Kirjahaku

This commemorative edition showcases the select poetry of Canadian poet Emily Isaacson, from her simple pieces to the epic. This work surrounds the guillotine of the recession that has influenced Canadians over the past decade. It is evident her readers have only begun to taste her nuances, wording, and poetic structure, including her own invention "the eclipsed poem." Her dedicated voice has spoken in poetry to royals, cloisters, people groups, and nations.This poignant and lyrical collection rises to stir our hearts from poverty to the ornamental. Emily Isaacson writes her sacred words as we enter the Baroque era of the internet. Her prolific verse sparks poetry with life.

From the moment she was born, Ivory has always been her mother's Snowflake Princess. When her mother Ebony is kept in the hospital Ivory begins to realize that life is not what it seems. Ebony, a young naturalist and poet, walked every day around Hayward Lake with the philosopher. She recorded the flora and fauna through her camera lens, exhibiting at the Kariton Gallery, selling her photography and supporting her husband's work as an English professor. Ivory's father, the philosopher, had been asking the deep questions of men and angels, and taking long walks around the lake with the naturalist as they conversed in poetry. When tragedy struck, they began to search both within and without for the Divine, redefining the meaning in suffering through poetry and symbolism. In this time of life-changing martyrdom, will the naturalist leave the Snowflake Princess and all she loves behind? Will there be an Ebony and Ivory gate into the spiritual realm?

Who is the Madonna of the streets? She wanders without a home, yet has the image of the mother of God. She governs both healing and people without homes. This young woman with a heart for the child of the street has caught the attention of a convent of nuns in Mission, British Columbia. She is illusive yet unforgettable, standing on the shore, disappearing into the woods.A nun of the convent has hidden her cloistered heart away, yet her visions of the Madonna bring her daily closer to the beloved. She has promised to leave her old life forever, taking us into the mystic divine. Her search for truth and authenticity takes us from the sacred moments of convent prayer, to the evening's beauty of an orchard grove, to the far reaches of Africa. Hours from A Convent is a book of hours for sacred meditation, with elements of both mystery and incarnation. Emily Isaacson, poet, captures again in a timeless way, the beauty of prayer, contemplation, and creation.

An artist transforms the burden of their solitude into art, and so Emily Isaacson does in poetry. Her accounts of nature, cultivation, childhood, and transcendence in House of Rain are lyrical and riveting, providing a break from realism. The naturalist and the philosopher converse back and forth using the natural world as inspiration, while their insights and experiences of humanity and his habitat are woven throughout in postmodern verse. Emily Isaacson's poetry actualizes silence throughout, the ability to quiet the soul in anticipation to receive from a higher source. When we are in need of someone to take us by the hand into the realm of understanding, this she does with mirror-like tranquility. Her word painting of the natural world and the house in which she lives vow a deep solitude found only where modern society has left no footprint.

Who is the Madonna of the streets? She wanders without a home, yet has the image of the mother of God. She governs both healing and people without homes. This young woman with a heart for the child of the street has caught the attention of a convent of nuns in Mission, British Columbia. She is illusive yet unforgettable, standing on the shore, disappearing into the woods. A nun of the convent has hidden her cloistered heart away, yet her visions of the Madonna bring her daily closer to the beloved. She has promised to leave her old life forever, taking us into the mystic divine. Her search for truth and authenticity takes us from the sacred moments of convent prayer, to the evening's beauty of an orchard grove, to the far reaches of Africa. Hours from A Convent is a book of hours for sacred meditation, with elements of both mystery and incarnation. Emily Isaacson, poet, captures again in a timeless way, the beauty of prayer, contemplation, and creation.

From the moment she was born, Ivory has always been her mother's Snowflake Princess. When her mother Ebony is kept in the hospital Ivory begins to realize that life is not what it seems. Ebony, a young naturalist and poet, walked every day around Hayward Lake with the philosopher. She recorded the flora and fauna through her camera lens, exhibiting at the Kariton Gallery, selling her photography and supporting her husband's work as an English professor. Ivory's father, the philosopher, had been asking the deep questions of men and angels, and taking long walks around the lake with the naturalist as they conversed in poetry. When tragedy struck, they began to search both within and without for the Divine, redefining the meaning in suffering through poetry and symbolism. In this time of life-changing martyrdom, will the naturalist leave the Snowflake Princess and all she loves behind? Will there be an Ebony and Ivory gate into the spiritual realm?

An artist transforms the burden of their solitude into art, and so Emily Isaacson does in poetry. Her accounts of nature, cultivation, childhood, and transcendence in House of Rain are lyrical and riveting, providing a contrast from realism. Some dominant themes include the comparison of nature to human nature, while the naturalist and the philosopher converse back and forth using their home in the natural world as inspiration. Their insights and experiences of humanity and his habitat are woven into the text in postmodern verse. Emily Isaacson's poetry actualizes silence throughout, the ability to quiet the soul in anticipation to receive from a higher source. Where we are in need of someone to take us by the hand into the realm of understanding, this she does with mirror-like tranquility. Her word painting of the natural world and the house in which she lives vow a deep solitude and serenity found only where modern society has left no footprint.

