Elizabeth Malbon tracks the way in which the characters other than Jesus are portrayed in the Gospel of Mark, employing a literary approach that reveals their contributions to the Gospel story. After outlining the four elements of narrative criticism, Malbon explores each of the characters and shows how their interaction advances the narrative.
Carved for a Roman city prefect who was a newly baptized Christian at his death, the sarcophagus of Junius Bassus is not only a magnificent example of "the fine style" of mid-fourth-century sculpture but also a treasury of early Christian iconography clearly indicating the Christianization of Rome--and the Romanization of Christianity. Whereas most previous scholarship has focused on the style of the sarcophagus, Elizabeth Struthers Malbon explores the perplexing elements of its iconography in their fourth-century context. In so doing she reveals the distinction between "pagan" and Christian images to be less rigid than sometimes thought. Against the background of earlier and contemporary art and religious literature, Malbon explicates the relationship of the facade's two levels of scenes depicting stories from the Old and New Testaments, the connection between the scenes on the facade with those on the lid and ends of the sarcophagus, and the integration of pagan elements within a Christian work. What emerges is a carefully constructed iconographic program shedding light on the development of early Christian art within late antique culture. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Carved for a Roman city prefect who was a newly baptized Christian at his death, the sarcophagus of Junius Bassus is not only a magnificent example of "the fine style" of mid-fourth-century sculpture but also a treasury of early Christian iconography clearly indicating the Christianization of Rome--and the Romanization of Christianity. Whereas most previous scholarship has focused on the style of the sarcophagus, Elizabeth Struthers Malbon explores the perplexing elements of its iconography in their fourth-century context. In so doing she reveals the distinction between "pagan" and Christian images to be less rigid than sometimes thought. Against the background of earlier and contemporary art and religious literature, Malbon explicates the relationship of the facade's two levels of scenes depicting stories from the Old and New Testaments, the connection between the scenes on the facade with those on the lid and ends of the sarcophagus, and the integration of pagan elements within a Christian work. What emerges is a carefully constructed iconographic program shedding light on the development of early Christian art within late antique culture. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Noted biblical scholar Elizabeth Struthers Malbon asks a literary question in this landmark volume: how does the Markan narrative characterise Jesus? Through a close narrative analysis, she carefully examines various ways the Gospel discloses its central character. The result is a multi-layered Markan narrative christology, focusing not only on what the narrator and other characters say about Jesus (pro-jected christology), but also on what Jesus says in response to what these others say to and about him (deflected christology), what Jesus says instead about himself and God (refracted christology), what Jesus does (enacted christology), and how what other characters do is related to what Jesus says and does (reflected christology). Holding significant implications for those who wish to use Mark's Gospel to make claims about the historical Jesus, as well as for those who wish to use Mark's Gospel to construct confessions about the church's belief, Malbon's research is a groundbreaking work of scholarship.
Seeks to present the book of Mark as it was originally intended for first-century audiences, outlining the gospel in narrative order while focusing on the themes emphasized in each section and suggesting further readings. Original.
