, the form, the historical background, and the individual lines. There is no other book quite like it for any language: a nuts-and-bolts account of how Chinese poems in general, and specifically the poems of one of the world's greatest poets, are constructed. It's an irresistible challenge for readers to invent their own translations.

Over the last 20 years, the concept of 'economic' activity has come to seem inseparable from psychological, semiotic and ideological experiences. In fact, the notion of the 'economy' as a discrete area of life seems increasingly implausible. This returns us to the situation of Shakespeare's England, where the financial had yet to be differentiated from other forms of representation. This book shows how concepts and concerns that were until recently considered purely economic affected the entire range of sixteenth and seventeenth century life. Using the work of such critics as Jean-Christophe Agnew, Douglas Bruster, Hugh Grady and many others, Shakespeare and Economic Theory traces economic literary criticism to its cultural and historical roots, and discusses its main practitioners. Providing new readings of Timon of Athens, King Lear, The Winter’s Tale, The Merchant of Venice, Measure for Measure, Julius Caesar, Macbeth and The Tempest, David Hawkes shows how it can reveal previously unappreciated qualities of Shakespeare’s work.