Kirjahaku

For fans of The Burning Girl by Claire Messud and Burnt Sugar by Avni Doshi, a stunning, gut-punch of a novel that follows a young Indian American woman who, in the wake of tragedy, must navigate her family's expectations as she grapples with a complicated love and loss. On the cusp of her eighteenth birthday, Heera and her best friends, siblings Marie and Marco, tease the fun out of life in Raleigh, North Carolina, with acts of rebellion and delinquency. They paint the town's water towers with red anarchy symbols and hang out at the local bus station to pickpocket money for their Great Escape to New York. But no matter how much Heera defies her strict upbringing, she's always avoided any real danger--until one devastating night changes everything. In its wake, Marco reinvents himself as Crash and spends his days womanizing and burning through a string of jobs. Meanwhile, Heera's dream to go to college in New York is suddenly upended. Over the years, Heera's and Crash's paths cross and recross on a journey of dreams, desires, jealousies, and betrayals. Heart-wrenching, darkly funny, and buoyed by gorgeous prose, Circa is at once an irresistible love story and a portrait of a young woman torn between duty and her own survival, between obligation and freedom.

Inspired by journalists Christiane Amanpour and Sylvia Poggioli, Midnight, at the War is a novel about a reporter chasing the biggest story of her career as she contends with a tense newsroom, a dangerous global conflict, and all the problems she's running away from at home, by the acclaimed novelist that Megha Majumdar calls "a gem of a writer." Foreign correspondent Rita Das has left New York for the war-torn Middle East, a reassignment she asks for after she learns she is pregnant and is uncertain whether the father is her husband or her lover. As she strives to shed light on the fallouts of the war, Rita finds herself embroiled in her own conflicts with her interpreter and her news editor, her sources and her colleagues. She is unable to accept the loss of her mother and deal with her guilt for not being at her side when she died. Fiercely independent and ambitious (and in her journalism, deeply humane), Rita is also in denial about her need for intimate human relationships. As she goes into the field to report on the war, she grapples with the physical and emotional tolls of her pregnant body and a turbulent region where the numbing repetition of war slides suddenly into horror. When her news editor delivers urgent orders for her to return to New York, Rita is faced with a choice about how she wants to live her life as a journalist and a soon-to-be mother. Set in the years immediately after 9/11, and drawn from Devi Laskar's own experience as a government reporter in the 1990s and early aughts, Midnight, at the War is an exploration of love and grief, of moral ambiguity and forgiveness, of modern war and the wars we wage within ourselves.