Kirjahaku

A contemporary of Flannery O'Connor and Harper Lee joins the Library of America with a volume including her searing novel about the late Jim Crow South Elizabeth Spencer (1921-2019) was a major figure of the Southern Renaissance, though today her many books and stories are scattered or out of print. This Library of America volume brings together the very best of her writing--three novels and nineteen stories--from a career spanning more than six decades. The Voice at the Back Door (1957), greeted by The New Yorker as a practically perfect novel, portrays small-town life in Mississippi during the late Jim Crow era and the self-interest and hatred that kept injustice firmly in place. Published two years after the Emmett Till lynching, it captures the spitting vehemence of its white characters' speech and may have been proven too potentially controversial for the Pulitzer board (which awarded no prize in 1957). Also included in this volume are The Light in the Piazza (1960), Spencer's most famous work, a deftly poignant comedy about Americans abroad that was adapted to the screen by Guy Green; and a second superb Italian novella, Knights and Dragons (1965), reminiscent of Henry James's novels in its atmosphere, interiority, and concern with transplanted Americans. Spencer excelled in the short story form and this volume presents a career-spanning selection by editor Michael Gorra that ranges from the early First Dark (1959), a kind of ghost story about a spectral oversized house in a Southern town, to the valedictory The Wedding Visitor (2013), about the refusal to let the all-enveloping world of place, family, and childhood define one's adult life. Spencer's special focus was families, and few writers have so brilliantly plumbed the passions that unite them and the inner upheavals that can tear them apart.

A stunning collection of stories from "one of the foremost chroniclers of the American South" (The Washington Post), including the novella "Light in the Piazza"--featuring an introduction by Afia Atakora, author of Conjure Women Over the course of a fifty-year career, Elizabeth Spencer wrote masterly, lyrical fiction about southerners. An outstanding storyteller who was unjustly denied a Pulitzer for her anti-racist novel The Voice at the Back Door despite being the unanimous choice of the judges, she is recognized as one of the most accomplished writers of short fiction, infusing her work with elegant precision and empathy. The Southern Woman collects the best of Spencer's short stories, displaying her range of place--the agrarian South, Italy in the decade after World War II, the gray-sky North, and, finally, the contemporary Sun Belt. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance

In the mid-1950s, the town of Lacey in the Mississippi hill country is a place where the lives of blacks and whites, though seemingly separate, are in fact historically and inevitably intertwined. When Lacey's fair-haired boy, Duncan Harper, is appointed interim sheriff, he makes public his private convictions about the equality of blacks before the law, and the combined threat and promise he represents to the understood order of things in Lacey affects almost every member of the community. In the end, Harper succeeds in pointing the way for individuals, both black and white, to find a more harmonious coexistence, but at a sacrifice all must come to regret.In The Voice at the Back Door, Mississippi native Elizabeth Spencer gives form to the many voices that shaped her view of race relations while growing up, and at the same time discovers her own voice - one of hope. Employing her extraordinary literary powers - finely honed narrative techniques, insight into a rich, diverse cast of characters, and an unerring ear for dialect - Spencer makes palpable the psychological milieu of a small southern town hobbled by tradition but lurching toward the dawn of the civil rights movement. First published in 1956, The Voice at the Back Door is Spencer's most highly praised novel yet, and her last to treat small-town life in Mississippi.

Spencer's refined, sensuous writing and laser insights inform this novel, as extraordinary as her other works. - Publishers WeeklyAt a certain point approaching the Mississippi coast, the air fills with the salt smell of the Gulf of Mexico. For all of the characters in Elizabeth Spencer's gracefully written novel, the salt line divides past and present, memory and longing, tranquillity and danger. Crossing it places everyone in the chaotic path of Arnie Carrington, former professor and 1960s campus radical, who is on a crusade to restore the small Gulf Coast town of Notchaki after the devastation of Hurricane Camille. Threatening the enterprise is the arrival of Arnie's former colleague Lex Graham, who intends to use his wealth to squash his longtime rival's plans for the area's rejuvenation.The romantic, generous Carrington attracts a wide array of devotees - Frank Matteo, a Mafia-connected restaurateur trying to go straight; Mavis, the pregnant girlfriend Frank has rejected; Dorothy, Lex's unstable wife, who wants to resume an ancient affair with Arnie; and Lex's cherished daughter Lucinda, a coquette who fancies Arnie's idealism.The characters in The Salt Line are rebuilding, reckoning with old ghosts, liberating repressed passions, and getting back into life. Elaborately and densely populated, masterfully plotted, and elegant in style, Spencer has woven a tale about the lines that bind, divide, and envelop people.""Appealing... eloquent... it won't disappoint you."" - New York Times