"There are so many facets of connection, made real and renewed every time we are in nature. The throwback to animism, where we acknowledge a higher power that has given soul to nature, and spirit to trees, endears us to them like friends." Emily Isaacson's series of poetry for each month of the year celebrates a child born in each month. A gift to her family, and their myriad grandchildren, she includes botanical poems for each month with her selections from the Celtic Tree Calendar that have gained new insight and significance. The symbolic trees and botanicals, heralded in the form of odes, are selected by Isaacson for each month of the year. The poems bring to mind special qualities for each plant and child in a day and age when the spiritual nature of trees and their connection to us is largely forgotten. Isaacson references herbology, botany, remedies from botanicals, and the essence of cottagecore in this delightful book for children and adults alike.

"There are so many facets of connection, made real and renewed every time we are in nature. The throwback to animism, where we acknowledge a higher power that has given soul to nature, and spirit to trees, endears us to them like friends." Emily Isaacson's series of poetry for each month of the year celebrates a child born in each month. A gift to her family, and their myriad grandchildren, she includes botanical poems for each month with her selections from the Celtic Tree Calendar that have gained new insight and significance. The symbolic trees and botanicals, heralded in the form of odes, are selected by Isaacson for each month of the year. The poems bring to mind special qualities for each plant and child in a day and age when the spiritual nature of trees and their connection to us is largely forgotten. Isaacson references herbology, botany, remedies from botanicals, and the essence of cottagecore in this delightful book for children and adults alike.

Ignatia is a study of two prophets, Justice and Liberty. Written in prose-poetry, this journey takes them to study natural medicine at one of America's top universities, and then as missionaries to the Middle East and Israel. When they lose the one person they need the most, it seems the only thing left to do is try their wings and go it alone. As they travel from Turkey to Israel, the guidance of their hearts emanates and they do find a home in Jerusalem where they resume their teachings at the university there, and uncover a deeper meaning to the vocation of healer in the physician. Someday they will know the reason they came to Israel, but for now it is enough to spell out the emotion of this land. They cultivate an Israel that will know the Lord the way an olive tree knows its gardener.

Victoriana is the poetry of times past. Children run in the fields of wildflowers. The seasons' many colors have found their voice at last, with dedicated romance. From celebrated author and artist Emily Isaacson, we are given a breath of fresh air of all things Victoria in her work of art in three sections. From flowers arranged, to gingham aprons, nostalgia rules this era. Victoriana by Isaacson is a revisiting of Victorian times, and their three tier influence on modern day relationships: decor, art, and thought. She is the creator of many quotable moments on the road to Victoria.

This collection highlights 58 distressed sonnets by Canadian poet Emily Isaacson. The publication of these early works detail her emergence as a writer of sonnets, a distinct and strict templative form. Her own genius adds to their complexity as she deviates from form on occasion to produce a reward to the eye and ear. Her sonnets are a practiced voice of the new millennium, with much to glean from. Poet Emily Isaacson is the director of the Wild Lily Institute in Mission, British Columbia. She has been writing for over thirty years, and has published over 1500 poems. Her prolific verse and multi-media art bring poetry to life. With over a million visits to her websites by more than 45 countries, her poetry is as popular as Purdys Chocolatier - Sweet Georgia Browns.

This small chapbook tells a story in verse of Nancy Green, a homeless woman standing in the street. She asked to tell her story. This moving account by poet and author Emily Isaacson reminds us of what matters in this life and how precious humanity is to God.

Victoriana is the poetry of times past. Children run in the fields of wildflowers. The seasons' many colors have found their voice at last, with dedicated romance. From celebrated author and artist Emily Isaacson, we are given a breath of fresh air of all things Victoria in her work of art in three sections. From flowers arranged, to gingham aprons, nostalgia rules this era. Victoriana by Isaacson is a revisiting of Victorian times, and their three tier influence on modern day relationships: decor, art, and thought. She is the creator of many quotable moments on the road to Victoria.

Canadian poet and one of the persecuted writers, to win over her audience Isaacson had to be as poignant as Edna St. Vincent Millay, as fearsome as Margaret Atwood, and as regal as the Queen. Her clear and unadulterated voice resounded through her craft with both practicality and romance. She cleared the conscience of a nation and won an audience of those who had lost interest in the dusty field of verse long ago. Rekindle poetry at its finest hour. . . This collection of old paired with new, includes Emily Isaacson's most well-known sonnets with fifteen new ones. Many of her beloved poems have prophesied plague. As a postmodern poet, her work surrounds the guillotine of the pandemic that has taken the modern world by surprise and its economic hardship. She sets out to make a postmodern impact by using colour and style paired with the creativity necessary for survival. She knew intrinsically that people would redesign their lives. How they would continue on questions the ingenuity and desperation people have to save what matters most to them in crisis.

Canadian poet and one of the persecuted writers, to win over her audience Isaacson had to be as poignant as Edna St. Vincent Millay, as fearsome as Margaret Atwood, and as regal as the Queen. Her clear and unadulterated voice resounded through her craft with both practicality and romance. She cleared the conscience of a nation and won an audience of those who had lost interest in the dusty field of verse long ago. Rekindle poetry at its finest hour. . . This collection of old paired with new, includes Emily Isaacson's most well-known sonnets with fifteen new ones. Many of her beloved poems have prophesied plague. As a postmodern poet, her work surrounds the guillotine of the pandemic that has taken the modern world by surprise and its economic hardship. She sets out to make a postmodern impact by using colour and style paired with the creativity necessary for survival. She knew intrinsically that people would redesign their lives. How they would continue on questions the ingenuity and desperation people have to save what matters most to them in crisis.