Kirjahaku

In this book, Simmons argues that class, as much as race and gender, played a significant role in the development of Gothic and Horror fiction in a national context. From the classic texts of Edgar Allen Poe and Nathaniel Hawthorne right through to contemporary examples, such as the novels of Stephen King and Stephenie Meyer’s Twilight Series, class remains an ever present though understudied element. This study will appeal to scholars of American Studies, English literature, Media and Cultural Studies interested in class representations in the horror genre from the nineteenth century to the present day.

This book examines the pastor's friendships as they impact a pastor's effectiveness in ministry and his or her personal well-being. Because friendships require high levels of self-disclosure, friendships introduce potential conflict for the pastor as personal self-disclosure may conflict with the pastor's expected role. Taking a qualitative approach, this study looks at how pastors navigate the areas of friendship both inside and outside their congregations. The research involved interviews with ten congregational pastors and reports themes that emerged from the interviews. The researcher developed four friendship types that assist the pastor in balancing pastoral role expectation with expression of vulnerability.

In this book, Simmons argues that class, as much as race and gender, played a significant role in the development of Gothic and Horror fiction in a national context. From the classic texts of Edgar Allen Poe and Nathaniel Hawthorne right through to contemporary examples, such as the novels of Stephen King and Stephenie Meyer’s Twilight Series, class remains an ever present though understudied element. This study will appeal to scholars of American Studies, English literature, Media and Cultural Studies interested in class representations in the horror genre from the nineteenth century to the present day.

Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative. Given the USA’s long-held “taste for the monstrous in all its forms” (Scott W.Poole), coupled with its love for “the colossal, the exaggerated and the brash” (William Tsutsui), it is not surprising that the giant monster movie has long been a key part of the nation’s cinematic landscape; yet up until recently the genre has been largely neglected by scholars. The US Giant Monster Movie: Size Does Matter addresses this gap, providing a richly detailed and compelling critical account of this vital but often overlooked instance of popular cinema. Using Mikhail Bakhtin’s theories of the carnivalesque to help inform a discussion of examples ranging from The Lost World (1925) and King Kong (1933), up to recent CGI blockbusters including Cloverfield (2008), Pacific Rim (2013), and Godzilla vs Kong (2021), the book charts chronological developments in the form; examines its wide-ranging thematic concerns; and explores the reasons for the continuing commercial success of the US giant monster movie. This comprehensive study will appeal to those with an interest in Film Studies, American Studies, popular cinema and culture, as well as anyone who wants to know more about this most spectacular and often subversive of genres

In this debut crime-horror story collection, David Simmons drags you into a phantasmagoric Baltimore where the dead refuse to stay dead and the living claw for meaning. Hallucinatory and darkly comic love stories are set against the gritty backdrop of the city, where guns and drugs collide with tales of paranoia, pursuit, and revenge. Here, a middle school biology class spirals into a surreal vivisection. A man returns home each night to chew the freshly grown fingers off a corpse to avoid going into withdrawal. A monster in an upstairs apartment kills people, records songs about it, and retweets his victims postmortem. In these stories, love arrives wearing the mask of addiction and absurdity. If Brian Evenson and Ottessa Moshfegh wrote for The Wire you'd get the unique style of David Simmons. Fans of body horror, transgressive fiction, and literary surrealism will find themselves unable to look away as Simmons explores the intersections of violence and dark humor with a razor-sharp voice.

Tom Perkins has a life. One that's safe, straight forward and predictable - until he decides to attend a school reunion in a London pub. Soon Tom's pleasant but dull bachelor universe is turned upside down as he becomes embroiled in a world of intrigue, globetrotting and exploding chickens. Drawn to the vivacious yet unfathomable Jo Richards, and forced to rub shoulders with arms-dealing diamond traders, murderous double agents and the higher echelons of the Civil Service, Tom is out of his depth. In fact, the only thing that stands between him and certain death is a crazed aunt who keeps an arms cache where her vacuum cleaner should be.