Kirjahaku

Dividing his youth between the United States and the bilingual Alsace-Lorraine, Eugene Jolas (1894-1952) flourished in three languages. As an editor and poet, he came to know the major writers and artists of his time and enjoyed a pivotal position between the Anglo-American and Continental avant-grade. His editorship of transition, the leading avant-garde journal of Paris in the twenties and early thirties, provided a major impetus to writers from James Joyce (whose ""Finnegans Wake"" was serialized in transition) to Gertrude Stein, and Samuel Beckett, with first translations of Andre Breton, and Franz Kafka, among others. Jolas' critical work, collected in this volume, includes introductions to anthologies, manifestos like the famous Vertical, essays, some published here for the first time, on writers as various as Novalis, Trakl, the major Surrealists, Heidegger, and other philosophers. An acute observer of the literary scene as well as of the roiling politics of the time, Jolas emerges here in his role at the very center of avant-garde activity between the wars. Accordingly, this book is of signal importance to anyone with an interest in modernism, avant-garde, multilingualism, and the culture of Western Europe in the first half of the twentieth century. Eugene Jolas was born in Union City, New Jersey, in 1894 but was raised by his Franco-German parents in Lorraine. In 1927 Jolas, along with his wife Maria McDonald and Elliot Paul, founded the influential Parisian literary magazine transition. In Paris he met James Joyce and played a major part in encouraging and defending Joyce's ""Work-in-Progress,"" later to become ""Finnegans Wake"", a work Jolas viewed as the perfect embodiment of his manifesto. Jolas' life and career are described vividly in his autobiography, ""Man from Babel"".

The autobiography of Eugene Jolas, available for the first time nearly half a century after his death in 1952, is the story of a man who, as the editor of the expatriate American literary magazine transition, was the first publisher of James Joyce’s Finnegans Wake and other signal works of the modernist period. Jolas’s memoir provides often comical and compelling details about such leading modernist figures as Joyce, Stein, Hemingway, Breton, and Gide, and about the political, aesthetic, and social concerns of the Surrealists, Expressionists, and other literary figures during the 1920s and 1930s. Man from Babel both enriches and challenges our view of international modernism and the historical avant-garde.Born in New Jersey of immigrant parents, Jolas moved back to France with them at the age of two. He grew up in the borderland of Lorraine and later lived in Paris, Berlin, London, and New York, where he pursued a career as a journalist and aspiring poet. As an American press officer after the war, Jolas was actively involved in the denazification of German intellectual life. A champion of the international avant-garde, he continually sought translinguistic, transcultural, and suprapolitical bridges that would transform Western culture into a unified continuum. Compiled and edited from Jolas’s drafts and illustrated with contemporary photographs, this memoir not only reveals the multicultural concerns of the man from Babel, as Jolas saw himself, but also illuminates an entire literary and historical era.