Kirjahaku

Earthquakes are one of the great unsolved geological mysteries. Attempts to predict them have ranged from studies of California's fault lines by USGS geologists to the work of an odd assortment of psychics and apocalyptics who base their sometimes startlingly accurate forecasts on everything from changes in the earth's magnetic fields to the behavior of whales. The Myth of Solid Ground is a journey, both personal and cultural, through the world of earthquakes and earthquake prediction, one that seeks a middle ground between science and superstition, while also looking for a larger context in which seismicity might make sense. An excellent primer on the science of seismology, The Myth of Solid Ground looks at earthquakes as the ultimate metaphor for living with impending disaster.

In Sidewalking, David L Ulin offers a compelling inquiry into the evolving landscape of Los Angeles. Part personal narrative, part investigation of the city as both idea and environment, Sidewalking is many things: a discussion of Los Angeles as urban space, a history of the city's built environment, a meditation on the author's relationship to the city, and a rumination on the art of urban walking. Exploring Los Angeles through the soles of his feet, Ulin gets at the experience of its street life, drawing from urban theory, pop culture, and literature. For readers interested in the culture of Los Angeles, this book offers a pointed look beneath the surface in order to see, and engage with, the city on its own terms.

For writers Los Angeles has always been a place of paradisal promise and apocalyptic undercurrents. Simone de Beauvoir saw a kaleidoscopic "hall of mirrors," Aldous Huxley a "city of dreadful joy." Where Jack Kerouac found a "huge desert encampment," David Thompson imagined "Marilyn Monroe, fifty miles long, lying on her side, half-buried on a ridge of crumbling rock." In Writing Los Angeles, The Library of America presents a glittering panorama of the city, encompassing fiction, poetry, essays, journalism, and diaries by over seventy writers. This revelatory anthology brings to life the entrancing surfaces and unsettling contradictions of the City of Angels, from Raymond Chandler's evocation of the murderous moods fed by the Santa Ana winds to John Gregory Dunne's affectionate tribute to "the deceptive perspectives of the pale subtropical light." Here are fascinating strata of Los Angeles's cultural and social history, from the oil boom of the 1920s to the graffiti artists of the 1980s, from flamboyant evangelist Aimee Semple MacPherson to surf music genius Brian Wilson, from the German migr intellectuals chronicled by Salka Viertel to the hard-bitten homicide cops tracked by James Ellroy. Here are its fragile ecosystems, its architectural splendors, and its social chasms, in the words of writers as various as M.F.K. Fisher, William Faulkner, Bertolt Brecht, Evelyn Waugh, Octavio Paz, Joan Didion, Walter Mosley, and Mona Simpson. Art Pepper discovers Central Avenue in the heyday of the 1940s jazz scene; Charles Mingus describes an early encounter with the builder of the Watts Towers; screenwriter Robert Towne reflects on the origins of Chinatown; John McPhee powerfully conveys the devastation of Los Angeles mudslides; David Hockney teaches himself how to drive in record time; and Pico Iyer finds at Los Angeles International Airport "as clear an image as exists today of the world we are about to enter." Writing Los Angeles is an incomparable literary tour guide to a city of shifting identities and endless surprises.

Et essay om litteratur og læsning til enhver bog-elsker – og et opråb til oprør imod en opskruet, ukoncentreret, fragmenteret tidsånd!Den amerikanske kritiker David L. Ulin tager i bogen udgangspunkt i en samtale, han har med sin søn, der i skolen skal læse The Great Gatsby. Ulin beslutter sig for at genlæse den samtidig. Til sin egen overraskelse har han – et til fingerspidserne læsende menneske – svært ved at koncentrere sig. Og det er ikke bogens skyld. Dette munder ud i forestillingen om læsning som en decideret modstandshandling i en distraheret tid.Et opråb om en læsningens revolution.

Reading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages.