Kirjahaku

From one of the finest writers on the game comes ""Inside Out"", Gideon Haigh's latest despatches from the crease.In 2008, he celebrates the centenary of Bradman's birth and 75 years of Bodyline; ponders the quintessence of the 'Don', even as he looks at cricket's other knights; dissects the Australian way of cricket across demography, politics and the politics of race; attempts to unravel the mystery that is cricket administration; and explains the finer points of cricket technique from taking guard to the leave.Whether it be the game as it is played on the world arena or at grass-roots level, Haigh will compel you to regard the game anew.

A generation ago in Australia, abortion was a crime. It was also the basis of one of the country's most lucrative and longest-lasting criminal rackets. The Racket describes the rise and fall of an extraordinary web of influence, which culminated in the landmark ruling that made abortion legal, and a public inquiry that humiliated a powerful government and a glamorous police force. With forensic skill and psychological subtlety, Gideon Haigh brings to life a story of corruption in high places and human suffering in low, of murder, suicide, courtroom drama, political machinations, and of the abortionists themselves: among them a multi-millionaire philanthropist, a communist bush poet, a timid aesthete and a bankrupt slaughterman. It is the story, too, of Bertram Wainer, abortion's crash-through-or-crash campaigner, and the moral issue he bequeathed which still divides Australians.

In January 2024, in a period of personal crisis, Gideon Haigh abruptly started writing the story of the night his seventeen-year-old brother Jasper was killed, finally facing how it had shaped the rest of his life. Seventy-two hours later he stopped. Dark, raw and revealing, My Brother Jaz is how it feels to lose someone, and yourself, even as the rest of the world turns, and you struggle to keep up.

Australia's greatest cricketer by one of the world's most celebrated cricket journalists

The brilliant new book from acclaimed writer Gideon Haigh about Australia's iconic cricketer Victor Trumper

Cricket superpowers Australia and India share a unique rivalry that has produced some of the greatest - and most heated - battles the game has seen. In Indian Summers bestselling author and journalist Gideon Haigh has captured a century of fierce competition between the two nations, from Bradman versus Hazare through to Warne versus Tendulkar to Cummins versus Kohli, from 1986's unforgettable tied Test in Chennai to 2021's Indian coup in Brisbane. He relives the titanic struggles of the Border-Gavaskar Trophy, the World Test Championship, the ODI World Cup and the T20 World Cup, and explores the near-mystical bond of two countries divided by a common game.From over three decades of covering cricket's greatest matches, Gideon Haigh has brought together a collection from this most glorious cricketing contest and its most infamous moments, from colonial times to the present day.'As a cricket writer Gideon Haigh has few peers, past or present . . . a class act.' Sydney Morning Herald'The Bradman of cricket writing' Sunday Telegraph'The finest cricket writer alive' The Australian'Australia's finest writer on cricket' The Times'The world's greatest living cricket writer' The Guardian

Nothing compares to the Ashes. The Ashes is always coming, even when it is finished. The Ashes is where hope, expectation, magic and chagrin flourish in equal measure, and performance is permanently burnished.'The best cricket writer in the world' Guardian'The Bradman of cricket writing' Sunday Telegraph'The finest cricket writer alive' The Australian'Australia's finest writer on cricket' The Times'The most gifted cricket essayist of his generation' Richard Williams, GuardianIn On The Ashes, Gideon Haigh, today's pre-eminent cricket writer, has captured over a century and a half of Anglo-Australian cricket, from WG Grace to Don Bradman, from Bodyline to Jim Laker's 19-wicket match, from Ian Botham's miracle at Headingley to the phenomena of Patrick Cummins and Ben Stokes, today's Ashes captains.From over three decades of covering The Ashes, Gideon has brought together an enduring vision of this timeless contest between Australia and England - the world's oldest sporting rivalry - from the colonial era to the present day.

Nothing compares to the Ashes. The Ashes is always coming, even when it is finished. The Ashes is where hope, expectation, magic and chagrin flourish in equal measure, and performance is permanently burnished.'The best cricket writer in the world' Guardian'The Bradman of cricket writing' Sunday Telegraph'The finest cricket writer alive' The Australian'Australia's finest writer on cricket' The Times'The most gifted cricket essayist of his generation' Richard Williams, GuardianIn On The Ashes, Gideon Haigh, today's pre-eminent cricket writer, has captured over a century and a half of Anglo-Australian cricket, from WG Grace to Don Bradman, from Bodyline to Jim Laker's 19-wicket match, from Ian Botham's miracle at Headingley to the phenomena of Patrick Cummins and Ben Stokes, today's Ashes captains.From over three decades of covering The Ashes, Gideon has brought together an enduring vision of this timeless contest between Australia and England - the world's oldest sporting rivalry - from the colonial era to the present day.

In Bad Company Gideon Haigh scrutinises the way we have turned CEOs into tin gods. Is moral outrage the appropriate response to the collapses of Enron or HIH or are we all implicated in a crazy system? Haigh argues that the attempt to create great entrepreneurs of the new caste of CEOs by giving them shares is doomed to failure and inherently absurd.In a tough-minded, vigorous demolition job on the culture that produced the cult of the CEO, Haigh writes a mini-history of business and shows how the classic traditions of capitalism are mocked by the managerialism of the present.

Has COVID-19 ushered in the end of the office? Or is it the office’s final triumph? For decades, futurologists have prophesied a boundaryless working world, freed from the cramped confines of the office. During the COVID-19 crisis, employees around the globe got a taste of it. Confined by lockdown to their homes, they met, mingled, collaborated, and created electronically. At length, they returned to something approaching normality. Or had they glimpsed the normal to come? In The Momentous, Uneventful Day, Gideon Haigh reflects on our ambivalent relationship to office work and office life, how we ended up with the offices we have, how they have reflected our best and worst instincts, and how these might be affected by a world in a time of contagion. Like the factory in the nineteenth century, the office was the characteristic building form of the twentieth, reshaping our cities, redirecting our lives. We all have a stake in how it will change in the twenty-first. Enlivened by copious citations from literature, film, memoir, and corporate history, and interspersed with relevant images, The Momentous, Uneventful Day is the ideal companion for a lively current debate about the role offices will play in the future.