With charm and vivid detail, the acclaimed novelist Elizabeth Spencer acquaints readers with the places and people, the pleasures and heartaches, she has known in her life. From her idyllic childhood in small-town Mississippi onward, a questioning spirit and voracity for reading and writing shape Spencer's course: her formal and informal educations at Vanderbilt and in Rome, Florence, New York, and Montreal, and her break with the culturally rigid segregated society from which she sprang; her friendships with such great writers as Eudora Welty, Saul Bellow, John Cheever, and Robert Penn Warren; and her own many remarkable literary successes. A deeply affecting memoir by an esteemed American author, Landscapes of the Heart reveals Spencer to be both a part of and forever apart from her beloved southern roots.

Since her remarkable debut in 1948, Elizabeth Spencer has transfixed readers with her uncanny ability to portray how "twisted, chafing, inescapable, and life-supporting" (Alice Munro) the ties are that bind families and marriages. Here, with nine new stories, Spencer maps "the murky territory between our obligations and our desires" (David L. Ulin, Los Angeles Times), revealing the deep emotional fault lines and unseen fractures that lie just beneath the veneer of normal family life. Compared to Cheever and Hawthorne, Spencer affirms her stature as one of the outstanding living writers of the American South.

On the release of her first novel in 1948, Elizabeth Spencer was immediately championed by Robert Penn Warren and Eudora Welty, setting off a remarkable career as one of the great literary voices of the American South. Her career, now spanning seven decades, continues here with nine new stories. In Starting Over, Spencer returns to the deep emotional fault lines and unseen fractures that lie just beneath the veneer of happy family life. In "Sightings," a troubled daughter suddenly returns to the home of the father she accidently blinded during her parents' bitter separation; in "Blackie," the reappearance of a son from a divorcee's first marriage triggers a harrowing confrontation with her new family; while in "The Wedding Visitor," a cousin travels home only to find himself entwined in the events leading up to a family wedding. In these nine stories, Spencer excels at revealing the flawed fabric of human relations.

Elizabeth Spencer is captivated by Italy. For her it has been a second home. A one-time resident who returns there, this native-born Mississippian has found Italy to be an enchanting land whose culture lends itself powerfully to her artistic vision.Some of her most acclaimed work is set there. Her American characters encounter but never quite wholly adjust to the mysteries of the Italian mores. Collected here in one volume are Spencer's six Italian tales. Their plots are so alluring and enigmatic that Boccaccio would have been charmed by their delightful ironies and their sinister contrasts of dark and light.Spencer is grounded in two bases-Italy and the American South. Her characters too, mostly Southerners, rove in search of connection and fulfillment.In The Light in the Piazza (a novella which has become both Spencer's signature piece and a Hollywood film) a stranger from North Carolina, traveling with her beautiful daughter, encounters the intoxicating beauty of sunlit Florence and discovers a deep conflict in the moral dilemma it presents. ""I think this work has great charm,"" Spencer has said, ""and it probably is the real thing, a work written under great compulsion, while I was under the spell of Italy. But it took me, all told, about a month to write.""In Knights and Dragons (another novella and a companion piece to The Light in the Piazza) an American woman in Rome and Venice struggles for release from her husband's sinister control over her. Spencer sets this tale in the cold and wintry dark and here portrays the other face of Italy. In ""The Cousins,"" ""The Pincian Gate,"" ""The White Azalea,"" and ""The Visit,"" Spencer shows the exceptional artistry that has merited acclaim for her as one of America's first-class writers of the short story.

In conferring upon Mississippi native Elizabeth Spencer (1921–2019) the 2013 Rea Award for the Short Story, the jury said that at the then age of ninety-two, she "has thrived at the height of her powers to a degree that is unparalleled in modern letters." Over a celebrated six-decade career, Spencer published every type of literary fiction: novels and short stories, a memoir, and a play. Like her best-known work, The Light in the Piazza, most of her narratives explore the inner lives of restless, searching southern women. Yet one mercurial male character, Edward Glenn, deserves attention for the way he insists on returning to her pages. Speaking of Edward in unusually personal terms, Spencer admitted a strong attraction to his type: the elusive, intelligent southern man, "maybe an unresolved part of my psyche." In The Edward Tales, Sally Greene brings together the four narratives in which Edward figures: the play For Lease or Sale (1989) and three short stories, "The Runaways" (1994), "Master of Shongalo" (1996), and "Return Trip" (2009). The collection allows readers to observe Spencer’s evolving style while offering glimpses of the moral reasoning that lies at the heart of all her work. Greene’s critical introduction helpfully places these narratives within the context of Spencer’s entire body of writing. The Edward Tales confirms Spencer’s place as one of our most beloved and accomplished writers.

