Kirjahaku

A versatile craftsman, actor Van Heflin was never concerned with popularity or comfortable with stardom. Lauded by his peers, Heflin won over moviegoers with his portrayal of resolute homesteader Joe Starrett in George Stevens' classic Shane (1953). He impressed in all genres, convincingly portraying every type of character from heel to hero. Van Heflin first garnered attention as the sensitive, alcoholic friend of gangster Johnny Eager (1941), for which he won an Academy Award, and later gave notable performances in a string of noirs, dramas and westerns. He was memorable as the psychotic cop in Joseph Losey's masterpiece The Prowler (1951) but equally impressive as the doubtful executive in Jean Negulesco's smart satire Woman's World (1954). This first full-length biography of Heflin covers his early life as a sailor and his career on stage and screen, providing detailed commentary on all his films.

Brian Donlevy (1901-1972) was an underrated film actor with surprising range and a little-heralded gift for comedy. Often typecast as a villain, he played the definitive bad guy in such films as Destry Rides Again, Union Pacific and Beau Geste (all in 1939). He showed his versatility in the title role of Preston Sturges' political satire The Great McGinty (1940) and impressed both New York critics and the Soviet government as the cooly authoritative Major Caton in Wake Island (1942). Donlevy was fondly remembered as globe-trotting U.S. Special Agent Steve Mitchell in the television series Dangerous Assignment (1952) and as Professor Quatermass in two acclaimed science fiction films. This first ever biography of Donlevy covers his colorful early life as a boy soldier, his years playing comedy roles on Broadway and his long career in Hollywood.

Claire Trevor (1910-2000) is best remembered as the alluring blonde femme fatale in such iconic noir films as Murder, My Sweet (1944) and Raw Deal (1948). Yet she was a versatile performer who brought rare emotional depth to her art. She was effective in a range of diverse roles, from an outcast prostitute in John Ford's classic Stagecoach (1939) to the ambitious tennis mother in Hard, Fast and Beautiful (1951) to the embittered wife of a landowner in William Wellman's overlooked gem My Man and I (1952). Nominated for three Oscars, she deservedly won Best Supporting Actress for her portrayal of Gaye Dawn, a gangster's broken-down moll in Key Largo (1948). The author covers her life and career in detail, recognizing her as one of the finest actresses of her generation.

One of the most versatile actors of his generation, Edmond O'Brien made a series of iconic noir films. From a man reporting his own murder in D.O.A. (1949) to the conflicted title character in The Bigamist (1953), he portrayed the confusion of the postwar Everyman. His memorable roles spanned genres from Shakespeare to westerns and comedies--he also turned his hand to directing. He won the Academy Award for Best Supporting Actor as the harassed press agent Oscar Muldoon in Joseph Mankiewicz's bitter Cinderella fable The Barefoot Contessa (1954). This first in-depth study of O'Brien charts his life and career from Broadway to Hollywood and to the rise of television, revealing a devoted family man dedicated to his craft.

With her striking looks, the raven-haired, dark eyed Ruth Roman had an air of sophistication that made her seem sexy yet wholesome. She had to strive harder than most to establish herself as a leading actress in Hollywood during its glory years and finally broke through in 1949 with her role in Champion. As one of the last Warner Bros. contract players, she appeared in Alfred Hitchcock's classic Strangers on a Train. Seen at her best in strong parts, such as the ambitious Ronda Castle in Anthony Mann's The Far Country or as a modern-day Lady Macbeth, she enjoyed a varied career as a freelancer before re-inventing herself as a character actress of note on television. A remarkable return to the screen in the bizarre psycho-horror The Baby (1973) assured her of cult status. This is the first book dedicated to a committed but often undervalued actress who is fondly remembered by fans of classic film. More than a biography, it seeks to contextualize the actress within her own time, illuminate her Hollywood experience and celebrate her extensive career.

At the age of 61, Sydney Greenstreet made one of the most memorable debuts in classic cinema as the mysterious Kaspar Gutman in The Maltese Falcon (1941). His performance earned him a Best Supporting Actor Nomination. Born in England, Greenstreet had enjoyed a forty-year stage career which encompassed everything from Shakespeare to musical comedy and some of the most acclaimed plays of the 1930s. His film career lasted a mere eight years but included the timeless Casablanca (1942) and saw him teamed to great effect with the inimitable Peter Lorre. This is the first book dedicated to Greenstreet and includes over a hundred photographs, many of which are previously unseen.

At the age of 61, Sydney Greenstreet made one of the most memorable debuts in classic cinema as the mysterious Kaspar Gutman in The Maltese Falcon (1941). His performance earned him a Best Supporting Actor Nomination. Born in England, Greenstreet had enjoyed a forty-year stage career which encompassed everything from Shakespeare to musical comedy and some of the most acclaimed plays of the 1930s. His film career lasted a mere eight years but included the timeless Casablanca (1942) and saw him teamed to great effect with the inimitable Peter Lorre. This is the first book dedicated to Greenstreet and includes over a hundred photographs, many of which are previously unseen.

Portrait of a Unique Music Hall ArtisteOrphaned at thirteen, Malcolm Scott rose to become a leading female impersonator of the Edwardian era. A true eccentric, he first made his name at the Palace and Pavilion theatres in London attired as a female figure of history where he entertained audiences with his highly individual satiric act as "The Woman Who Knows." An acerbic wit, with a surrealist humour, he was in many ways a man ahead of his time. Besides being an actor, he was the doyen of Pierrot shows, and widely acknowledged as one of the finest pantomime dames ever known. In addition, he made several successful world tours and became an early radio personality before his untimely death. With a discography and substantial inventory of credits including all known sheet music and many rare photographs, this extensively-researched monograph is the first ever written about a forgotten great of British entertainment.

Portrait of a Unique Music Hall ArtisteOrphaned at thirteen, Malcolm Scott rose to become a leading female impersonator of the Edwardian era. A true eccentric, he first made his name at the Palace and Pavilion theatres in London attired as a female figure of history where he entertained audiences with his highly individual satiric act as "The Woman Who Knows." An acerbic wit, with a surrealist humour, he was in many ways a man ahead of his time. Besides being an actor, he was the doyen of Pierrot shows, and widely acknowledged as one of the finest pantomime dames ever known. In addition, he made several successful world tours and became an early radio personality before his untimely death. With a discography and substantial inventory of credits including all known sheet music and many rare photographs, this extensively-researched monograph is the first ever written about a forgotten great of British entertainment.

Never Say Die is the gripping story of Arthur ‘Baby’ Gore, a battling tennis player of the Edwardian era and the oldest-ever winner of the Wimbledon singles title.Gore enjoyed an unparalleled 40-year career in which the game evolved from a garden-party pastime into a dynamic international sport. Thrice All-England champion, Olympic gold medallist and the first-ever Davis Cup captain, Gore was an amateur of the old school who competed in more Wimbledon tournaments than anyone else in history, all the while pursuing a hectic business life in the City of London.On court he was a dogged fighter who famously did not stop trying until the last point was played. A leading personality of the sport, he symbolised the generation that established the game in the public imagination.With analysis of his opponents and the changes he witnessed in tennis and wider society, this compelling biography provides an unrivalled insight into the life and times of a forgotten great of English sport.