Kirjahaku

Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for a reconciliation between mental space (the space of the philosophers) and real space (the physical and social spheres in which we all live). In the course of his exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures.

The work of Henri Lefebvre - the only major French intellectual of the post-war period to give extensive consideration to the city and urban life - received considerable attention among both academics and practitioners of the built environment following the publication in English of The Production of Space. This new collection brings together, for the first time in English, Lefebvre's reflections on the city and urban life written over a span of some twenty years. The selection of writings is contextualized by an introduction - itself a significant contribution to the interpretation of Henri Lefebvre's work - which places the material within the context of Lefebvre's intellectual and political life and times and raises pertinent issues as to their relevance for contemporary debates over such questions as the nature of urban reality, the production of space and modernity. Writings on Cities is of particular relevance to architects, planners, geographers, and those interested in the philosophical and political understanding of contemporary life.

The first English translation of Lefebvre's groundbreaking work on the urban experience. Originally published in 1970, The Urban Revolution marked Henri Lefebvre's first sustained critique of urban society, a work in which he pioneered the use of semiotic, structuralist, and poststructuralist methodologies in analyzing the development of the urban environment. Although it is widely considered a foundational book in contemporary thinking about the city, The Urban Revolution has never been translated into English—until now. This first English edition, deftly translated by Robert Bononno, makes available to a broad audience Lefebvre's sophisticated insights into the urban dimensions of modern life. Lefebvre begins with the premise that the total urbanization of society is an inevitable process that demands of its critics new interpretive and perceptual approaches that recognize the urban as a complex field of inquiry. Dismissive of cold, modernist visions of the city, particularly those embodied by rationalist architects and urban planners like Le Corbusier, Lefebvre instead articulates the lived experiences of individual inhabitants of the city. In contrast to the ideology of urbanism and its reliance on commodification and bureaucratization—the capitalist logic of market and state—Lefebvre conceives of an urban utopia characterized by self-determination, individual creativity, and authentic social relationships. A brilliantly conceived and theoretically rigorous investigation into the realities and possibilities of urban space, The Urban Revolution remains an essential analysis of and guide to the nature of the city.

Leading intellectual Henri Lefebvre on political and state theoryOne of the most influential Marxist theorists of the twentieth century, Henri Lefebvre pioneered the study of the modern state in an age of accelerating global economic integration and fragmentation. Shortly after the 1974 publication of his landmark book The Production of Space, Lefebvre embarked on one of the most ambitious projects of his career: a consideration of the history and geographies of the modern state through a monumental study that linked several disciplines, including political science, sociology, geography, and history. State, Space, World collects a series of Lefebvre’s key writings on the state from this period. Making available in English for the first time the as-yet-unexplored political aspect of Lefebvre’s work, it contains essays on philosophy, political theory, state formation, spatial planning, and globalization, as well as provocative reflections on the possibilities and limits of grassroots democracy under advanced capitalism.State, Space, World is an essential complement to The Production of Space, The Urban Revolution, and The Critique of Everyday Life. Lefebvre’s original and prescient analyses that emerge in this volume are urgently relevant to contemporary debates on globalization and neoliberal capitalism.

Toward an Architecture of Enjoyment is the first publication in any language of the only book devoted to architecture by Henri Lefebvre. Written in 1973 but only recently discovered in a private archive, this work extends Lefebvre’s influential theory of urban space to the question of architecture. Taking the practices and perspective of habitation as his starting place, Lefebvre redefines architecture as a mode of imagination rather than a specialized process or a collection of monuments. He calls for an architecture of jouissance-of pleasure or enjoyment-centered on the body and its rhythms and based on the possibilities of the senses.Examining architectural examples from the Renaissance to the postwar period, Lefebvre investigates the bodily pleasures of moving in and around buildings and monuments, urban spaces, and gardens and landscapes. He argues that areas dedicated to enjoyment, sensuality, and desire are important sites for a society passing beyond industrial modernization. Lefebvre’s theories on space and urbanization fundamentally reshaped the way we understand cities. Toward an Architecture of Enjoyment promises a similar impact on how we think about, and live within, architecture.

Basing his discussion on everyday life in France, Lefebvre shows the degree to which our lived-in world and sense of it are shaped by decisions about which we know little and in which we do not participate.>

Rhythmanalysis displays all the characteristics which made Lefebvre one of the most important Marxist thinkers of the twentieth century. In the analysis of rhythms -- both biological and social -- Lefebvre shows the interrelation of space and time in the understanding of everyday life. With dazzling skills, Lefebvre moves between discussions of music, the commodity, measurement, the media and the city. In doing so he shows how a non-linear conception of time and history balanced his famous rethinking of the question of space. This volume also includes his earlier essays on "The Rhythmanalysis Project" and "Attempt at the Rhythmanalysis of Mediterranean Towns."

Explores the full sweep of Marxist thinking on social change in the light of the 1968 French explosion.

