Kirjahaku

Derek Jarman's garden is in the flat expanse of shingle that faces the nuclear power station in Dungeness, Kent. He mixed the flint, shells and driftwood of Dungeness with indigenous and introduced plants. This book is his own record of how this garden evolved, from its beginnings in 1985.

From artist and activist Derek Jarman, a visual and narrative exploration of his singular, paradisiacal garden, set in a most inhospitable place. Derek Jarman, a passionate gardener from childhood, combined his painter's eye, horticultural expertise, and ecological convictions to produce a landscape that combined flints, shells, and driftwood to create a unique paradise. This book is Derek Jarman's own record of how this garden evolved, from its earliest beginnings in 1986 to 1994, the last year of his life. More than 150 photographs taken by his friend and photographer Howard Sooley capture the garden at all its different stages at every season. For both gardeners and admirers of this extraordinary man, this 30th anniversary edition, with a foreword by Jamaica Kincaid, marks three decades of the book as a gardening classic, and the ongoing impact of Jarman's transformative garden--proof of the garden space as one of ideas, philosophy, and myth--more than just a place of retreat.

Impassioned, witty and polemical, At Your Own Risk is Derek Jarman's defiant celebration of gay sexuality. In At Your Own Risk, Derek Jarman weaves poetry, prose, photographs and newspaper extracts into a rich tapestry of gay experience in the UK.

A poetic, passionate and intensely personal exploration of colour written during the final year of Derek Jarman's life -- with a new introduction by Ali Smith. In Chroma, his most poetic and lyrical book, Derek Jarman explores the uses of colour.

Chroma: A Book of Color is a meditation on the color spectrum by Britain’s most controversial filmmaker. From the explosions of image and color in Edward II, The Last of England, The Garden, and Wittgenstein, to the somber blacks of his collages and tar paintings, Derek Jarman has consistently used color in unprecedented ways. In his signature style, a lyrical combination of classic theory, anecdote and poetry, Jarman takes the reader through the spectrum, introducing each color as an embodiment of an emotion, evoking memories or dreams.

The shockingly honest journals of the acclaimed filmmaker and gay rights activist.

Derek Jarman’s Blue weaves a sensory tapestry that serves as both a political call to action and a meditation on illness, dying, and love. “For Blue there are no boundaries or solutions.” —Derek Jarman Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film - and this highly-anticipated book’s text - serve as iconoclastic responses to the lack of political engagement with the AIDS crisis. Written poetically and surrealistically, Jarman’s text moves through myriad scenes, some banal, others fantastical. Stories of quotidian life––getting coffee, reading the newspaper, and walking down the sidewalk––escalate to visions of Marco Polo, the Taj Mahal, or blue fighting yellow. Facing death and a cascade of pills, Jarman presents his illness in delirium and metaphors. He contemplates the physicality of emotions in lyrical prose as he grounds this story in the constant return to Blue - a color, a feeling, a funk. Michael Charlesworth’s compelling introduction brings Blue into conversation with Jarman’s visual paintings as never before.

*****AS HEARD ON BBC RADIO 4*****A meditative and inspiring diary of Derek Jarman's famous garden at Dungeness. In 1986 Derek Jarman discovered he was HIV positive and decided to make a garden at his cottage on the barren coast of Dungeness.

'The life-affirming expression of an artist engaged in living to the full' The Times Smiling in Slow Motion is Derek Jarman's last journal, stretching from May 1991 until a fortnight before his death in February 1994.

'I planted a dog rose. Then I found a curious piece of driftwood and used this, and one of the necklaces of holey stones on the wall, to stake the rose. The garden had begun. I saw it as a therapy and a pharmacopoeia.' In 1986 artist and filmmaker, Derek Jarman, bought Prospect Cottage, a Victorian fisherman's hut on the desert sands of Dungeness. It was to be a home and refuge for Jarman throughout his HIV diagnosis, and it would provide the stage for one of his most enduring, if transitory projects - his garden. Conceived of as a 'pharmacopoeia' - an ever-evolving circle of stones, plants and flotsam sculptures all built and grown in spite of the bracing winds and arid shingle - it remains today a site of fascination and wonder.Pharmacopoeia brings together the best of Derek Jarman's writing on nature, gardening and Prospect Cottage. Told through journal entries, poems and fragments of prose, it paints a portrait of Jarman's personal and artistic reliance on the space Dungeness offered him, and shows the cycle of the years spent there in one moving collage.'[Derek] made of this wee house, his wooden tent pitched in the wilderness, an artwork - and out of its shingle skirts, an ingenious garden - now internationally recognised. But, first and foremost, the cottage was always a living thing, a practical toolbox for his work' Tilda Swinton, from her Foreword

'What started as a book on the frustration of funding led to the writing of an autobiography at forty... I had so little to do in the daylight hours, I stayed up late unbuttoning Levis in back rooms.'In 1984 at the age of 40, the polymath film-maker Derek Jarman began to write his journals. In the first of these diaries, Dancing Ledge, we see his origins as a young artist, written with Jarman's distinctive immediacy, curiosity, and candour. Behind-the-scenes of his first controversial films and stage designs, at glamorous launch parties with friends like David Hockney, Ossie Clarke and Patrick Proktor, to the trials of securing funding, Dancing Ledge is a coming-of-age memoir for all fledgling artists.Dancing Ledge also chronicles a unique time in British history, capturing gay nightlife from the end of the war to the beginning of the AIDS epidemic.

Written in 1971 and published here for the first time, Through the Billboard Promised Land Without Ever Stopping is Derek Jarman's only piece of narrative fiction; a surreal, fable-like, lyrical tale which echoes throughout his later work.

Moderne natur er den britiske kunstner, filmskaber og forfatter Derek Jarmans dagbøger fra 1989-90. Jarman fik konstateret hiv i 1986 og flyttede kort efter til Dungeness i Sydengland, hvor han slog sig ned i et lille træhus ved kysten, Prospect Cottage. Her på stenstranden – med udsigt til Den Engelske Kanal og et atomkraftværk som nabo – anlagde han en vild have, som han dyrkede og passede frem til sin død i 1994. Dagbøgerne veksler mellem landskabet, haven og planterne på Dungeness, queerliv i London fra 60'erne og op gennem 80'erne, Jarmans arbejdsliv og film- og kunstproduktion, hans venner, elskere og partneren HB. Og under det hele: aids-krisen og livet med en terminal sygdom. Moderne natur er et kunstner- og naturportræt. Det er en bog om at skabe, om at skabe plads, om strandkål og stenbræk, om ensomhed, omsorg, kærlighed og liv. Oversat af K Vang.

From his sexual awakening in postwar England to life in the sixties and beyond, Derek Jarman tells his life story with the in-your-face immediacy that became his trademark style in both his films and writing. Accompanied by nearly one hundred photographs of Jarman, his friends, lovers, and inspirations, the candid accounts in Dancing Ledge provide intimate and incredibly vivid glimpses into this iconoclastic filmmaker's life and times.