Kirjahaku

"An informed and detailed assessment by someone with a deep understanding of art" - Martin Gayford, The Sunday Telegraph "It has sufficient breadth of content and clarity of purpose to have wide appeal among the uninitiated, and yet would not be out of place on the shelves of the most knowledgeable art pundit" - Frances Spalding, Art Quarterly This pocket guide to the art of the Western world, covers all the essential places to visit and sets the major works in the collections in their historical and social context. Helen Langdon takes us not only to the best-loved museums around the world but also to a vast selection of minor but equally fascinating galleries, churches, villas and houses, where she draws our attention to outstanding paintings and sculptures. Introductory essays to the art of each country, together with extensive indexes and glossaries, and over 200 colour illustrations that range from some of the world’s greatest works of art to unfamiliar treasures, make this a pocket compendium of Western art that will be as useful to the student as the traveller.

Painter, poet and actor Salvator Rosa was one of the most engaging and charismatic personalities of seventeenth-century Italy. Although a gifted landscape painter, he longed to be seen as the pre-eminent philosopher-painter of his age. This new account traces Rosa’s strategies of self-promotion, and his creation of a new kind of audience for his art. The book describes the startling novelty of his subject-matter – witchcraft and divination, as well as prophecies, natural magic and dark violence – and his early exploration of a nascent aesthetic of the sublime.Salvator Rosa shows how the artist, in a series of remarkable works, responded to new movements in thought and feeling, creating images that spoke to the deepest concerns of his age.

"An informed and detailed assessment by someone with a deep understanding of art" - Martin Gayford, The Sunday Telegraph "It has sufficient breadth of content and clarity of purpose to have wide appeal among the uninitiated, and yet would not be out of place on the shelves of the most knowledgeable art pundit" - Frances Spalding, Art Quarterly This pocket guide to the art of the Western world, covers all the essential places to visit and sets the major works in the collections in their historical and social context. Helen Langdon takes us not only to the best-loved museums around the world but also to a vast selection of minor but equally fascinating galleries, churches, villas and houses, where she draws our attention to outstanding paintings and sculptures. Introductory essays to the art of each country, together with extensive indexes and glossaries, and over 200 colour illustrations that range from some of the world’s greatest works of art to unfamiliar treasures, make this a pocket compendium of Western art that will be as useful to the student as the traveller.

Caravaggio's astonishingly naturalistic and provocative Cupid Victorious hung in the palace of a famous family at the heart of seventeenth-century Rome. Helen Langdon explores how the artist, famed for his originality, created a balance between a suggestion of his own world - a world of lively and rowdy street life - and a complex and ambiguous response to both ancient and Renaissance art and literature. Langdon also looks at the challenge the painting threw out to contemporary painters, whose world was characterised by extreme and bitter rivalries; often they reject his irony, sometimes embellish the painting's sexuality, and at other times convey an opposing sense of the harmony of the arts.

Usually housed at the Gemaldegalerie in Berlin, Victorious Cupid (1601-02) by Michelangelo Merisi da Caravaggio (1571-1610) is the centrepiece in a new focus exhibition at The Wallace Collection. Caravaggio's painting, also known as Amor Vincit Omnia, shows Cupid, the Roman god of desire, as a young boy, in an animated pose while wearing dark eagle wings and holding two arrows. It was the last allegorical work Caravaggio painted in Rome. This richly illustrated softcover print publication features an introduction by the director of The Wallace Collection, Xavier Bray, followed by five illustrated chapters by the volume's principal author, Helen Langdon. A description of the painting and summary of Caravaggio's early life, present Victorious Cupid against the background of his artistic development and the intellectual interests of his patrons, and within the broader context of the theme of "love conquers all". Langdon examines the meaning of the painting, and considers how Caravaggio brings the subject to earth, from the heavens to the bedroom, mocking the idealisations of renaissance art.