Kirjahaku

Eli Levin is best known for his second generation Social Realist paintings. These have often included nudes, as for example in striptease scenes and images of gender politics. Throughout his career he has painted nudes in many other contexts as well. In this book Levin presents an extended meditation on the practice of painting nudes. In his introduction he discusses the many reasons nudes have been painted, citing both famous and forgotten examples. He considers modern criticism from Feminists and recent theories that deconstruct the "Male Gaze." Captions to the images develop themes in the introduction and provide personal anecdotes from Levin's life and career. The 144 color images of his paintings that feature nudes are culled from a fifty-year period of work. The images are grouped into five sections, largely chronologically: Disturbing Nudes, Mostly Couples, Nudes from Life, Myths, and Contemplative Nudes. He also offers numerous images of relevant nudes from the history of art with informative captions. As a boy, Levin lived with his parents in a nudist colony near Chicago. During his teenage years and as a young man he studied drawing and painting from nude models. Three of his teachers in New York--Phillip Reisman, George Grosz, and Raphael Soyer--were Social Realists known for their figurative work. He served as the daily monitor of Soyer's figure-drawing group for two years, and later studied anatomy with Robert Beverley Hale at the Art Student's League.

Eli Levin is best known for his second generation Social Realist paintings. These have often included nudes, as for example in striptease scenes and images of gender politics. Throughout his career he has painted nudes in many other contexts as well. In this book Levin presents an extended meditation on the practice of painting nudes. In his introduction he discusses the many reasons nudes have been painted, citing both famous and forgotten examples. He considers modern criticism from Feminists and recent theories that deconstruct the "Male Gaze." Captions to the images develop themes in the introduction and provide personal anecdotes from Levin's life and career. The 144 color images of his paintings that feature nudes are culled from a fifty-year period of work. The images are grouped into five sections, largely chronologically: Disturbing Nudes, Mostly Couples, Nudes from Life, Myths, and Contemplative Nudes. He also offers numerous images of relevant nudes from the history of art with informative captions. As a boy, Levin lived with his parents in a nudist colony near Chicago. During his teenage years and as a young man he studied drawing and painting from nude models. Three of his teachers in New York--Phillip Reisman, George Grosz, and Raphael Soyer--were Social Realists known for their figurative work. He served as the daily monitor of Soyer's figure-drawing group for two years, and later studied anatomy with Robert Beverley Hale at the Art Student's League.

Some art lessons can inspire. Others are useless or even harmful. Eli Levin has written an amusing recollection of his art-student years and subsequent development. We witness his struggles to overcome the clich s and bombast so prevalent in the art world from 1950 to 1990. From every lesson the author hopes to find something useful, even occasionally a moment of insight. In the form of an artist's memoir, this book concentrates on the difficult question "what can artists learn?" It is a close study of the crises and breakthroughs that make up the lifetime effort of one particular artist to develop his personal vision.