In conferring upon Mississippi native Elizabeth Spencer (1921–2019) the 2013 Rea Award for the Short Story, the jury said that at the then age of ninety-two, she "has thrived at the height of her powers to a degree that is unparalleled in modern letters." Over a celebrated six-decade career, Spencer published every type of literary fiction: novels and short stories, a memoir, and a play. Like her best-known work, The Light in the Piazza, most of her narratives explore the inner lives of restless, searching southern women. Yet one mercurial male character, Edward Glenn, deserves attention for the way he insists on returning to her pages. Speaking of Edward in unusually personal terms, Spencer admitted a strong attraction to his type: the elusive, intelligent southern man, "maybe an unresolved part of my psyche." In The Edward Tales, Sally Greene brings together the four narratives in which Edward figures: the play For Lease or Sale (1989) and three short stories, "The Runaways" (1994), "Master of Shongalo" (1996), and "Return Trip" (2009). The collection allows readers to observe Spencer’s evolving style while offering glimpses of the moral reasoning that lies at the heart of all her work. Greene’s critical introduction helpfully places these narratives within the context of Spencer’s entire body of writing. The Edward Tales confirms Spencer’s place as one of our most beloved and accomplished writers.

An accessible and affirming devotional that invites you to take a much needed break from your busy day and meet life's challenges with grace.Leave It at the Feet of Jesus is a 90-day journey designed to bring you closer to God and His peace, strength, and wisdom in all things—from decision-making and relationships to struggles with emotions and self-worth. This uplifting devotional journal will help you carve out meaningful minutes each day to... Discover messages that relate to your real life (messiness included). Find space for honest reflection with guided prompts. Connect with God through down-to-earth prayers. Turn to Scripture to face everyday challenges. You'll find inspiration to let go of the worries and distractions that weigh you down and live out your faith authentically with a Jesus heart. This devotional reminds us that God wants our yokes to be light and our lives to be marked with joy. It’s inspiration to navigate the hassles with balance, see the God winks throughout our days, and save strength for the bigger battles in life.

Elizabeth Spencer presents a vital, moving story set in the deep South--the Delta and Mississippi hill country. Amos Dudley was a farm boy in the Delta country at the turn of the century until he started working for his brother Ephraim in the store by the railroad. It was an ordinary enough environment in which to begin to feel the strange forces that move a man to set his course in the world.But the forces working within Amos were by no means ordinary. Sometimes cruel, sometimes suddenly tender, they were strong and willful, so that Amos became a man to reckon with--to Ary, his beautiful, plantation-born wife, to the woman in the bayou, to the shiftless philosopher, Arney. Even the rich black swamp soil which he wrested from the forest and gave to his cotton seemed to respond with awe and eagerness to Amos's will. His sensuous, wayward daughter and the man she loved especially felt the full shattering drama of the violence which had evidently been building--building in the fate of a man who, regardless, takes his own crooked way.

Elizabeth Spencer is ""a master storyteller"" (San Francisco Chronicle), her work called ""dazzling"" by Walker Percy. Whether she's writing short stories or novels, Spencer is acclaimed for holding her worlds up to light and turning them to see what they reflect. The Night Travellers, set in North Carolina and Montreal during the Vietnam War years, is her most revealing work yet.Mary Kerr Harbison is a promising teenaged dancer when she meets Jefferson Blaise, an intellectual radical-in-the-making. He becomes a part of her life and over the objections of Mary's wealthy, abusive mother, her husband. But although Jeff's heart is devoted to Mary, his life is devoted to protesting the Vietnam War--at first through the public rallies, later through guerilla tactics. As Jeff is drawn deeper and deeper into the movement, he and Mary are forced to go underground and eventually move to Canada. Jeff's activities keep him on the move, and Mary, living in Montreal, struggles to raise her daughter and make a life for herself.An exploration of a dramatic period in our history, The Night Travellers is a powerful depiction of lives forever changed by political beliefs and fervidly held convictions.

