Kirjahaku

Heather O Neill s critically acclaimed debut novel, with a new introduction from the author to celebrate its ten-year anniversaryBaby, all of thirteen years old, is lost in the gangly, coltish moment between childhood and the strange pulls and temptations of the adult world. Her mother is dead; her father, Jules, is scarcely more than a child himself and is always on the lookout for his next score. Baby knows that chocolate milk is Jules slang for heroin and sees a lot more of that in her house than the real thing. But she takes vivid delight in the scrappy bits of happiness and beauty that find their way to her, and moves through the threat of the streets as if she s been choreographed in a dance.Soon, though, a hazard emerges that is bigger than even her hard-won survival skills can handle. Alphonse, the local pimp, has his eye on her for his new girl and what the johns don t take he covets for himself. If Baby cannot learn to become her own salvation, his dark world threatens to claim her, body and soul.Channeling the artlessly affecting voice of her thirteen-year-old heroine with extraordinary accuracy and power, Heather O Neill s debut novel blew readers away when it was first published ten years ago. Now it s sure to capture its next decade of readers as Baby picks her pathway along the edge of the abyss to arrive at a place of redemption, and of love.Featuring a new introduction from the authorCBC Canada reads winner, Paragraphe Hugh MacLennan Prize for Fiction winner, Orange Prize for Fiction finalist, Governor General s Literary Award finalist, International Impac Dublin Literary Award finalistPraise for Lullabies for Little Criminals A vivid portrait of life on skid row. People A nuanced, endearing coming-of-age novel you won t want to miss. Quill And Quire Vivid and poignant. . . . A deeply moving and troubling novel. The Independent (London) O Neill is a tragicomedienne par excellence. . . . You will not want to miss this tender depiction of some very mean streets. Montreal Review of Books"

"A beautiful book. . . . There are phrases in here that will make you laugh out loud, and others that will stop your heart. A definite triumph." -- David Rakoff, author of Love, Dishonor, Marry, Die, Cherish, PerishFrom Heather O'Neill, the Giller-shortlisted author of Daydreams of Angels and The Girl Who Was Saturday Night, a heartbreaking and wholly original novel about a young girl fighting to preserve a bruised innocence on the feral streets of a big cityBaby, all of thirteen years old, is lost in the gangly, coltish moment between childhood and the strange pulls and temptations of the adult world. Her mother is dead; her father Jules is always on the lookout for his next score. Baby knows that "chocolate milk" is Jules' slang for heroin and sees a lot more of that in her house than the real article. But she takes vivid delight in the scrappy bits of happiness and beauty that find their way to her, and moves through the threat of the streets as if she's been choreographed in a dance.Soon, though, a hazard emerges that is bigger than even her hard-won survival skills can handle. Alphonse, the local pimp, has his eye on her for his new girl; he wants her body and soul--and what the johns don't take he covets for himself. At the same time, a tender and naively passionate friendship unfolds with a boy from her class at school, who has no notion of the dark claims on her--which even her father, lost on the nod, cannot totally ignore. Jules consigns her to a stint in juvie hall, and for the moment this perceived betrayal preserves Baby from terrible harm--but after that, her salvation has to be her own invention.Channeling the artlessly affecting voice of her thirteen-year-old heroine with extraordinary accuracy and power, O'Neill's dazzles with a novel of extraordinary prescience and power, a subtly understated yet searingly effective story of a young life on the streets--and the strength, wits, and luck necessary for survival.

"The Capital of Dreams is not so much a novel to read but one to live (and dream) in. A dark, wistfully comic fable that's as imaginative as it is poignant. An entire world that only Heather O'Neill could create."--Iain Reid, bestselling author of We Spread and FoeFrom the hugely acclaimed author beloved by literary lights, including Emily St. John Mandel, Kelly Link, and Mona Awad, a dark dystopian fairytale about an idyllic country ravaged by war--and a girl torn between safety and loyalty. Sofia Bottom lives in Elysia, a small country forgotten by Europe. But inside its borders, the old myths of trees that come alive and faeries who live among their roots have given way to an explosion of the arts and the consolations of philosophy. From the clarinetists to the cabaret singers, no artist is as revered as Sofia's brilliant mother, the writer Clara Bottom. How can fourteen-year-old Sofia, with her tin ear and enduring love of ancient myths, ever hope to win her mother's love?When the country's greatest enemy invades, and the Capital is under threat, Clara turns to her daughter to smuggle her new manuscript to safety on the last train evacuating children from the city. But when the train draws to a suspicious halt in the middle of a forest, Sofia is forced to run for her life and loses her mother's most prized possession. Frightened and alone in a country at war, Sofia must find a way to reclaim what she has lost. On an epic journey through woods and razed towns, colliding with soldiers, survivors, and other lost children, Sofia must make the choice between kindness and her own survival.In this stunning novel set in an imaginative world yet reflective of our own times, Heather O'Neill delivers a vivid, breathtaking dark fairytale of life, death, and betrayal.

