Kirjahaku

Giorgio Agamben's work develops a new philosophy of life. On its horizon lies the conviction that our form of life can become the guiding and unifying power of the politics to come. Informed by this promise, The Power of Life weaves decisive moments and neglected aspects of Agamben's writings over the past four decades together with the thought of those who influenced him most (including Kafka, Heidegger, Benjamin, Arendt, Deleuze, and Foucault). In addition, the book positions his work in relation to key figures from the history of philosophy (such as Plato, Spinoza, Vico, Nietzsche, Wittgenstein, and Derrida). This approach enables Kishik to offer a vision that ventures beyond Agamben's warning against the power over (bare) life in order to articulate the power of (our form of) life and thus to rethink the biopolitical situation. Following Agamben's prediction that the concept of life will stand at the center of the coming philosophy, Kishik points to some of the most promising directions that this philosophy can take.

Giorgio Agamben's work develops a new philosophy of life. On its horizon lies the conviction that our form of life can become the guiding and unifying power of the politics to come. Informed by this promise, The Power of Life weaves decisive moments and neglected aspects of Agamben's writings over the past four decades together with the thought of those who influenced him most (including Kafka, Heidegger, Benjamin, Arendt, Deleuze, and Foucault). In addition, the book positions his work in relation to key figures from the history of philosophy (such as Plato, Spinoza, Vico, Nietzsche, Wittgenstein, and Derrida). This approach enables Kishik to offer a vision that ventures beyond Agamben's warning against the power over (bare) life in order to articulate the power of (our form of) life and thus to rethink the biopolitical situation. Following Agamben's prediction that the concept of life will stand at the center of the coming philosophy, Kishik points to some of the most promising directions that this philosophy can take.

This sharp, witty study of a book never written, a sequel to Walter Benjamin's Arcades Project, is dedicated to New York City, capital of the twentieth century. A sui generis work of experimental scholarship or fictional philosophy, it analyzes an imaginary manuscript composed by a ghost. Part sprawling literary montage, part fragmentary theory of modernity, part implosive manifesto on the urban revolution, The Manhattan Project offers readers New York as a landscape built of sheer life. It initiates them into a world of secret affinities between photography and graffiti, pragmatism and minimalism, Andy Warhol and Robert Moses, Hannah Arendt and Jane Jacobs, the flâneur and the homeless person, the collector and the hoarder, the glass-covered arcade and the bare, concrete street. These and many other threads can all be spooled back into one realization: for far too long, we have busied ourselves with thinking about ways to change the city; it is about time we let the city change the way we think.

Wittgenstein's Form of Life reveals the intricate relationship between language and life throughout Ludwig Wittgenstein's work. Drawing on the entire corpus of his writings, David Kishik offers a synoptic view of Wittgenstein's evolving thought by considering the notion of form of life as its vanishing center. The book takes its cue from the idea that 'to imagine a language means to imagine a form of life', in order to present the first holistic account of Wittgenstein's philosophy in the spirit of a new wave of interpretations, pioneered by Stanley Cavell, Cora Diamond and James Conant. It is also an enticing contribution to the rising discourse revolving around the subject of life, led by the recent work of Giorgio Agamben. Standing on the threshold between the Analytic and the Continental philosophical traditions, Kishik shows how Wittgenstein's philosophy of language points toward a new philosophy of life, thereby making a unique contribution to our ethical and political thought.

This sharp, witty study of a book never written, a sequel to Walter Benjamin's Arcades Project, is dedicated to New York City, capital of the twentieth century. A sui generis work of experimental scholarship or fictional philosophy, it analyzes an imaginary manuscript composed by a ghost. Part sprawling literary montage, part fragmentary theory of modernity, part implosive manifesto on the urban revolution, The Manhattan Project offers readers New York as a landscape built of sheer life. It initiates them into a world of secret affinities between photography and graffiti, pragmatism and minimalism, Andy Warhol and Robert Moses, Hannah Arendt and Jane Jacobs, the flâneur and the homeless person, the collector and the hoarder, the glass-covered arcade and the bare, concrete street. These and many other threads can all be spooled back into one realization: for far too long, we have busied ourselves with thinking about ways to change the city; it is about time we let the city change the way we think.

Can anyone say anything that has not already been said about the most scrutinized text in human history? In one of the most radical rereadings of the opening chapters of Genesis since The Zohar, David Kishik manages to do just that. The Book of Shem, a philosophical meditation on the beginning of the Bible and the end of the world, offers an inspiring interpretation of this navel of world literature. The six parts of the primeval story—God's creation, the Garden of Eden, Cain and Abel, Noah's Ark, the first covenant, and the Tower of Babel—come together to address a single concern: How does one become the human being that one is? By closely analyzing the founding text of the Abrahamic religions, this short treatise rethinks some of their deepest convictions. With a mixture of reverence and violence, Kishik's creative commentary demonstrates the post-secular implications of a pre-Abrahamic position. A translation of the Hebrew source, included as an appendix, helps to peel away the endless layers of presuppositions about its meaning.

Can anyone say anything that has not already been said about the most scrutinized text in human history? In one of the most radical rereadings of the opening chapters of Genesis since The Zohar, David Kishik manages to do just that. The Book of Shem, a philosophical meditation on the beginning of the Bible and the end of the world, offers an inspiring interpretation of this navel of world literature. The six parts of the primeval story—God's creation, the Garden of Eden, Cain and Abel, Noah's Ark, the first covenant, and the Tower of Babel—come together to address a single concern: How does one become the human being that one is? By closely analyzing the founding text of the Abrahamic religions, this short treatise rethinks some of their deepest convictions. With a mixture of reverence and violence, Kishik's creative commentary demonstrates the post-secular implications of a pre-Abrahamic position. A translation of the Hebrew source, included as an appendix, helps to peel away the endless layers of presuppositions about its meaning.

Wittgenstein's "Form of life" reveals the intricate relationship between language and life throughout Ludwig Wittgenstein's work. Drawing on the entire corpus of his writings, David Kishik offers a synoptic view of Wittgenstein's evolving thought by considering the notion of form of life as its vanishing center. The book takes its cue from the idea that 'to imagine a language means to imagine a form of life', in order to present the first holistic account of Wittgenstein's philosophy in the spirit of a new wave of interpretations, pioneered by Stanley Cavell, Cora Diamond and James Conant. It is also an enticing contribution to the rising discourse revolving around the subject of life, led by the recent work of Giorgio Agamben. Standing on the threshold between the Analytic and the Continental philosophical traditions, Kishik shows how Wittgenstein's philosophy of language points toward a new philosophy of life, thereby making a unique contribution to our ethical and political thought.

Self Study is a genre-bending work of autophilosophy. It opens a rare, rear window into the schizoid position of self-sufficient withdrawal and impassive indifference. This inability to be enriched by outer experiences feeds the relentless suspicion that hell is other people. Laying bare his life and work, Kishik engages with psychoanalysis, philosophy, and cultural inquiry to trace loneliness across the history of thought, leading to today's shut-in society and the autonomous subject of liberal capitalism.