Kirjahaku

Title: In the Camargue. A tale.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Bowles, Emily; 1873. iv. 297 p.; 8 . 12637.aaa.21.

Emily Bowles has taken the Virginia Woolf we know and unbound her. The Virginia who walks these pages is edged with mist, a ghost that goes on changing and living in ethereal verse. From mermaids to madness, from blooms to bodies, Bowles traverses the landscape of the delicate and the dark. We should all be so lucky to make such a journey.-Holly Lyn Walrath, author of The Smallest of BonesThe Satisfactory Nothing of Girls is a clever entwining of two women living more than a century apart. Bowles "develops strange affection" for Miss Rachel Vinrace in Virginia Woolf's 1915 book, The Voyage Out. The sheltered life of Rachel, confined to "a ship in the Amazon," is parallel to Bowles' "sheltering in" during COVID19 awaiting a "shipment from Amazon." This collection of word-play poetry compares their "satisfactory and unsatisfactory nothings." Women coming of age/aging, body image, fitting in, how women are treated, and the drain of "shut-in-ess" are revealed within Covid19 confines, linked back to Woolf's book. Bowles muses as Emily Dickinson's reflection meets Nicole Kidman's nose; "Roomsical Women" fold "into the absence of self from life", and "Prismprisons" playfully passes time." Her double entendre, contrasts, and turn of words all make for an interesting read.-Annette Langlois Grunseth, author of Becoming Trans-Parent: One Family's Journey of Gender TransitionEmily Bowles gazes out a lonely Covid window while hearing-and at times becoming-women writers from centuries ago, including Virginia Woolf who said the past is beautiful because one never realizes an emotion at the time, it expands later. Oh, that she had met Emily's untamed anxiety while shut-in, her 'beginending' when she uses inventive language on a modern mythical, mystical voyage with flowers, nose jobs, and mermaids, where there is not 'a ship on the Amazon' but a 'shipment from Amazon'. Travel the landscape of Emily's wry consciousness-'She flatters him / He flattens her'-as she untangles desire, the ongoing struggle of the collective feminine self knit together by Emily with erudition and wit. Whether 'violence at midlife' or 'violets at midlife', she gets the answer right by writing an answer for all women because 'that's the story of hers most mine'.-Kathryn Gahl, author of The Velocity of Love

Jake's tale is based on the true story of a baby bird who accidentally fell into the care of female prisoners in a small Virginia town. His companionship provided them with direct contact to Nature herself where there was none other. He brought with him a message of hope: There is no separation. Birds of a feather flock together. Even when we ache at the anguish and grief of loving from a distance, love knows no bounds. It reaches everyone, even those otherwise disregarded. It is the do-or-die moments that make us or break us. Jake the Jail Bird comforts those who have experienced loss and motivates those who have taken a fall. It poses the question--How will you bounce back? Will you use your voice to activate the song that is your signature? Will you choose to support those who are knocked down and provide care to them from a distance? Will you be like Jake, who acknowledges the light in everyone, ignores his inner saboteur and soars to greater heights?

Reprint of the original, first published in 1874.

Reprint of the original, first published in 1874.

Reprint of the original, first published in 1874.

Reprint of the original, first published in 1874.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Reprint of the original, first published in 1864.

Reprint of the original, first published in 1864.