Kirjahaku

An important contribution to the debate on forms of civil society in Africa and elsewhere, and to the global literature on dissent. In Humor, Silence, and Civil Society in Nigeria, Ebenezer Obadare offers an innovative perspective on the idea and reality of civil society. Mobilizing a wide range of concepts and insights from political science, African studies, sociology, cultural studies, media studies, anthropology, communications theory, and international development, Obadare develops a notion of civil society that radically departs from the literature's axiomatic focus on voluntary civic associations and focuses instead on more informal strategies of resistance, such as humor and silence. Compellingly argued, Humor, Silence, and Civil Society in Nigeria raises provocative questions on a topic of keen importance for students, scholars, and policymakers. Ebenezer Obadare is professor of sociology at the University of Kansas. He is coeditor of Civic Agency in Africa: Arts of Resistance in the 21st Century(James Currey, 2014).

Throughout its history, Nigeria has been plagued by religious divisions. Tensions have only intensified since the restoration of democracy in 1999, with the divide between Christian south and Muslim north playing a central role in the country’s electoral politics, as well as manifesting itself in the religious warfare waged by Boko Haram.Through the lens of Christian–Muslim struggles for supremacy, Ebenezer Obadare charts the turbulent course of democracy in the Nigerian Fourth Republic, exploring the key role religion has played in ordering society. He argues the rise of Pentecostalism is a force focused on appropriating state power, transforming the dynamics of the country and acting to demobilize civil society, further providing a trigger for Muslim revivalism.Covering events of recent decades to the election of Buhari, Pentecostal Republic shows that religio-political contestations have become integral to Nigeria’s democratic process, and are fundamental to understanding its future.

African cultural productions of humour have increased even in the face of myriad economic foibles and social upheavals. For instance, from the 1990s, stand-up comedy emerged across the continent and has maintained a pervasive presence since then. Its specificities are related to contemporary economic and political contexts and are also drawn from its pre-colonial history, that of joking forms and relationships, and orality. Izuu Nwankwá's fascinating collected volume offers a transnational appraisal of this unique art form spanning different nations of the continent and its diasporas. The book engages variously with jokesters, their materials, the mediums of dissemination, and the cultural value(s) and relevance of their stage work, encompassing the form and content of the practice. Its ruling theoretical perspective comes from theatre and performance, cultural studies, linguistics, and literary studies.

Throughout its history, Nigeria has been plagued by religious divisions. Tensions have only intensified since the restoration of democracy in 1999, with the divide between Christian south and Muslim north playing a central role in the country’s electoral politics, as well as manifesting itself in the religious warfare waged by Boko Haram. Through the lens of Christian–Muslim struggles for supremacy, Ebenezer Obadare charts the turbulent course of democracy in the Nigerian Fourth Republic, exploring the key role religion has played in ordering society. He argues the rise of Pentecostalism is a force focused on appropriating state power, transforming the dynamics of the country and acting to demobilize civil society, further providing a trigger for Muslim revivalism. Covering events of recent decades to the election of Buhari, Pentecostal Republic shows that religio-political contestations have become integral to Nigeria’s democratic process, and are fundamental to understanding its future.