Kirjahaku

I drew a heart, and another one after... The hearts filled the pages, spilled over the edges, all these hearts that were in no way the same... A little boy spends the day drawing hearts-wavy hearts, wiggly hearts, wide hearts and tiny hearts, broken hearts and polka-dotted hearts-and each heart a reminder of a favourite memory: dancing, kite flying, first steps, and more.This poignant and lyrical book with vibrant illustrations celebrates a multigenerational family, creativity, and love.

Warm like tea? Sweeter than red dates? A mother shares her love for her child as the two prepare a delicious meal together--perfect for fans of Guess How Much I Love You, Wherever You Are My Love Will Find You, and Mama, Do You Love Me?What is love? a child wonders. What does it feel like, smell like, taste like? How does it move? How long does it last?And as she prepares a traditional Chinese meal for her family, the child's mother replies: her love for him is rosy as wolfberries, warm like tea, sweeter than the red dates she puts in his soup. It shines through the water like its own brilliant sun. It goes round and round with no beginning and no end. Because a mother's love for a child is always there, warm and soft, broad and tender.In this tender story that pairs beautifully poetic words with brilliantly stunning art, a mother's love comes alive on the page and wraps readers in its warm embrace. Praise for My Love for You Is Always: * "This perfect marriage of illustrations and lyrical writing celebrates the affection that’s expressed through a lovingly cooked meal. . . . This lovefest is a feast for all the senses." --Kirkus Reviews, *STARRED REVIEW** "Warm, wonderful . . . From start to finish, it's a charming and delicious tale." --BookPage, *STARRED REVIEW*"In the vein of such familiar titles as Guess How Much I Love You and Mama, Do You Love Me? Sze creates a warm, tender look at love [and] a timeless tale of a mother’s infinite love . . . Asian ­culture and food references add a layer of depth to this story, providing a fresh version of a time-honored conversation." --School Library Journal "As satisfying as a gentle hug—or a tasty dumpling." --Booklist

A lyrical story of parental love that celebrates and takes pride in the many shades of brown skin. Perfect for fans of I Am Enough, Hey Black Child, Hair Love, and Our Skin.When you ask me why your skin is brown,I will tell you that you are my favorite color.I will say that your skin was decided long, long ago.Time was just waiting for you. So begins a mother’s celebration of her children's brown skin, told through warm and vivid poetry. With sweeping descriptions of what brown skin means—it is the brawny bear whose paws know the ground of its home, the sequoia tree that reaches up and touches the sun, the glossy shell of roasted chestnuts—this is a book that empowers as it embraces, and that reminds young readers that they have shades of color that only they can discover and express. With beautiful, lyrical text by powerhouse poet Gillian Sze and vibrant, engaging art by illustrator Nina Mata, the #1 New York Times bestselling illustrator of LeBron James's I Promise, this is more than a story of love—it is a song that rings out for brown kids everywhere. Praise for You Are My Favorite Color: "This is a sweet, languorous celebration of brown skin in all its infinite shades and of multiracial, multifaceted families. Lovely." --Kirkus Reviews

"Quiet Night Think is a stunning work." -- Madeleine Thien, author of Do Not Say We Have Nothing "One function of the poet at any time is to discover by his own thought and feeling what seems to him to be poetry at that time," writes Wallace Stevens. In Quiet Night Think, award-winning poet Gillian Sze expresses her own definition. During the remarkable period of early parenthood, Sze's new maternal role urges her to contemplate her own origins, both familial and artistic. Comprised of six personal essays, poems, and a concluding long poem, Quiet Night Think takes its title from a direct translation of an eighth-century Chinese poem by Li Bai, the subject of the opening essay. Sze's memory of reading Li Bai's poem as a child marks the beginning of an unshakable encounter with poetry. What follows is an intimate anatomization of her particular entanglement with languages and cultures. In her most generically diverse book yet, Sze moves between poetry and prose, mother and writer, the lyrical and the autobiographical, all the while inviting readers to meditate with her on questions of emergence and transformation: What are you trying to be? Where does a word break off? What calls to us throughout the night?

