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H. D. and Hellenism

H. D. and Hellenism

Eileen Gregory

Cambridge University Press
2009
pokkari
H. D. and Hellenism: Classic Lines concerns a prominent aspect of the writing of the modern American poet H. D. (Hilda Doolittle): a lifelong engagement with hellenic literature, mythology and art. H. D.'s hellenic intertextuality is examined in the context of classical fictions operative at the turn of the century: the war of words among literary critics establishing a new 'classicism' in reaction to romanticism; the fictions of classical transmission and the problem of women within the classical line; nineteenth-century romantic hellenism, represented in the writing of Walter Pater; and the renewed interest in ancient religion brought about by anthropological studies, represented in the writing of Jane Ellen Harrison. Eileen Gregory explores at length H. D.'s intertextual engagement with specific classical writers: Sappho, Theocritus and the Greek Anthology, Homer and Euripides. The concluding chapter sketches chronologically H. D.'s career-long study and reinvention of Euripidean texts. An appendix catalogues classical subtexts in Collected Poems, 1912-1944, edited by Louis Martz.
H. D. and Hellenism

H. D. and Hellenism

Eileen Gregory

Cambridge University Press
1997
sidottu
H. D. and Hellenism concerns a prominent aspect of the writing of the modern American poet H. D. (Hilda Doolittle): her career-long engagement with Hellenic literature, mythology, and art. H. D.’s Hellenic intertextuality is examined in the context of classical fictions operative at the turn of the century: the war of words among literary critics establishing a new ‘classicism’ in reaction to romanticism; the fictions of classical transmission, and the problem of women within the classical line; nineteenth-century romantic Hellenism, represented in the writing of Walter Pater; and the renewed interest in ancient religion brought about by anthropological studies, represented in the writing of Jane Ellen Harrison. Eileen Gregory explores at length H. D.’s intertextual engagement with specific classical writers; Sappho, Theocritus, Homer, and Euripides. The concluding chapter sketches chronologically H. D.’s career-long study and reinvention of Euripidean texts.