Kirjahaku

First published in 1836, this lively two-volume autobiography of Thomas Frognall Dibdin (1776–1847) reveals the background and mindset of this fascinating character. Best-known for helping to stimulate interest in bibliography and for his enthusiasm in promoting book collecting among the aristocracy, the English bibliographer adopts a conversational and anecdotal tone as he shares the details of his life and work with the reader. Volume 2 begins with Dibdin's experiences at Althorp, describing how the rich library there was thrown open to him. He then continues his detailed discussion of his publications, and focuses on his life in London, before the final chapter turns to private libraries and their importance in his life. Drawing upon letters and literature throughout, Dibdin recounts many entertaining tales, including an unfortunate encounter with a 'savage-hearted critic' at a dinner party, and introduces the influential characters he meets along the way.

'A passion for possessing books, not so much to be instructed by them, as to gratify the eye by looking on them': thus is described 'bibliomania' by one of the characters of Thomas Frognall Dibdin (1776–1847), in this humorous novel first published in 1809. Introduced in English at the end of the eighteenth century, the term 'bibliomania' - or 'book-madness' - gained popularity with the publication of Dibdin's eponymous work. Using the entirely revised 1811 edition, this reissue brings back to life Dibdin's bibliomaniac characters and their playful dialogues on the nature and history of book collecting, and, most importantly, on the dangers of the 'fatal disease' that is bibliomania, its strange manifestations - such as the 'vellum', 'first edition', and 'unique copies' symptoms - and its possible cure. The author of numerous bibliographical works, Dibdin provides erudite comments and clarifications to his characters' dialogues in a parallel narrative of footnotes.

At his death, George Spencer (1758–1834) had created the greatest private library in Europe. At the time, many aristocrats were spending huge sums acquiring rare printed books. With monastic and aristocratic libraries in Europe being dissolved, collectors had access to thousands of examples. The Second Earl Spencer's interests were in English 'black-letter' printing, especially the works of Caxton, and continental incunables, particularly first editions of Greek and Latin classics. Thomas Dibdin (1776–1847) was employed as Spencer's librarian and visited Europe searching for new acquisitions. Published in 1814–15, this catalogue is of the earliest and rarest items in the collection. Each is described in detail, with reproductions of woodcuts and engravings, making this a fascinating record of one man's commitment to collecting the earliest examples of this revolutionary invention. Volume 1 covers the collection's oldest items, including a Gutenberg Bible and work by the great Nicholas Jenson.

At his death, George Spencer (1758–1834) had created the greatest private library in Europe. At the time, many aristocrats were spending huge sums acquiring rare printed books. With monastic and aristocratic libraries in Europe being dissolved, collectors had access to thousands of examples. The Second Earl Spencer's interests were in English 'black-letter' printing, especially the works of Caxton, and continental incunables, particularly first editions of Greek and Latin classics. Thomas Dibdin (1776–1847) was employed as Spencer's librarian and visited Europe searching for new acquisitions. Published in 1814–15, this catalogue is of the earliest and rarest items in the collection. Each is described in detail, with reproductions of woodcuts and engravings, making this a fascinating record of one man's commitment to collecting the earliest examples of this revolutionary invention. Volume 2 covers the many first editions of Greek and Latin classics, predominantly from Italy, including examples by Valdarfer.

At his death, George Spencer (1758–1834) had created the greatest private library in Europe. At the time, many aristocrats were spending huge sums acquiring rare printed books. With monastic and aristocratic libraries in Europe being dissolved, collectors had access to thousands of examples. The Second Earl Spencer's interests were in English 'black-letter' printing, especially the works of Caxton, and continental incunables, particularly first editions of Greek and Latin classics. Thomas Dibdin (1776–1847) was employed as Spencer's librarian and visited Europe searching for new acquisitions. Published in 1814–15, this catalogue is of the earliest and rarest items in the collection. Each is described in detail, with reproductions of woodcuts and engravings, making this a fascinating record of one man's commitment to collecting the earliest examples of this revolutionary invention. Volume 3 continues to catalogue the classics, along with early editions of Aquinas, St Augustine and Thomas à Kempis.

At his death, George Spencer (1758–1834) had created the greatest private library in Europe. At the time, many aristocrats were spending huge sums acquiring rare printed books. With monastic and aristocratic libraries in Europe being dissolved, collectors had access to thousands of examples. The Second Earl Spencer's interests were in English 'black-letter' printing, especially the works of Caxton, and continental incunables, particularly first editions of Greek and Latin classics. Thomas Dibdin (1776–1847) was employed as Spencer's librarian and visited Europe searching for new acquisitions. Published in 1814–15, this catalogue is of the earliest and rarest items in the collection. Each is described in detail, with reproductions of woodcuts and engravings, making this a fascinating record of one man's commitment to collecting the earliest examples of this revolutionary invention. Volume 4 includes many examples of the earliest work of Caxton, alongside first editions of Boccacio and Dante.