"The Capital of Dreams is not so much a novel to read but one to live (and dream) in. A dark, wistfully comic fable that's as imaginative as it is poignant. An entire world that only Heather O'Neill could create."--Iain Reid, bestselling author of We Spread and FoeFrom the hugely acclaimed author beloved by literary lights, including Emily St. John Mandel, Kelly Link, and Mona Awad, a dark dystopian fairytale about an idyllic country ravaged by war--and a girl torn between safety and loyalty. Sofia Bottom lives in Elysia, a small country forgotten by Europe. But inside its borders, the old myths of trees that come alive and faeries who live among their roots have given way to an explosion of the arts and the consolations of philosophy. From the clarinetists to the cabaret singers, no artist is as revered as Sofia's brilliant mother, the writer Clara Bottom. How can fourteen-year-old Sofia, with her tin ear and enduring love of ancient myths, ever hope to win her mother's love?When the country's greatest enemy invades, and the Capital is under threat, Clara turns to her daughter to smuggle her new manuscript to safety on the last train evacuating children from the city. But when the train draws to a suspicious halt in the middle of a forest, Sofia is forced to run for her life and loses her mother's most prized possession. Frightened and alone in a country at war, Sofia must find a way to reclaim what she has lost. On an epic journey through woods and razed towns, colliding with soldiers, survivors, and other lost children, Sofia must make the choice between kindness and her own survival.In this stunning novel set in an imaginative world yet reflective of our own times, Heather O'Neill delivers a vivid, breathtaking dark fairytale of life, death, and betrayal.

An enchanting story of twins, fame, and heartache by the much-praised author of Lullabies for Little Criminals Heather O'Neill charmed readers in the hundreds of thousands with her sleeper hit, Lullabies for Little Criminals, which documented with a rare and elusive magic the life of a young dreamer on the streets of Montreal. Now, in The Girl Who Was Saturday Night, she returns to the grubby, enchanted city with a light and profound tale of the vice of fame and the ties of family. Nineteen years old, free of prospects, and inescapably famous, the twins Nicolas and Nouschka Tremblay are trying to outrun the notoriety of their father, a French-Canadian Serge Gainsbourg with a genius for the absurd and for winding up in prison. "Back in the day, he could come home from a show with a paper bag filled with women's underwear. Outside of Qu bec nobody had even heard of him, naturally. Qu bec needed stars badly." Since the twins were little, tienne has made them part of his unashamed seduction of the province, parading them on talk shows and then dumping them with their decrepit grandfather while he disappeared into some festive squalor. Now tienne is washed up and the twins are making their own almost-grown-up messes, with every misstep landing on the front pages of the tabloid Allo Police. Nouschka not only needs to leave her childhood behind; she also has to leave her brother, whose increasingly erratic decisions might take her down with him.

The fantastic has always been at the edges of Heather O'Neill's work. In her bestselling novels, Lullabies for Little Criminals and The Girl Who Was Saturday Night, she transforms the shabbiest streets of Montreal with her beautiful, freewheeling metaphors. She describes the smallest of things--a stray cat or a secondhand coat--with an intensity that makes them otherworldly. In Daydreams of Angels, O'Neill's first collection of short stories, she gives free rein to her imaginative gifts. In "Swan Lake for Beginners," generations of Nureyev clones live out their lives in a grand Soviet experiment. In "The Holy Dove Parade," a teenage cult follower writes a letter to explain the motivation behind her crime. And in another tale, a grandmother reveals where babies come from: the beach, where young mothers-to-be hunt for infants in the surf. Each of these beguiling stories twists the beloved narratives of childhood--fairy tales, fables, Bible parables--to uncover the deepest truths of family life.

"Every decent friendship comes with a drop of hatred. But that hatred is like honey in the tea. It makes it addictive." Charismatic Marie Antoine is the daughter of the richest man in 19th century Montreal. She has everything she wants, except for a best friend--until clever, scheming Sadie Arnett moves to the neighborhood. Immediately united by their passion and intensity, Marie and Sadie attract and repel each other in ways that thrill them both. Their games soon become tinged with risk, even violence. Forced to separate by the adults around them, they spend years engaged in acts of alternating innocence and depravity. And when a singular event brings them back together, the dizzying effects will upend the city. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender, sex, desire, class, and the terrifying power of the human heart when it can't let someone go.

