Kirjahaku

Spinning, I can't stop spinning, so stay a minute, and I, Arachne, will spin a story for you . . . In this singular collection, the heroes and heroines of fifteen Greek and Roman tales give their own dramatic accounts of events. From the magnificent spinner Arachne, who learns that a mortal should never challenge a god, to the god Pan, who prefers Earth to Mount Olympus, to the beautiful, self-indulgent Pandora and the gold-stricken Midas--the reader becomes a confidant to the tellers of these sometimes humorous, sometimes sad, always engaging tales of wonder, woe, romantic love, and jealousy. Mordicai Gerstein's energetic, whimsical illustrations combine with Elizabeth Spires's playful renditions for a totally fresh take on familiar and not-so-familiar myths.

A Publishers Weekly Best Book of the Year.Elizabeth Spires lives in Baltimore, Maryland. Claire A. Nivola has illustrated several children's books. She lives in Newton Highlands, Massachusetts. "[An] ethereal charmer." (Booklist) "When the small mouse Emmaline moves into the Dickinson household, she accidentally reads some scraps of verse penned by Emily. Reading poems inspires the rodent to write her own lines on the back of Emily's paper, and to leave it for the poet to find. Thus the two become 'pen pals'. . . This diminutive little book, with its shy black-and-white line drawings and amusing plot, is an ideal introduction to Dickinson's poetry. It's also a strong advocate for the power of the written word." (Kirkus Reviews) "Emmaline's newfound enthusiasm and interpretations of Dickinson's poetry will likely coincide with readers' own responses. A brief afterword with biographical information explains just how this clever novel unmasks the 'mouse.'" (Starred, Publishers Weekly) "A sweetly written invitation to view life as more than crumb gathering and cheese nibbling." (The New York Times Book Review)

In Elizabeth Spires's sixth collection of poetry, the pilgrim soul, in its various guises, meditates on its own slow becoming, finding humble companions in creatures as unlikely as a lowly snail, a prehistoric coelacanth, or a tiny Japanese netsuke of a badger disguised as a monk. For Spires, life is both a pilgrimage and a deepening-birth, death, and transformation all part of a seamless continuum. Possessed of a calm, crystalline sense of eternity, her poems invite fellow travelers to sit for a little while and be cleansed of the dust of existence.

Winner of a 1996 Whiting Award. In her fourth collection of poems Elizabeth Spires addresses the elemental subjects of life and of literature: birth, death, creation, and intimations of immortality. The first section focuses on the experiences of conception, pregnancy, and childbirth from the points of view of both mother and child. The second section offers a reversal and reply in which the poems move out into a divided and divisive world. These poems are distinguished by an immaculate lyricism, a pristine sense for the natural world and the rhythms of language.

In Elizabeth Spires's sixth collection of poetry, the pilgrim soul, in its various guises, meditates on its own slow becoming, finding humble companions in creatures as unlikely as a lowly snail, a prehistoric coelacanth, or a tiny Japanese netsuke of a badger disguised as a monk. For Spires, life is both a pilgrimage and a deepening—birth, death, and transformation all part of a seamless continuum. Possessed of a calm, crystalline sense of eternity, her poems invite fellow travelers to sit for a little while and be cleansed of the dust of existence.

In A Memory of the Future, critically acclaimed poet Elizabeth Spires reflects on selfhood and the search for a core identity. Inspired by the tradition of poetic interest in Zen, Spires explores the noisy space of the mind, interrogating the necessary divide between the social persona that navigates the world and the artist’s secret self. With vivid, careful attention to the minute details of everyday moments, A Memory of the Future observes, questions and meditates on the ordinary, attempting to make sense of the boundaries of existence. As the poems move from Zen reflections outward into the identifiable worlds of Manhattan, Maine and Maryland’s Eastern shore, houses, both real and imagined, become metaphorical extensions of the self and psyche. These poems ask the unanswerable questions that become more pressing in the second half of life. How are we changed by the passage of time? How does memory define and shape us? As Spires reminds us, any memory of the future will become, paradoxically, a memory of the past and of forgetting.

In A Memory of the Future, critically acclaimed poet Elizabeth Spires reflects on selfhood and the search for a core identity. Inspired by the tradition of poetic interest in Zen, Spires explores the noisy space of the mind, interrogating the necessary divide between the social persona that navigates the world and the artist’s secret self. With vivid, careful attention to the minute details of everyday moments, A Memory of the Future observes, questions, and meditates on the ordinary, attempting to make sense of the boundaries of existence. As the poems move from Zen reflections outward into the identifiable worlds of Manhattan, Maine, and Maryland’s Eastern shore, houses, both real and imagined, become metaphorical extensions of the self and psyche. These poems ask the unanswerable questions that become more pressing in the second half of life. How are we changed by the passage of time? How does memory define and shape us? As Spires reminds us, any memory of the future will become, paradoxically, a memory of the past, and of forgetting.

Illustrated by a Caldecott Medalist, Kate's Light shares the exciting true story of Katherine Walker and her long, heroic career as one of the first woman lighthouse keepers on the Eastern Seaboard. When Kate Kaird immigrated with her young son Jacob from Germany to America in 1882, she couldn't have predicted the surprising turn her life would take. She soon met and married John Walker, keeper of the Sandy Hook Lighthouse. They moved to Robbins Reef Lighthouse in New York Harbor in 1885 and she became assistant keeper. At first Kate wondered if she could live in such a lonely place, but she gradually grew to love life at Robbins Reef. When her husband died several years later, she was determined to stay on. After convincing the Lighthouse Board that she could do the job alone, Kate was appointed permanent keeper of the lighthouse, becoming one of the first women on the Eastern seaboard to be put in charge of an offshore lighthouse. She lived there 34 years and was known for her many rescues. With watercolor and ink illustrations which perfectly capture the salty spray of the sea, Kate's Light brings the turn of the century New York Harbor to life, with a focus on one of its little known but most crucial attendants.There is extensive additional material in the back of the book that includes an About Kate Walker section, photos of Kate and Robbins Reef Lighthouse, and a list of sources. A Junior Library Guild Gold Standard Selection

The heroic true story of one of the Eastern seaboard's first woman lighthouse keepers, illustrated by a Caldecott Medalist. Living in the isolated Robbins Reef Lighthouse, overlooking turn-of-the-century New York Harbor, Kate Walker spent her life minding the light, keeping passing ships from running aground on the dangerous shoals. Originally the assistant to her lighthouse keeper husband John Walker, after his death Kate convinced the Lighthouse Board that she was able to manage the hard work on her own. For more than three decades, Kate lived a solitary life, often totally isolated from the mainland by rough seas and dangerous storms. Tending to the lamps and ringing the heavy warning bell, she helped ships avert disaster-- and saved many sailors from the cold, choppy waters when disaster struck. Elizabeth Spires describes the joys and hardships of a life at sea, detailing pivotal moments in Walker's life to show her indomitable spirit, and celebrates the determination that drove Kate to keep her home and her livelihood. Paired with Emily Arnold McCully's atmospheric, vivid watercolor-and-ink illustrations of lonely lighthouses, sun-dappled afternoons, and wrathful storms, this gripping picture book brings turn of the century New York to life. Additional material in the back of the book includes a biographical note about Kate Walker, historical photographs of Kate and her home at Robbins Reef Lighthouse, reproductions of an historical map of New York Harbor, and a list of sources for more information.