Kirjahaku

A Telegraph, Evening Standard and Daily Mail Book of the YearFrom the acclaimed writer and critic Geoff Dyer, an extremely funny scene-by-scene analysis of Where Eagles Dare - published as the film reaches its 50th anniversaryA thrilling Alpine adventure starring a magnificent, bleary-eyed Richard Burton and a coolly anachronistic Clint Eastwood, Where Eagles Dare is the apex of 1960s war movies, by turns enjoyable and preposterous. 'Broadsword Calling Danny Boy' is Geoff Dyer's tribute to the film he has loved since childhood: an analysis taking us from its snowy, Teutonic opening credits to its vertigo-inducing climax. For those who have not even seen Where Eagles Dare, this book is a comic tour-de-force of criticism. But for the film's legions of fans, whose hearts will always belong to Ron Goodwin's theme tune, it will be the fulfilment of a dream.'Geoff Dyer's funniest book yet. Who else would work in Martha Gellhorn on the first page of a book on the film Where Eagles Dare?' Michael Ondaatje'One of our greatest living critics, not of the arts but of life itself, and one of our most original writers' Kathryn Schulz, New York Magazine

A New York Times Notable Book A Best Book of the Year: The Economist, The New Yorker, San Francisco Chronicle, Slate.com, and TimeIn Venice, at the Biennale, a jaded, bellini-swigging journalist named Jeff Atman meets a beautiful woman and they embark on a passionate affair. In Varanasi, an unnamed journalist (who may or may not be Jeff) joins thousands of pilgrims on the banks of the holy Ganges. He intends to stay for a few days but ends up remaining for months. Their journey--as only the irrepressibly entertaining Geoff Dyer could conjure--makes for an uproarious, fiendishly inventive novel of Italy and India, longing and lust, and the prospect of neurotic enlightenment.

A Huffington Post Best Book of the Year There is no other writer at work today like the award-winning Geoff Dyer. Here he embarks on an investigation into Andrei Tarkovsky's Stalker, the masterpiece of cinema that has haunted him since he first saw it thirty years ago.

People talk about love at first sight, about the way that men and women fall for each other immediately, but there is also such a thing as friendship at first sight. Luke moves to Paris with the idea of writing a novel but things get in the way. He becomes friends with a fellow expatriate, Alex; then he falls in love with Nicole. Alex meets Sahra, and the two couples form an intimacy that changes their lives. As they discover the clubs and caf s of the eleventh arrondissement, the four become inseparable, united by deeply held convictions about dating strategies, tunneling in P.O.W. films, and, crucially, the role of the Styrofoam cup in action movies. Experiencing the exhilarating highs of Ecstasy and sex, they reach a peak of rapture-the comedown from which is unexpected and devastating. In this book, Geoff Dyer fixes a dream of happiness-and its aftermath-with photographic precision. Boldly erotic and hauntingly elegiac, comic and romantic, Paris Trance confirms Dyer as one of England's most original and talented writers.

FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD "In the spirit of Julian Barnes's Flaubert's Parrot and Alain de Botton's How Proust Can Change Your Life, Mr. Dyer's Out of Sheer Rage keeps circling its subject in widening loops and then darting at it when you least expect it . . . a wild book."--Christopher Lehmann-Haupt, The New York Times Geoff Dyer was a talented young writer, full of energy and reverence for the craft, and determined to write a study of D. H. Lawrence. But he was also thinking about a novel, and about leaving Paris, and maybe moving in with his girlfriend in Rome, or perhaps traveling around for a while. Out of Sheer Rage is Dyer's account of his struggle to write the Lawrence book--a portrait of a man tormented, exhilarated, and exhausted. Dyer travels all over the world, grappling not only with his fascinating subject but with all the glorious distractions and needling anxieties that define the life of a writer.

"May be the best book ever written about jazz."--David Thomson, Los Angeles Times In eight poetically charged vignettes, Geoff Dyer skillfully evokes the music and the men who shaped modern jazz. Drawing on photos, anecdotes, and, most important, the way he hears the music, Dyer imaginatively reconstructs scenes from the embattled lives of some of the greats: Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonious Monk creating his own private language on the piano. However, music is the driving force of But Beautiful, and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician's style.