Philosopher, sociologist and urban theorist, Henri Lefebvre (1901–1991) was one of the great social theorists of the twentieth century and pioneered the theorization of everyday life and space.In this fascinating book, which became a manifesto for urban activism upon its first publication in the 1960s, Lefebvre poses a major question: what gives a society undergoing constant change the illusion of stability? For Lefebvre, the answer is that our everyday lives are the product of decisions from which we are alienated, resulting in what he memorably describes as 'terror-enforced passivity'. Modern capitalism produces and controls the space around us: the buildings we work in, the roads we drive on and even the parks surrounding us are artificial and controlled, isolating the individual in a life of repetition. Lefebvre rejects such a world of control and monotony, urging instead a spontaneous, utopian creativity, in which human beings can engage in meaningful work and leisure. Profound and prophetic for its insights into the impact of capitalism and urbanization, Everyday Life in the Modern World remains a classic work by a towering thinker and essential reading today.This Routledge Classics edition includes a new Foreword by Claire Revol and Rob Shields.

Philosopher, sociologist and urban theorist, Henri Lefebvre (1901–1991) was one of the great social theorists of the twentieth century and pioneered the theorization of everyday life and space.In this fascinating book, which became a manifesto for urban activism upon its first publication in the 1960s, Lefebvre poses a major question: what gives a society undergoing constant change the illusion of stability? For Lefebvre, the answer is that our everyday lives are the product of decisions from which we are alienated, resulting in what he memorably describes as 'terror-enforced passivity'. Modern capitalism produces and controls the space around us: the buildings we work in, the roads we drive on and even the parks surrounding us are artificial and controlled, isolating the individual in a life of repetition. Lefebvre rejects such a world of control and monotony, urging instead a spontaneous, utopian creativity, in which human beings can engage in meaningful work and leisure. Profound and prophetic for its insights into the impact of capitalism and urbanization, Everyday Life in the Modern World remains a classic work by a towering thinker and essential reading today.This Routledge Classics edition includes a new Foreword by Claire Revol and Rob Shields.

Henri Lefebvre is widely recognized as one of the most influential social theorists of the Twentieth Century. His writings on cities, everyday life, and the production of space have become hugely influential across Cultural Studies, Sociology, Geography and Architecture. Key Writings presents the full range of Lefebvre's thought in a single volume. The selection of essays spanning 1933 to 1990, reinforce the relevance of Lefebvre's work to current debates in social theory, politics and philosophy. The book is divided into five sections: ‘Philosophy and Marxism’, ‘The Critique of Everyday Life’, ‘The Country and the City’ ‘History, Time and Space’ and ‘Politics’ and includes a general introduction by the editors as well as separate introductions to each section.

Rhythmanalysis displays all the characteristics which made Lefebvre one of the most important Marxist thinkers of the twentieth century. In the analysis of rhythms -- both biological and social -- Lefebvre shows the interrelation of space and time in the understanding of everyday life.With dazzling skills, Lefebvre moves between discussions of music, the commodity, measurement, the media and the city. In doing so he shows how a non-linear conception of time and history balanced his famous rethinking of the question of space. This volume also includes his earlier essays on "The Rhythmanalysis Project" and "Attempt at the Rhythmanalysis of Mediterranean Towns."

Henri Lefebvre was one of the most significant and influential social theorists of the 20th century. His impressive body of work crosses multiple disciplines including sociology, philosophy, economics, politics and cultural studies. In Everyday Life in the Modern World Lefebvre reveals the decisions and events which, day to day, we know very little about and do not actively participate in and yet have a profound effect on our lives. He considers the impact of consumerism, language and mass media on everyday life using a variety of critical approaches including Marxism and Structuralism. The Revelations edition includes an introduction by Philip Wander in which he discusses the context and importance of the book, particularly in the fields of communications, work, science and technology. This is Lefebvre's manifesto for a new cultural revolution of the everyday which is as relevant today as it ever was.

A collection of previously untranslated writings by Henri Lefebvre on rural sociology, situating his research in relation to wider Marxist workOn the Rural is the first English collection to translate Lefebvre’s crucial but lesser-known writings on rural sociology and political economy, presenting a wide-ranging approach to understanding the historical and rural sociology of precapitalist social forms, their endurance today, and conditions of dispossession and uneven development. In On the Rural, Stuart Elden and Adam David Morton present Lefebvre’s key works on rural questions, including the first half of his book Du rural À l’urbain and supplementary texts, two of which are largely unknown conference presentations published outside France. On the Rural offers methodological orientations for addressing questions of economy, sociology, and geography by deploying insights from spatial political economy to decipher the rural as a terrain and stake of capitalist transformation. By doing so, it reveals the production of the rural as a key site of capitalist development and as a space of struggle. This volume delivers a careful translation-supplemented with extensive notes and a substantive introduction-to cement Lefebvre’s central contribution to the political economy of rural sociology and geography.

