Kirjahaku

First published in 1999, this book attempts to understand housing co-operatives in terms of their development over time and their relationships to other types of housing tenure. The book considers them within the framework of the broader co-operative movement and its role in society's overall system of production and exchange. There is an examination of the role of a form of ownership which is neither "private", nor "state" in six countries, and in some cases the fortunes of housing co-operatives seem closely to correlate with periods of political liberalization and crises, heralding a shift in ideological orientation.

First published in 1999, this book attempts to understand housing co-operatives in terms of their development over time and their relationships to other types of housing tenure. The book considers them within the framework of the broader co-operative movement and its role in society's overall system of production and exchange. There is an examination of the role of a form of ownership which is neither "private", nor "state" in six countries, and in some cases the fortunes of housing co-operatives seem closely to correlate with periods of political liberalization and crises, heralding a shift in ideological orientation.

These six finely-crafted short stories address issues of identity and prejudice and of guilt and embarrassment. The stories in this collection - serious, satirical and humorous - also explore in a nuanced way the continuing role played by class and status in our everyday lives.

The protagonists of this story are Franco and Nadja, whose relationship begins as a chance, lunchtime encounter in a bar not far from the small hilltop town of Montelorenzo in southern Tuscany. Franco comes from an established, artisan family in the town and, although university educated, follows in his father’s footsteps as a cabinet maker. Nadja is a spirited and determined but anxious young woman with an ever-present phobia. Since her mother died giving birth to her, she was brought up by her father, a fervent Communist who named her Nadja after the wives of both Lenin and Stalin. Nadja is short for Nadezhda, which means ‘Hope’ in Russian. The story illustrates the legacy of history and the lasting effect it has on all our lives. Nadja becomes, both literally and metaphorically, Franco’s Hope, until the Three Fates of Greek mythology intervene.