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Border-land,our town of miraclesâ?¦â?? â?? â??Scabâ??From the clash between striking miners and police to the delicate conflicts in personal relationships, Helen Mortâ??s stunning debut is marked by distance and division.

Guardian Books to Watch 2022Evening Standard Books to Watch 2022Bookseller Editor's Choice'A wonderful book - exhilarating and taut, fearless in its explorations of wildness, risk, motherhood, and the inner and outer worlds of the writer' Jon McGregor'This book is beautiful' Emma Jane UnsworthClimbing gives you the illusion of being in control, just for a while, the tantalising sense of being able to stay one move ahead of death. Helen Mort has always been drawn to the thrill and risk of climbing: the tension between human and rockface, and the climber's powerful connection to the elemental world. But when she becomes a mother for the first time, she finds herself re-examining her relationship with both the natural world and herself, as well as the way the world views women who aren't afraid to take risks. A Line Above the Sky melds memoir and nature writing to ask why humans are drawn to danger, and how we can find freedom in pushing our limits. It is a visceral love letter to losing oneself in physicality, whether climbing a mountain or bringing a child into the world, and an unforgettable celebration of womanhood in all its forms.

Guardian Books to Watch 2022Evening Standard Books to Watch 2022Bookseller Editor's ChoiceWinner of the Boardman Tasker Award for Mountain Literature'A wonderful book - exhilarating and taut, fearless in its explorations of wildness, risk, motherhood, and the inner and outer worlds of the writer' Jon McGregor'This book is beautiful' Emma Jane Unsworth'Climbing gives you the illusion of being in control, just for a while, the tantalising sense of being able to stay one move ahead of death'As a child, Helen Mort was drawn to the thrill and risk of climbing, the tension between human and rockface, and the climber's need to be hyperaware of the sensory world - to feel the texture of rock under their fingers, how their crampons bite into the ice, the subtle shifts in weather. But when she becomes a mother for the first time, she finds herself re-examining this most elemental of disciplines, and the way that we view women who put themselves in danger.Written by one of Britain's most talented young writers, A Line Above the Sky melds memoir and nature writing to create what will surely become a classic of the genre; it asks why humans are compelled to climb and poses other, deeper questions about self, motherhood and freedom. It is a love letter to losing oneself in physicality, whether that in the risk of climbing a granite wall solo, without ropes, or the intensity of bringing a child into the world.

The debut novel from the brilliant and award-winning poet Helen MortAlexa is a police community support officer whose world feels unstable.Caron, Alexa’s girlfriend, is pushing her away and pushing herself even harder. A climber, she fixates on a brutal route. Leigh, who works at a local gear shop, watches Caron climb and feels complicit.Meanwhile, an ex-police officer compulsively revisits the April day in 1989 that changed his life forever. Trapped in his memories of the disaster, he tracks the Hillsborough inquests, questioning everything.As the young women negotiate Sheffield’s violent inheritance, the rock faces of Stanage and their relationships with each other, Mort stunningly grounds these journeys of trust and trauma, fear and falling, in the texture of the urban and natural terrain underfoot.'A beautifully accomplished debut...a deeply felt work of loss, time and healing' Guardian‘Helen Mort is unmistakably one of the most brilliant poets of her generation; Black Car Burning shows her to be a remarkable novelist’ Robert Macfarlane

* A Poetry Book Society Recommendation 2016*'When we climb aloneen cordée feminine,we are magicians of the Alps –we make the routes we followdisappear'The poems of Helen Mort's second collection offer an unforgettable perspective on the heights we scale and the distances we run, the routes we follow and the paths we make for ourselves.Here are odes to the women who dared to break new ground – from Miss Jemima Morrell, a young Victorian woman from Yorkshire who hiked the Swiss Peaks in her skirts and petticoats, to the modern British mountaineer Alison Hargreaves, who died descending from the summit of K2.Distinctive and courageous, these are poems of passion and precipices, of edges and extremes. No Map Could Show Them confirms Helen Mort’s position as one of the finest young poets at work today.

*SHORTLISTED FOR THE 2022 FORWARD PRIZE FOR BEST COLLECTION*'A raw, tender, potent collection' - JESSICA ANDREWS'Gorgeous poems - profound, exploratory, wild, playful - and completely now' - RUTH PADEL________The brilliant new collection from T.S. Eliot Prize and Costa Award shortlisted poet Helen MortLet me kneelbefore the sky and let me be humble, untidy,let me be decorated.Here are women's bodies. Hungry adolescent bodies, fluctuating pregnant bodies, ailing aging bodies. Here are bodies as products to be digitized and consumed. Here is the body in nature, changing and growing stronger. Here are tattooed women through history, ink unfurling across their skin.The Illustrated Woman is a tender and incisive collection about what it means to live in a female body - from the joys and struggles of new motherhood to the trauma of deepfakes. Amidst the landscapes of the Peak District and the glaciers of Greenland, Helen Mort's remarkable poems transfix the reader in a celebration of beauty and resilience.'These are poems that will leave their indelible mark' - ANDREW MCMILLAN

In a fast-paced world, The Wild Verses invites you to slow down, reflect and to seek solace through poetry and nature.From consoling words of hope and healing to meditations on love and friendship, this beautiful collection has a poem for every feeling. Accompanied by emotive illustrations of animals in the wild, this is a poetry collection to be returned to again and again.The perfect gift book for fans of Donna Ashworth and Charlie Mackesy.

‘We live in a world populated by dog lovers, where many of us regard them as members of the family. We are fascinated by them: either anthropomorphising our pets or obsessing about the ways they differ from us. And mountains – theatres of risk, drama and heroism – provide the perfect stage for us to enact our canine fascination in all its pathos and poetry. In short, the hills bring into focus just how much we love being with dogs.’Dogs specialise in getting on with humans, and tales of faithful hounds in hostile environments form part of our cultural history. Award-winning writer Helen Mort sets out to understand the singular relationship between dogs, mountains and the people who love them. Along the way, she meets search and rescue dogs, interviews climbers and spends time on the hills with hounds. The book is also a personal memoir, telling the author’s own story of falling in love with a whippet called Bell during a transformative year in the Lake District.Never Leave the Dog Behind is a compelling account of mountain adventures and misadventures, and captures the unbridled joy of heading to the hills with a four-legged friend.

Lake District Trail Running� by Helen Mort is a comprehensive guide to off-road running in the Lake District National Park. With 20 runs, from 5.1km to 17km in length, this book is suitable for runners of all abilities.

'The hills bring into focus just how much we love being with dogs.' In Never Leave the Dog Behind, award-winning writer Helen Mort explores the relationship between dogs, mountains and the people who love them. She meets search and rescue dogs, interviews climbers, and tells her own transformative story of falling in love with a whippet named Bell.

When a new relationship casts her in the unforeseen role of stepmother, prizewinning poet Helen Mort embarks on a personal quest to understand this most maligned of female archetypes. 'She already has a mum. To speak would have seemed like a disavowal, a distancing. To stay silent meant taking something which was not yours. So of course you said nothing. You took it.' With compelling candour and emotional insight, these poems are unforgettable dispatches from the shifting terrain that is the modern family. Alongside the poet’s own journey, Stepmother revisits with a fresh and questioning eye stepmothers in fairytale, film, and our culture’s darkest corners of fantasy. Mort’s writing interweaves ravishing fragments of lyric essay with gothic flights into verse that draw us deep into the woods of upon-a-time, and back, powerfully, into the now. Groundbreaking and transformative, tender and uncompromising, Stepmother has much to teach us about female power and its perennial threat; about our openness to change, and the surprising shapes love can take.