Kirjahaku

Now in reissue with a new foreword by Fred B. Craddock and afterword by the author, Eugene L. Lowry, The Homiletical Plot, Expanded Edition follows in the same solid tradition of its predecessor. Upon its release, The Homiletical Plot quickly became a pivotal work on the art of preaching. Instead of comments on a biblical passage, Lowry suggested that the sermon follow a narrative form that moves from beginning to end, as with the plot of a story. This expanded edition continues to be an excellent teaching resource and learning tool for all preachers from introductory students to seasoned clergy.

Step-by-step guidance for preachers who want people to listen when they preach about parables. In this practical and insightful guide, one of the nation's most respected preachers shows how to use the structure of Jesus' parables to create lively and interesting sermons. Throughout its pages, How to Preach a Parable remains understandable and carefully grounded in biblical scholarship. Parable sermons from such outstanding preachers as Fred Craddock, Leander Keck, and Dennis Willis are included. The sermons are presented in workshop format, encouraging useful application of the book's ideas.

Promoting the idea of sermon as narrative, Eugene Lowry's first book, The Homiletical Plot, became one of the most influential preaching books of the latter part of the 20th century. While the sermon as narrative has become conventional preaching wisdom, it is largely misunderstood. Sermons are, by definition, narratives and as such, they have plots. At the same time, the sermon is not a story. While similar in many ways, narratives and stories are distinct. Therefore, to think of narrative preaching as merely one of many homiletical styles is to misunderstand and reduce the nature of the sermon. The sermon is more than just an option for the preacher; rather, it is, by definition, a narrative because it happens in time, not in space. This changes everything because the sermon ceases to be something a preacher constructs, like a thesis or even a painting. Instead, it is more like a piece of music - something a preacher plays within intuitively, to a constant beat - time after time, week after week. In light of this revelation, what are new strategic aims for sermon preparation and delivery?