Kirjahaku

ââ?¬Ë?A fierce, big-hearted novel.ââ?¬â?¢ Joe Treasure, author of The Book of Airââ?¬Ë?Pushes us to find our kinder selves.ââ?¬â?¢ Rowan Hisayo Buchanan, author of Harmless Like Youââ?¬Ë?A wonderful book.ââ?¬â?¢ Maurice Wren, Chief Executive of the Refugee Council

‘A novel that comes with a whole different way of thinking – it takes in a rich wide queer world of angelfish and allomothers, and it's a story of real love between friends' Daisy Hildyard, author of Emergency 'A heartwarming depiction of female friendship as a bond stronger than any other' The Times 'Loved this clever and funny novel’ Anna Mazzola 'Wonderful… all sorts of common assumptions about motherhood and family are turned on their head. It’s brilliant on friendship, identity, longing and resilience' Daily Mail 'An excellent book club choice! If anyone is looking for a very unique novel that explores motherhood, female friendships and raising a child from a different perspective, this is your book!' Tea Leaves & Reads Book Club ‘A thought-provoking and unputdownable story about the interconnectedness of female friendship, love, romance and family’ My Weekly ********************************************************************************* Kessie and Robin have been best friends since they were small. Now they’ve reached their mid-thirties, and biological clocks are ticking loudly. But Kessie is single, Robin’s partner is ambivalent about trying for a baby, and single parenting sounds almost impossible. When one of them gets pregnant, the other finds herself helping out to an extent that neither had expected. How far is a supportive friend supposed to go? What do you do when you feel like a mother to a child who isn’t yours? Are there alternative ways to conceive of a family? ********************************************************************************* A funny, addictive and poignant novel about what happens when the lines between friendship, romance, and family begin to blur. For fans of Meg Mason and Dolly Alderton. 'Funny and heartwarming' Closer ‘Wiles writes with humour, tenderness and wisdom' Marianne Levy 'An intelligent, thought-provoking, tender and very real exploration of friendship, pregnancy and the changing face of modern parenting' Susannah Wise 'I didn't want this novel to end…offers a brutally honest portrait of motherhood in its joys and despairs. Radiant' Donna Freitas 'This novel reminds us that chosen families are as complicated, messy and thick with love as biological ones' Rowan Hisayo Buchanan 'Original, thoughtful, stimulating and highly readable' Vesna Goldsworthy Readers love Ellen Wiles 'Absorbed from page one' Reader review, ????? 'A fantastic read. I was completely gripped throughout' Reader review, ????? 'Communicates a difficult topic with incredible insight and poetic language. I became completely absorbed by the characters' Reader review, ????? 'Loved the characters and the way the story was told through them' Reader review, ?????

This book tells an ethnographic story of a secret literary culture that has recently emerged from its cocoon. Until 2012, Myanmar (also known as Burma) was ruled for fifty years by one of the most paranoid and repressive censorship regimes in history. The military junta enforced strict reading and writing restrictions in line with their ideology, feared writers' potential to trigger change, and did their best to keep Western books and influences out of the country. As part of an unexpected move toward democracy, the government has recently lifted the worst restrictions on reading and writing, giving rise to a new era in the country's literature and literary culture. While living in Myanmar in 2013, Ellen Wiles sought out the best of its contemporary writers and writing to begin uncovering the country's remarkable literary life and history. This book contains the experiences and recent output of nine Myanmar writers spanning three generations, featuring interviews and English-language translations of their work, along with political, legal, and artistic explorations. It includes men and women, fiction and poetry, reflecting the ripples of political and cultural change as they have moved across different groups and genres. A rare portrait of a people and place in transition, Wiles's work contributes both to the study of literature and culture in Myanmar and to the general study of art under censorship.

This ground-breaking book explores the phenomenal growth of live literature in the digitalizing 21st century. Wiles asks why literary events appeal and matter to people, and how they can transform the ways in which fiction is received and valued. Readers are immersed in the experience of two contrasting events: a major literary festival and an intimate LGBTQ+ salon. Evocative scenes and observations are interwoven with sharp critical analysis and entertaining conversations with well-known author-performers, reader-audiences, producers, critics, and booksellers. Wiles’s experiential literary ethnography represents an innovative and vital contribution, not just to literary research, but to research into the value of cultural experience across art forms. This book probes intersections between readers and audiences, writers and performers, texts and events, bodies and memories, and curation and reception. It addresses key literary debates from cultural appropriation to diversity in publishing, the effects of social media, and the quest for authenticity. It will engage a broad audience, from academics and producers to writers and audiences.