Kirjahaku

George Stevens Jr. grew up on movie sets. His grandmother, aunts, uncles, and other family members were all entertainers, but it was his father, director George Stevens Sr., who cast the longest shadow. The elder Stevens won best director Oscars for A Place in the Sun (1951) and Giant (1956) and was nominated for directing The More the Merrier (1943), Shane (1953), and The Diary of Anne Frank (1959). George Jr. worked by his father's side while also establishing himself as a successful television director. He learned a variety of skills from the master, including cinematography, storytelling, managing difficult actors, and maintaining artistic control over one's work. As a result of Stevens Sr.'s position in the Screen Directors' Guild during the height of McCarthyism, Stevens Jr. also learned firsthand about freedom of artistic expression and protection of civil rights - and the navigation of treacherous political waters. In 1961, Edward R. Murrow recruited Stevens Jr. to head up the film and television department for the United States Information Agency, pushing him out of his father's shadow and into the work that would become his greatest legacy. Travelling to film festivals around the world as USIA delegate, he became aware of the urgent need to promote and preserve America's film legacy and founded the American Film Institute. AFI saved thousands of movies, scouring the country for copies of forgotten or lost films that were then catalogued and deposited at the Library of Congress. Under Stevens Jr.'s direction, AFI also issued grants to support the work of young, independent filmmakers and established the AFI Conservancy, a school for film arts. Shortly after that, Stevens Jr. created the Kennedy Center Honors, a uniquely American tradition honoring the lifetime contributions made by those in performing arts. In My Place in the Sun, George Stevens Jr. recounts his lifelong passion for and commitment to the art of film, along the way providing an intimate look into the artistry of one of Hollywood's greatest directors. Both an insightful history of Hollywood's Golden Age and a savvy insider's account of post-World War II Washington culture, this magnificent autobiography brings to life almost ninety years of American film history and culture.

This book contains three hundred and sixty-six hymns written by George Stevens. They were composed in the years 2009-10. However, it was about five years before the date of publication that he asked his Lord and Saviour, Jesus Christ, if they could write a hymn a day together. Despite the weaknesses of the author, his Lord has been faithful to the request. This book shows some of the fruits of their communion together. It is set out as "a hymn-a-day"; but may be read as any other book. Where space has allowed, George has inserted quotations from the old King James Version of the Bible that have a bearing on the hymn upon that particular page. He selected this version as its language is both flowing and accurate. The book includes hymns of worship, praise, prayer, Christian experience and doctrine. They may bring joy, comfort or conviction such is the variety. May God our Father, bless all who read them.

In the decades following his death, many of those who knew James Dean best––actors, directors, friends, lovers (both men and women), photographers, and Hollywood columnists––shared stories of their first-person experiences with him in interviews and in the articles and autobiographies they wrote. Their recollections of Dean became lost in fragile back issues of movie magazines and newspapers and in out-of-print books that are extremely hard to find. Until now. The Real James Dean is the first book of its kind: a rich collection spanning six decades of writing in which many of the people whose lives were touched by Dean recall their indelible experiences with him in their own words. Here are the memorable personal accounts of Dean from his high school and college drama teachers; the girl he almost married; costars like Rock Hudson, Natalie Wood, Jim Backus, and Raymond Massey; directors Elia Kazan, Nicholas Ray, and George Stevens; entertainer Eartha Kitt; gossip queen Hedda Hopper; the passenger who accompanied Dean on his final, fatal road trip; and a host of his other friends and colleagues.

The son of a celebrated Hollywood director emerges from his father's shadow to claim his own place as a visionary force in American culture. George Stevens, Jr. tells an intimate and moving tale of his relationship with his Oscar-winning father and his own distinguished career in Hollywood and Washington. Fascinating people, priceless stories and a behind-the-scenes view of some of America's major cultural and political events grace this riveting memoir. George Stevens, Jr. grew up in Hollywood and worked on film classics with his father and writes vividly of his experience on the sets of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1959). He explores how the magnitude of his father's talent and achievements left him questioning his own creative path. The younger Stevens began to forge his unique career when legendary broadcaster Edward R. Murrow recruited him to elevate the Motion Picture Service at the United States Information Agency in John F. Kennedy's Washington. Stevens' trailblazing efforts initiated what has been called the "golden era" of USIA filmmaking and a call to respect motion pictures as art. His appointment as founding director of the American Film Institute in 1967 placed him at the forefront of culture and politics, safeguarding thousands of endangered films and training a new generation of filmmakers. Stevens' commitment to America's cultural heritage led to envisioning the prestigious Kennedy Center Honors and propelled a creative life of award-winning films and television programs that heightened attention to social justice, artistic achievement, and the American experience. Stevens provides a rare look at a pioneering American family spanning five generations in entertainment: from the San Francisco stage in the 19th century to silent screen comedies, Academy Award-winning films, Emmy Award-winning television programs and a Broadway play in the 21st century. He reveals the private side of the dazzling array of American presidents, first ladies, media moguls, and luminaries who cross his path, including Elizabeth Taylor, Sidney Poitier, the Kennedys, Yo-Yo Ma, Cary Grant, James Dean, Bruce Springsteen, Barack and Michelle Obama, and many more. In My Place in the Sun, George Stevens, Jr. shares his lifelong passion for advancing the art of American film, enlightening audiences, and shining a spotlight on notable figures who inspire us. He provides an insightful look at Hollywood's Golden Age and an insider's account of Washington spanning six decades, bringing to life a sparkling era of American history and culture.