Kirjahaku

Very Short Introductions: Brilliant, Sharp, Inspiring Mary Wollstonecraft is widely hailed as the mother of modern feminism. The book that made her famous, A Vindication of the Rights of Woman, is a work of worldwide renown. Yet the range of her achievements as a thinker and writer reaches far beyond this text. She was a multi-faceted author, and although the condition of women was a constant preoccupation throughout her life, she wrote on a wide variety of topics and in a range of literary forms, some of which she created herself. This Very Short Introduction examines the conditions for Wollstonecraft's emergence as a feminist, but also her status as an educator, a political thinker, and a romantic. E. J. Clery also considers the reception Mary Wollstonecraft has received over the last two centuries and argues that readers need to look at her gamut of activities anew in the 21st century. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

A genre of supernatural fiction was among the more improbable products of the Age of Enlightenment. This book charts the troubled entry of the supernatural into fiction, and questions the historical reasons for its growing popularity in the late eighteenth century. Beginning with the notorious case of the Cock Lane ghost, a performing poltergeist who became a major attraction in London in 1762, and with Garrick’s spellbinding and paradigmatic performance as the ghost-seeing Hamlet, it moves on to look at the Gothic novels of Horace Walpole, Ann Radcliffe, M. G. Lewis, and others, in unexpected new lights. The central thesis concerns the connection between fictions of the supernatural and the growth of consumerism: not only are ghost stories successful commodities in the rapidly commercialising book market, they are also considered here as reflections on the disruptive effects of this socio-economic transformation.

In 1811 England was on the brink of economic collapse and revolution. The veteran poet and campaigner Anna Letitia Barbauld published a prophecy of the British nation reduced to ruins by its refusal to end the interminable war with France, titled Eighteen Hundred and Eleven. Combining ground-breaking historical research with incisive textual analysis, this new study dispels the myth surrounding the hostile reception of the poem and takes a striking episode in Romantic-era culture as the basis for exploring poetry as a medium of political protest. Clery examines the issues at stake, from the nature of patriotism to the threat to public credit, and throws new light on the views and activities of a wide range of writers, including radical, loyalist and dissenting journalists, Coleridge, Wordsworth, Southey, and Barbauld herself. Putting a woman writer at the centre of the enquiry opens up a revised perspective on the politics of Romanticism.

In 1811 England was on the brink of economic collapse and revolution. The veteran poet and campaigner Anna Letitia Barbauld published a prophecy of the British nation reduced to ruins by its refusal to end the interminable war with France, titled Eighteen Hundred and Eleven. Combining ground-breaking historical research with incisive textual analysis, this new study dispels the myth surrounding the hostile reception of the poem and takes a striking episode in Romantic-era culture as the basis for exploring poetry as a medium of political protest. Clery examines the issues at stake, from the nature of patriotism to the threat to public credit, and throws new light on the views and activities of a wide range of writers, including radical, loyalist and dissenting journalists, Coleridge, Wordsworth, Southey, and Barbauld herself. Putting a woman writer at the centre of the enquiry opens up a revised perspective on the politics of Romanticism.

When it was announced that Jane Austen would appear on the new GBP10 note in 2017, few were aware that a GBP10 Austen banknote already existed - issued by her favourite brother. Handsome, clever and enterprising, Henry Austen founded a bank business and charmed his way into the top rank of aristocratic society before going spectacularly bust in the financial crash of 1816. He left an enduring legacy, however, for it was Henry who supported Jane's dream of becoming a published author.Literary critic and cultural historian E. J. Clery presents a radically new vision of the much-loved novelist, revealing how her works were shaped by an acute awareness of the economic scandals, crises and speculations that marked the Regency era.Jane Austen: The Banker's Sister provides a fascinating reappraisal of the political connections and economic interests of the Austen family, and an engaging exploration of the bond between brother and sister. It will change the way Jane Austen's life and novels are understood.