One of Esquire's best books of spring 2022An extended meditation on late style and last works from "one of our greatest living critics" (Kathryn Schulz, New York). When artists and athletes age, what happens to their work? Does it ripen or rot? Achieve a new serenity or succumb to an escalating torment? As our bodies decay, how do we keep on? In this beguiling meditation, Geoff Dyer sets his own encounter with late middle age against the last days and last works of writers, painters, footballers, musicians, and tennis stars who've mattered to him throughout his life. With a playful charm and penetrating intelligence, he recounts Friedrich Nietzsche's breakdown in Turin, Bob Dylan's reinventions of old songs, J. M. W. Turner's paintings of abstracted light, John Coltrane's cosmic melodies, Bjorn Borg's defeats, and Beethoven's final quartets--and considers the intensifications and modifications of experience that come when an ending is within sight. Throughout, he stresses the accomplishments of uncouth geniuses who defied convention, and went on doing so even when their beautiful youths were over. Ranging from Burning Man and the Doors to the nineteenth-century Alps and back, Dyer's book on last things is also a book about how to go on living with art and beauty--and on the entrancing effect and sudden illumination that an Art Pepper solo or Annie Dillard reflection can engender in even the most jaded and ironic sensibilities. Praised by Steve Martin for his "hilarious tics" and by Tom Bissell as "perhaps the most bafflingly great prose writer at work in the English language today," Dyer has now blended criticism, memoir, and humorous banter of the most serious kind into something entirely new. The Last Days of Roger Federer is a summation of Dyer's passions, and the perfect introduction to his sly and joyous work.

Named a most anticipated book of 2025 by Vulture The Guardian Financial Times The Observer The Times (London) Literary Hub "A picture of postwar England unlike any other . . . A highly original memoir that will provoke, amuse, beguile--and endure." --Antony Quinn, Financial Times "Homework is wonderful Geoff-Dyer writing, which we've all learned to crave; something to delight and to move us and to edify us on every page. I find him an irresistible writer." --Richard FordA portrait of a young boy, who keeps passing exams--and of a changing England in the 1960s and 1970s. The only child of a sheet-metal worker and a dinner lady who worked at the canteen of the local school, Geoff Dyer grew up in a world shaped by memories of the Depression and the Second World War. But far from being a story of hardship overcome, this loving memoir is a celebration of opportunities afforded by the postwar settlement, of which the author was an unconscious beneficiary. The crux comes at the age of eleven with the exam that decided the future of generations of British schoolkids: secondary modern or the transformative possibilities of grammar school? One of the lucky winners, Dyer goes to grammar school, where he develops a love of literature (and beer and prog rock). Mapping a path from primary school through the tribulations of teenage sport, gig-going, romantic fumblings, fights (well, getting punched in the face), and other misadventures with comic affection, Homework takes us to the threshold of university, where Dyer gets the first intimations that a short geographical journey--just forty miles--might extend to the length of a life. Recalling an eroded but strangely resilient England, Homework traces, in perfectly phrased and hilarious detail, roots that extend into the deep foundations of class society.

By sea and on the airwaves, by dollar and yuan, a contest has begun that will shape the next century. China's rise has now entered a critical new phase, as it seeks to translate its considerable economic heft into a larger role on the world stage, challenging American supremacy. Yet he also shows why China may struggle to unseat the West - its ambitious designs are provoking anxiety, especially in Asia, while America's global alliances have deep roots. If Washington can adjust to a world in which it is not the sole dominant power, it may be able to retain its ability to set the global agenda.

In this spellbinding book, the man described by the Daily Telegraph as 'possibly the best living writer in Britain' takes on his biggest challenge yet: unlocking the film that has obsessed him all his adult life. Like the film Stalker itself, it confronts the most mysterious and enduring questions of life and how to live.

'In the race to be first in describing the lost generation of the 1980s, Geoff Dyer in The Colour of Memory leads past the winning post. 'We're not lost,' one of his hero's friend's says, 'we're virtually extinct'. It is a small world in Brixton that Dyer commemorates, of council flat and instant wasteland, of living on the dole and the scrounge, of mugging, which is merely begging by force, and of listening to Callas and Coltrane. It is the nostalgia of the DHSS Bohemians, the children of unsocial security, in an urban landscape of debris and wreckage. Not since Colin MacInnes's City of Spades and Absolute Beginners thirty years ago has a novel stuck a flick-knife so accurately into the young and marginal city. A low-keyed style and laconic wit touch up The Colour of Memory.' The Times

Walker is at a party where he meets Rachel. Two days later she turns up at his apartment. However, it's not Walker she wants but her husband Malory, who has gone missing. She asks Walker to find him. So begins this strange, beautiful, road-movie of a novel that takes the hero across the vast landscape of middle America on the trail of a man he has never met. And as Walker's search grows in its weird intensity, it seems that somebody else is following, searching for him too.

Great photographs change the way we see the world. The Ongoing Moment changes the way we look at both. With characteristic perversity and trademark originality, The Ongoing Moment is Dyer's unique and idiosyncratic history of photography. Seeking to identify their signature styles Dyer looks at the ways canonical figures such as Alfred Stieglitz, Paul Strand, Walker Evans, Kertesz, Dorothea Lange, Diane Arbus and William Eggleston have photographed the same scenes and objects (benches, hats, hands, roads). In doing so Dyer constructs a narrative in which those photographers, many of whom never met in their lives, constantly come into contact with each other. It is the most ambitious example to date of a form of writing that Dyer has made his own: the non-fiction work of art.

Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonius Monk creating his own private language on the piano... In eight poetically charged vignettes, Geoff Dyer skilfully evokes the embattled lives of the players who shaped modern jazz. He draws on photos and anecdotes, but music is the driving force of But Beautiful and Dyer brings it to life in luminescent and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician's style.

Anglo-English Attitudes brings together Geoff Dyer's best journalism and other writing from 1984-99. There are studied meditations on photographers (Robert Capa, William Gedney, Cartier-Bresson), painters (Bonnard, Gauguin), musicians (Coltrane, Nusrat Fateh Ali Khan), and close critical engagements with writers including Camus, Michael Ondaatje and Martin Amis. Also here are idiosyncratic reflections on boxing, comics, Airfix models and Action Man, and often hilarious accounts of his 'misadventures'.

In Paris, two couples form an intimacy that will change their lives forever. As they discover the clubs and cafés of the eleventh arrondissement, the four become inseparable, united by deeply held convictions about dating strategies, tunnelling in P.O.W. films and, crucially, the role of the Styrofoam cup in American thrillers. Experiencing the exhilarating highs of Ecstasy and sex, they reach a peak of rapture - but the come-down is unexpected and devastating. Dyer fixes a dream of happiness - and its aftermath. Erotic and elegiac, funny and romantic, Paris Trance confirms Dyer as one of Britain's most original and talented writers.

From Amsterdam to Cambodia, from Rome to Indonesia, from New Orleans to Libya, and from Detroit to Ko Pha-Ngan, Geoff Dyer finds himself both floundering about in a sea of grievances and finding moments of transcendental calm. This aberrant quest for peak experiences leads, ultimately, to the Black Rock Desert in Nevada, where, to quote Tarkovsky's Stalker, 'your most cherished desire will come true'.

Another Day at Sea is the first title in the Writers in Residence series a collectible set of books that brings together some of the greatest writers and photographers on the planet to reveal the normally faceless organizations that shape the modern world. The arresting, full-color photography, depicting a subculture that is surprising, hilarious, beautiful and insane, is by Chris Steele-Perkins, an award-winning Magnum photographer. Every book in the set designed by Jeremy Leslie of magCulture. Meeting the Captain, the F-18 pilots and the dentists, experiencing everything from a man-overboard alert to the Steel Beach Party, Dyer guides us through the most AIE (acronym intensive environment) imaginable. Underlying Dyer s efforts to overcome the disadvantages of being the oldest, tallest (actually, second tallest), and most self-conscious person on the boat is an intense fascination with the military world. In recording daily life on board the ship, Dyer illuminates a society where discipline and conformity, dedication and optimism, become a form of self-expression. Another Great Day at Sea is a dazzling social experiment, bringing readers behind the scenes of the world s largest aircraft carrier in a way that has never been seen before."

In White Sands, Geoff Dyer (-one of the funniest writers alive- --Chicago Tribune) finds himself on the road again, crisscrossing the globe from French Polynesia to northernmost Norway. Throughout his adventures--with a tour guide who may not be a tour guide in the Forbidden City in Beijing; with friends in New Mexico, where D. H. Lawrence famously claimed to have had his -greatest experience from the outside world-; with Don Cherry (or a photo of him, at any rate) at the Watts Towers in Los Angeles--Dyer interweaves fiction and nonfiction to craft an often hilarious, always inquisitive travelogue about the questions we ask when we step outside ourselves.

Named a most anticipated book of 2025 by Vulture The Guardian Financial Times The Observer The Times (London) Literary Hub "A picture of postwar England unlike any other . . . A highly original memoir that will provoke, amuse, beguile--and endure." --Antony Quinn, Financial Times "Homework is wonderful Geoff-Dyer writing, which we've all learned to crave; something to delight and to move us and to edify us on every page. I find him an irresistible writer." --Richard Ford A portrait of a young boy, who keeps passing exams--and of a changing England in the 1960s and 1970s. The only child of a sheet-metal worker and a dinner lady who worked at the canteen of the local school, Geoff Dyer grew up in a world shaped by memories of the Depression and the Second World War. But far from being a story of hardship overcome, this loving memoir is a celebration of opportunities afforded by the postwar settlement, of which the author was an unconscious beneficiary. The crux comes at the age of eleven with the exam that decided the future of generations of British schoolkids: secondary modern or the transformative possibilities of grammar school? One of the lucky winners, Dyer goes to grammar school, where he develops a love of literature (and beer and prog rock). Mapping a path from primary school through the tribulations of teenage sport, gig-going, romantic fumblings, fights (well, getting punched in the face), and other misadventures with comic affection, Homework takes us to the threshold of university, where Dyer gets the first intimations that a short geographical journey--just forty miles--might extend to the length of a life. Recalling an eroded but strangely resilient England, Homework traces, in perfectly phrased and hilarious detail, roots that extend into the deep foundations of class society.