Kirjahaku

In Williamsburg, Brooklyn, just a block or two up from the East River on Division Avenue, Surie Eckstein is soon to be a great-grandmother. Her ten children range in age from thirteen to thirty-nine. Her in-laws, postwar immigrants from Romania, live on the first floor of their house. Her daughter Tzila Ruchel lives on the second. She and Yidel, a scribe in such demand that he makes only a few Torah scrolls a year, live on the third. Wed when Surie was sixteen, they have a happy marriage and a full life, and, at the ages of fifty-seven and sixty-two, they are looking forward to some quiet time together. Into this life of counted blessings comes a surprise. Surie is pregnant. Pregnant at fifty-seven. It is a shock. And at her age, at this stage, it is an aberration, a shift in the proper order of things, and a public display of private life. She feels exposed, ashamed. She is unable to share the news, even with her husband. And so for the first time in her life, she has a secret - a secret that slowly separates her from the community. Goldie Goldbloom‘s On Division is an excavation of one woman's life, a story of awakening at middle age, and a thoughtful examination of the dynamics of self and collective identity. It is a steady-eyed look inside insular communities that also celebrates their comforts. It is a rare portrait of a long, happy marriage. And it is an unforgettable new novel from a writer whose imagination is matched only by the depth of her humanity.

In the wake of a thwarted career as a concert pianist and the accompanying emotional fallout, Gin accepts a marriage proposal from the peculiar Mr. Toad. But nothing from the albino Gin Toad's upbringing in the bourgeois drawing rooms of Perth has prepared her for a hardscrabble existence on a subsistence farm in the Australian outback. In her Wyalkatchem exile, she explores what it means to be a mother and wife, an underappreciated musician, and the town freak. She walks on eggshells to accomodate the cantankerous Toad and comes to accept her life without independence, music, or love--until Antonio arrives. The Italian POWs forced into the Toads' service change the landscape of Gin's world. She is haunted by the memory of her first child's death; Antonio is exiled from a country and family he cherishes, banished to Western Australia while WWII threatens all he holds dear. In their mutual isolation and loss, the growing intimacy between Gin and Antonio becomes their escape from hardship--but will it also be their undoing?