Kirjahaku

So many questions surround the key figures in the English literary canon, but most books focus on one aspect of an author's life or work, or limit themselves to a single critical approach. D. H. Lawrence is a comprehensive, user-friendly guide which:* offers basic information on Lawrence's, contexts and works* outlines the major critical issues surrounding his works, from the time they were written to the present* explain the full range of often very different critical views and interpretation* offer guides to further reading in each area discussed.This guidebook has a broad focus but one very clear aim: to equip you with all the knowledge you need to make your own new readings of the work of D. H. Lawrence.

So many questions surround the key figures in the English literary canon, but most books focus on one aspect of an author's life or work, or limit themselves to a single critical approach. D. H. Lawrence is a comprehensive, user-friendly guide which:* offers basic information on Lawrence's, contexts and works* outlines the major critical issues surrounding his works, from the time they were written to the present* explain the full range of often very different critical views and interpretation* offer guides to further reading in each area discussed.This guidebook has a broad focus but one very clear aim: to equip you with all the knowledge you need to make your own new readings of the work of D. H. Lawrence.

This book examines contemporary visual poetry and how conceptual writing, poem-objects, and computational texts shape a posthumanist understanding that is “situated”. First, the eye is theorised with respect to ethical understanding. When visual poets reclaim vision, visual poetics becomes a feminist praxis. In Paula Claire and Maggie O’Sullivan, visual poetry becomes an ecological practice concerned with connectivity in the entanglements of natureculture. In O’Sullivan, Campanello, Bergvall, and Philip, spatial and temporal sense (de)formation sustains radical forms of voicing and eyewitness. Finally, works by Mez Breeze and Stephanie Strickland expand our understanding of visual poetry in digital (electronic, virtual reality, and artificial intelligence) contexts in which technology and affect are intimately connected. These visual texts open up Braidotti’s question with respect to how we are to “visualize the subject as a transversal entity encompassing the human, our genetic neighbours the animals and the earth as a whole, and to do so within an understandable language”.