A collection of previously untranslated writings by Henri Lefebvre on rural sociology, situating his research in relation to wider Marxist workOn the Rural is the first English collection to translate Lefebvre’s crucial but lesser-known writings on rural sociology and political economy, presenting a wide-ranging approach to understanding the historical and rural sociology of precapitalist social forms, their endurance today, and conditions of dispossession and uneven development. In On the Rural, Stuart Elden and Adam David Morton present Lefebvre’s key works on rural questions, including the first half of his book Du rural À l’urbain and supplementary texts, two of which are largely unknown conference presentations published outside France. On the Rural offers methodological orientations for addressing questions of economy, sociology, and geography by deploying insights from spatial political economy to decipher the rural as a terrain and stake of capitalist transformation. By doing so, it reveals the production of the rural as a key site of capitalist development and as a space of struggle. This volume delivers a careful translation-supplemented with extensive notes and a substantive introduction-to cement Lefebvre’s central contribution to the political economy of rural sociology and geography.

An incantatory catalog of cultural artifacts either lost to time or never realized.* A boarder for two years following a national funeral, Mirabeau is removed from the Pantheon and transferred to the cemetery of Clamart when his pornographic novels are discovered * A photograph taken by Hessling on Christmas night, 1943, of a young woman nailed alive to the village gate of Novimgorod; Hessling asks his friend Wolfgang Borchert to develop the film, look at the photograph, and destroy it * The Beautiful Gardener, a picture by Max Ernst, burned by the Nazis-from The Missing PiecesThe Missing Pieces is an incantatory text, a catalog of what has been lost over time and what in some cases never existed. Through a lengthy chain of brief, laconic citations, Henri Lefebvre evokes the history of what is no more and what never was: the artworks, films, screenplays, negatives, poems, symphonies, buildings, letters, concepts, and lives that cannot be seen, heard, read, inhabited, or known about. It is a literary vanitas of sorts, but one that confers an almost mythical quality on the enigmatic creations it recounts-rather than reminding us of the death that inhabits everything humans create. Lefebvre's list includes Marcel Duchamp's (accdidentally destroyed) film of Man Ray shaving off the Baroness Elsa von Freytag-Loringhoven's pubic hair; the page written by Balzac on his deathbed (lost); Spinoza's Treatise on the Rainbow (thrown into a fire); the final seven meters of Kerouac's original typescript for On the Road (eaten by a dog); the chalk drawings of Francis Picabia (erased before an audience); and the one moment in Andre Malraux's life in which he exclaimed "I believe, for a minute, I was thinking nothing." The Missing Pieces offers a treasure trove of cultural and artistic detail and will entertain even those readers not enamored of the void.

The three-volume text by Henri Lefebvre is perhaps the richest, most prescient work about modern capitalism to emerge from one of the twentieth century's greatest philosophers and is now available for the first time in one complete volume. Written at the birth of post-war consumerism, Critique was an inspiration for the 1968 student revolution in France. It is a founding text of cultural studies and a major influence on the fields of contemporary philosophy, geography, sociology, architecture, political theory and urbanism. Lefebvre takes as his starting point and guide the "trivial" details of quotidian experience: an experience colonized by the commodity, shadowed by inauthenticity, yet remaining the only source of resistance and change. This is an enduringly radical text, untimely today only in its intransigence and optimism.

In Metaphilosophy, Henri Lefebvre works through the implications of Marx's revolutionary thought to consider philosophy's engagement with the world. Lefebvre takes Marx's notion of the "world becoming philosophical and philosophy becoming worldly" as a leitmotif, examining the relation between Hegelian-Marxist supersession and Nietzschean overcoming. Metaphilosophy is conceived of as a transformation of philosophy, developing it into a programme of radical worldwide change. The book demonstrates Lefebvre's threefold debt to Hegel, Marx and Nietzsche, but it also brings a number of other figures into the conversation, including Sartre, Heidegger and Axelos. A key text in Lefebvre's oeuvre,Metaphilosophy is also a milestone in contemporary thinking about philosophy's relation to the world.

Henri Lefebvre saw Marx as an 'unavoidable, necessary, but insufficient starting point', and always insisted on the importance of Hegel to understanding Marx. Metaphilosophy also suggested the significance he ascribed to Nietzsche, in the 'realm of shadows' through which philosophy seeks to think the world. Hegel, Marx, Nietzsche: or the Realm of the Shadows proposes that the modern world is, at the same time, Hegelian in terms of the state, Marxist in terms of the social and society and Nietzschean in terms of civilisation and its values. As early as 1939, Lefebvre had pioneered a French reading of Nietzsche that rejected the philosopher's appropriation by fascists, bringing out the tragic implications of Nietzsche's proclamation that 'God is dead' long before this approach was followed by such later writers as Foucault, Derrida and Deleuze. Forty years later, in the last of his philosophical writings, Lefebvre juxtaposed the contributions of the three great thinkers, in a text that's themes remain surprisingly relevant today.