Kirjahaku

This is a book about the life and work of a singular writer, known for his biographies and travel writing but most famous for his novels The Red and the Black and the Charterhouse of Parma. As a child, Stendhal witnessed the unfolding of the French Revolution; as a young man, he served Napoleon first as a soldier and then as an administrator; and, as a middle-aged man, he made it his task not to pursue his career, but instead to take as much paid leave as possible in order to be free and to be happy, and to write. Stendhal's works often take the form of conversations with his readers - the `Happy Few' as he called them - about the things that matter most. He once claimed that he spent the majority of his life `carefully considering five or six main ideas'. This book shows what those main ideas were, why they mattered to Stendhal, and why they continue to matter to his readers.

This book deals with the important and hitherto neglected relationship between the works of Stendhal and Plutarch's "Parallel Lives." Stendhal's readings of Plutarch are shown to inform his literary representations of Revolution and Empire, Restoration and Orleanism, as well as his theorizations of Romanticism. In particular, the Plutarchan concept of Parallel Lives is used to analyse one of the major themes of Stendhal's writing: the self-construction of individual identity, whether (auto)biographical or fictional, by means of the emulation (as distinct from the imitation) of heroic exemplars. As a consequence, the balance between irony and idealism often identified by critics in Stendhal's work is shown rather to be an imbalance, weighted in favour of an idealism derived from Plutarchan conceptions of heroism, particularly as they are represented in the Lives of Julius Caesar and Marcus Brutus.