Kirjahaku

In just his first five years of filmmaking, acclaimed Portland independent director Jon Garcia was able to produce four feature films. Eric B. Olsen examines the first four films of Garcia's career in order to provide a deeper understanding of works that transcend the limitations of independent filmmaking and to show how they have attained the status of art. Part oral history and part film analysis, the book provides a detailed textual commentary on Tandem Hearts (2010), the director's first film; The Falls (2011) and The Falls: Testament of Love (2013), his most well-known films; and The Hours Till Daylight (2016). The Films of Jon Garcia: 2009-2013 takes an in-depth look at a writer-director who has earned a reputation as one of the Pacific Northwest's premier filmmakers.

In just his first five years of filmmaking, acclaimed Portland independent director Jon Garcia was able to produce four feature films. Eric B. Olsen examines the first four films of Garcia's career in order to provide a deeper understanding of works that transcend the limitations of independent filmmaking and to show how they have attained the status of art. Part oral history and part film analysis, the book provides a detailed textual commentary on Tandem Hearts (2010), the director's first film; The Falls (2011) and The Falls: Testament of Love (2013), his most well-known films; and The Hours Till Daylight (2016). The Films of Jon Garcia: 2009-2013 takes an in-depth look at a writer-director who has earned a reputation as one of the Pacific Northwest's premier filmmakers.

In his first collection of essays, author and educator Eric B. Olsen offers the reader a wide range of analytical thought and cultural criticism. The book opens by examining the history of film in the twentieth century and then analyzing literature from ancient Greek drama to modern American poetry, as well as commenting on jazz and popular music. The final group of essays concerns topics as diverse as climate change, popular culture, religion, anti-intellectualism and politics. Drawing on a broad base of literary and social criticism, from the philosophical thought of Plato and Aristotle to the writings of Lionel Trilling and Richard Hofstadter, The Intellectual American is a work of confident scholarship and the herald of a new voice in American letters.

Rinse, Spit . . . and Die Steve Raymond never wanted to be a cop. He never wanted to be a private eye. He was, in fact, a member of the nice, quiet profession of dentistry. So the one thing Steve Raymond, DDS, never figured on was having to solve a murder. Then one night, in a local Seattle tavern, Steve is the only doctor in the house when a musician collapses onstage, and the mysterious circumstances surrounding his death gradually pull the reluctant dentist into conducting his own investigation. But no one else believes it's murder?not his wife, the lawyer, or his best friend, the cop. Steve is on his own as he unexpectedly finds himself Proximal To Murder.

When the Ink Dries, Someone Dies Something strange is happening to Giles Barrett. A horror writer of modest renown, he gets his inspiration from seeing ordinary people in everyday life. But when his dark imagination takes over his characters dont just die, they must first confront their most terrifying fears. Then one day Giles stumbles upon an obituary in the newspaper with the same name as one of the characters in his stories. What he dismisses as coincidence becomes all too real when it happens again, and the closer Giles comes do discovering the horrifying truth the more his inspiration takes control, threatening to destroy everything he holds dear. Eventually Giles must face his own worst fear if he is to have any hope of silencing the creative demons within.

A Dental Probe . . . Crime-solving dentist Steve Raymond is back in an all-new mystery. When a colleague brings disturbing news of a patient who has died in her chair, she calls on the Seattle dentist for help. Little does Dr. Raymond realize that his offer to treat the surviving family members will draw him into another murder investigation. At the same time, Steve is playing saxophone with the best band he's ever been in. But the choice between music and dentistry is just one of the decisions Steve will have to make. Suspects abound, and time is running out, as death sits in a most unlikely place.