NAMED A BEST BOOK OF 2017 BY THE BOSTON GLOBE AND THE SAN FRANCISCO CHRONICLE "So filled with vivid descriptions and complex characters that the reader's experience is virtually cinematic. . . Utterly compelling." - The Washington Post From the author of When We Lost Our Heads, a spellbinding story about two gifted orphans - in love with each other since they can remember - whose childhood talents allow them to rewrite their future. The Lonely Hearts Hotel is a love story with the power of legend. An unparalleled tale of charismatic pianos, invisible dance partners, radicalized chorus girls, drug-addicted musicians, brooding clowns, and an underworld whose economy hinges on the price of a kiss. In a landscape like this, it takes great creative gifts to thwart one's origins. It might also take true love. Two babies are abandoned in a Montreal orphanage in the winter of 1914. Before long, their talents emerge: Pierrot is a piano prodigy; Rose lights up even the dreariest room with her dancing and comedy. As they travel around the city performing clown routines, the children fall in love with each other and dream up a plan for the most extraordinary and seductive circus show the world has ever seen. Separated as teenagers, sent off to work as servants during the Great Depression, both descend into the city's underworld, dabbling in sex, drugs and theft in order to survive. But when Rose and Pierrot finally reunite beneath the snowflakes - after years of searching and desperate poverty - the possibilities of their childhood dreams are renewed, and they'll go to extreme lengths to make them come true. Soon, Rose, Pierrot and their troupe of clowns and chorus girls have hit New York, commanding the stage as well as the alleys, and neither the theater nor the underworld will ever look the same. With her musical language and extravagantly realized world, Heather O'Neill enchants us with a novel so magical there is no escaping its spell.

'Like Angela Carter, she is relentlessly inventive' Sunday TimesAward-winning short stories by the Bailey's Prize longlisted author of The Lonely Hearts HotelA cherub breaks all the rules when he spends one night with a girl on earth.Snow White and Rose Red forge a unique way to survive the Paris occupation.A soldier is brought back to life by a toymaker, but he's not grateful.And a child begins the story of a Gypsy and a bear, who have to finish it themselves.These are old stories, but not as you know them. These are set not in the forests of Europe or fantasy worlds, but on the battlefields of World War Two and the wilderness of downtown Montreal.With her blazing imagination, irreverent humour and arresting prose, Heather O'Neill twists them anew: more magical for their realism, more profound for their darkness; captivating, witty and wicked.

I broke all the rules that my dad gave me. It was he who had given me, in part, the confidence to think of my life as being worthy to mix with those of the geniuses. —Heather O’Neill With generosity and wry humour, novelist Heather O’Neill recalls several key lessons she learned in childhood from her father: memories and stories about how crime does pay, why one should never keep a diary, and that it is good to beware of clowns, among other things. Her father and his eccentric friends—ex-bank robbers and homeless men—taught her that everything she did was important, a belief that she has carried through her life. O’Neill’s intimate recollections make Wisdom in Nonsense the perfect companion to her widely praised debut novel, Lullabies for Little Criminals (HarperCollins).

Longlisted for the 2015 Baileys Women's Fiction Prize - a story of a girl growing up in bohemian Quebec, striving for liberty

A cherub breaks all the rules when he spends one night with a girl on earth. Snow White and Rose Red forge a unique way to survive the Paris occupation. A soldier is brought back to life by a toymaker, but he's not grateful. And a child begins the story of a Gypsy and a bear, who have to finish it themselves. These are old stories, but not as you know them. These are set not in the forests of Europe or fantasy worlds, but on the battlefields of World War Two and the wilderness of downtown Montreal. With her blazing imagination, irreverent humour and arresting prose, Heather O'Neill twists them anew: more magical for their realism, more profound for their darkness; captivating, witty and wicked.

'Like Angela Carter, she is relentlessly inventive' Sunday Times'Full of pathos, spirit and iridescent innocence' Independent on SundayThe first novel by the author of The Lonely Hearts Hotel12-year-old Baby is used to turmoil in her life. Her mother is long dead, her father is a junkie and they shuttle between rotting apartments and decrepit downtown hotels. As her father's addiction and paranoia grow worse, she begins a journey that will lead her through chaos and hardship; but Baby's remarkable strength of spirit enables her to survive. Smart, funny and determined to lift herself off the city's dirty streets, she knows that the only person she can truly rely upon is herself.

'Joyful, funny and vividly alive' Emily St John Mandel'The Lonely Hearts Hotel sucked me right in and only got better and better . . . I began underlining truths I had hungered for' Miranda July'Makes me think of comets and live wires . . . raises goosebumps' Helen Oyeyemi'A fairytale laced with gunpowder' Kelly Link The Lonely Hearts Hotel is a love story with a difference. Set throughout the roaring twenties, it is a wicked fairytale of circus tricks and child prodigies, radical chorus girls, drug-addicted musicians and brooding clowns, set in an underworld whose economy hinges on the price of a kiss. It is the tale of two dreamers, abandoned in an orphanage where they were fated to meet. Here, in the face of cold, hunger and unpredictable beatings, Rose and Pierrot create a world of their own, shielding the spark of their curiosity from those whose jealousy will eventually tear them apart. When they meet again, each will have changed, having struggled through the Depression, through what they have done to fill the absence of the other. But their childhood vision remains - a dream to storm the world, a spectacle, an extravaganza that will lift them out of the gutter and onto a glittering stage. Heather O'Neill's pyrotechnical imagination and language are like no other. In this she has crafted a dazzling circus of a novel that takes us from the underbellies of war-time Montreal and Prohibition New York, to a theatre of magic where anything is possible - where an orphan girl can rule the world, and a ruined innocence can be redeemed.