Admirers of Elizabeth Spencer's writing will welcome back into print her first novel, and her new readers will discover the sources of her notable talent in this book. Published in 1948 to extraordinary attention from such eminent writers as Robert Penn Warren, Eudora Welty, and Katherine Anne Porter, this father-and-son story revolves around an old southern theme of family grievances and vendettas. Fire in the Morning recounts the conflict between two families extending over two generations up to the 1930s.The arrival of an innocent stranger flares old arguments and ignites new passions. In Spencer's compelling tale of the half-forgotten violence, the well-deep understanding of father and son, Kinloch Armstrong, the young hero, confronts mysteries of the past. His wife, a newcomer to the area and its legacies, makes friends with a family of traditional rivals. After she is involved in a nighttime wreck and the death of a local man, the past gradually comes to light, and the two families once again become caught up in revelations, hatreds, and conflicts. Spencer faithfully renders the setting--a small, dusty Mississippi town--and the surrounding countryside as it was in the early twentieth century.

The magnetic appeal of land, sea, and sky along the southern coast has drawn Elizabeth Spencer many times to this lush and semitropical setting. This collection brings together six of her stories set amid terrain lapped by the warm coastal currents. These stories all happen on the shoreline of the Gulf of Mexico, from New Orleans to Florida. In each a girl or young woman gives voice to the narrative, probing and groping for a secure place and identity. The six stories included here are ""On the Gulf,"" ""The Legacy,"" ""A Fugitive's Wife,"" ""Mr. McMillan,"" ""Go South in the Winter,"" and ""Ship Island."" Each reveals the special allure of the Gulf Coast region through the author's depiction of character and engagement with the complexities of plot. In these stories that illuminate the lives of sundry females--from insecure waifs to novice seductresses--Spencer investigates female psyche, a topic which lies at the core of much of her fiction.

It is well known that New Orleans has its dark underside as well as its glowing visible delights. The journey that Julia Garrett, an intelligent, attractive, but psychically driven girl, makes through the city's hidden labyrinth shapes the movement of this riveting novel. In crisscrossing the city from the secure world of home in the Garden District to the titillating world of the Vieux Carré, Julia risks physical and psychological peril. As she explores life on the other side, she becomes engulfed in the vortex of evil. In The Snare, one of America's most highly acclaimed fiction writers explores the mystery of place and the mystifying duality of the human wish, with its desire for both dark and light. The book masterfully evokes the ineffable sense of excitement aroused by the sinister, exotic beauty of New Orleans and the men and women who inhabit its fecund streets.

Uncovers sources from the parish pauper to the gentlewoman to consider relationships with clothing across the social hierarchy in the long eighteenth century. Descriptions of women's clothing increasingly circulated across textual genres and beyond in eighteenth-century England. This book explores the significance of these descriptions across a range of sources including wills, newspapers, accounts, court records, and the records of the old poor law. Attention has rested on women literate and wealthy enough to leave behind textual or material traces, but this book ranges from the parish pauper to the gentlewoman to consider descriptive languages, rhetorical strategies, and relationships with clothing across the social hierarchy. It explores how women described their own clothing, but also looks at how it was described by overseers, family members, retailers, and even strangers. It shows that we must look beyond isolated descriptions to how, why, and who was describing clothing to understand its role. Chapters uncover themes of material obligation, expectation, and entitlement. This book also contributes to our understanding of the material literacy of eighteenth-century consumers. It traces the role of textual description in this dissemination of knowledge about clothing, but also alerts us to what was happening beyond the written word, drawing attention to the communication of multisensory information. Above all, it demonstrates that there remains much still to be unpicked from textual sources.

At the age of ninety-three, Elizabeth Spencer is once again making news in the literary world. A master of the short story form, Spencer was awarded the 2013 Rea Prize for Short Fiction, and her latest collection Starting Over was hailed as a work of genius (New York Times Book Review). While Spencer is a five-time O. Henry Award winner, her novels also showcase her uncanny ability to depict how twisted, chafing, inescapable, and life-supporting (Alice Munro) the ties that bind families and marriages are. Nowhere are her skills more evident than in No Place for an Angel, a Jamesian portrait of Cold War America that follows the fracturing marriage of Catherine and Jerry Sasser, a Texas heiress and a ruthless political fixer. From the oil fields of Texas to Rome and New York, Spencer s novel follows the Sassers and their friends and traces the decline of the fortunate and the search for redemption."