A wandering meditation on motherhood, language, and art and a parallactic and slow amble through private rooms and interiors. The result is a woman ricocheting off the bounds of a marriage, memory, and herself. The latest book by Gillian Sze, author of the Pat Lowther Memorial Award-winning book Quiet Night Think This prosimetrical work is a meditation on motherhood, language, and art. The central speaker witnesses the earliest utterances of her child and launches into a poetic inquiry of words themselves, asking, How to measure one's mouth by its words? The speaker seeks an answer amidst the language that surrounds her -- words misspoken, mispronounced, remembered, unwritten -- and, in doing so, struggles with signification and significance. Each prose poem in the five-part collection darts between the many meanings of "fit" -- as in "a sudden burst of emotion" or "to be the right size and shape," and the archaic "fytte" (a section of a poem). A text becomes an open mouth, a square day of a calendar, or a bare fragment of a narrative. The final section of the book is an intimate and ekphrastic engagement with the work of Danish painter Vilhelm Hammersh i. Drawn to Hammersh i's paintings of the empty rooms of his apartment, the speaker recognizes a familiar space of art's insistence. An Orange, A Syllable details a period of maternal and artistic transformation.

A little green envelope longs to go on a journey. Will it be chosen to deliver Olive’s letter to her far-away friend? Olive’s friend has moved away, and Olive wishes she could visit her. A little green envelope, lost in the bottom of the desk drawer, knows how Olive feels. It, too, wants so much to travel, and imagines zipping up and down conveyer belts and bouncing along in a mail bag, on its way to deliver an important letter. An old postcard reassures that for every occasion, there is an envelope … but it seems like it will never be the little green envelope’s turn. When Olive’s grandpa suggests writing her friend a letter, the little green envelope hopes and hopes that it will be chosen to carry the letter to its destination — but will it be a perfect fit? A diagram on the endpapers shows how readers can create their own little green envelopes! Key Text Features illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.6 With prompting and support, name the author and illustrator of a story and define the role of each in telling the story. CCSS.ELA-LITERACY.RL.1.3 Describe characters, settings, and major events in a story, using key details.

Gillian Sze takes a random walk through the art museum and finds the drama of life framed in a series precisely rendered and moving artefact poems. Working from Jeanette Winterson's idea of a "constant exchange of emotion" between the artist, the painting, and the writer, Sze's ekphrastic verse is unrelenting in its commitment to action, so that each poem sparked by a picture comes to follow its own impetus, the origin of which is always a deeply felt encounter, whether familial, erotic, or strange. Vacillating deftly between the suspended space-time of a museum exhibit and the charged urgency of the lives she imagines via the art she describes, the result is a collection at once stirring and arresting, tender and coolly true.

★ "A lovely visual lullaby to soothe youngest readers to sleep."--Publishers Weekly, starred review Rich imagery, gentle rhythm and soothing repetition will lull your little one to sleep as the tulips close for the night, one by one. In this bedtime story written as an Italian villanelle, poet Gillian Sze makes use of the poetic forms of cyclic pattern and rhyme scheme to create a melodious lullaby. A young child comes in from picking flowers as the creatures around their home all settle down for the evening. Songbirds curl against their mothers' sides, the house slumps and sighs low, a hush settles as times slows. And little readers are invited to rest their heads and be soothed to sleep as moonlight falls on eyes that close.

A child worries that the home she now shares with her grandma can’t compare to the wondrous stories of Ah Ma’s childhood in China. Back in Ah Ma’s village, they didn’t have snow. The river behind her home flowed from the sky and through the mountains. You’d never tasted anything so clear and so cold. Back in Ah Ma’s village, they didn’t have geese. They had birds washed in rainbows. And if you fed them tofu from your hand, they would talk! Back in Ah Ma’s village sparrows would lay eggs in the cracks of mud homes. Once Ah Ma tried to take an egg and was bitten by a teeny tiny dragon! Now Ah Ma lives in North America, a place that must seem dull by comparison. But her granddaughter is reassured that geese or no geese, snow or no snow, home is always a magical place when it’s shared with the people you love. Gillian Sze’s tender story bridges countries, cultures and generations, serving as a mirror to the children of immigrants as well as a window into childhood in rural China. Illustrator Leah Hong illuminates the characters' conversation, alternating between a vibrant autumnal palette and nostalgic washes of gray, blue and green inspired by traditional Chinese paintings. Key Text Features illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.