Kirjahaku

"It's Hermione Granger meets Crouching Tiger, Hidden Dragon meets the Ice Capades meets Mean Girls." --The New York Times "Takes on weighty and relevant questions of gender, ability, leadership, immigration... with intelligence, deftness and precision." --Kirkus Reviews, starred review Now in her Second Year at Pearl Famous Academy of Skate and Sword, Peasprout Chen strives to reclaim her place as a champion of wu liu, the sport of martial arts figure skating. But, with the new year comes new competition, and Peasprout's dreams are thwarted by an impressive transfer student. Yinmei is the heir to the Shinian throne and has fled her country for Pearl. When she excels both academically and socially, Peasprout begins to suspect that Yinmei is not a refugee at all but a spy. When the Empress of Shin threatens to invade the city of Pearl, Peasprout makes a bold decision. To keep her enemy close, Peasprout joins Yinmei's "battleband," a team that executes elaborate skating configurations that are part musical spectacle, part defensive attack. In Henry Lien's Peasprout Chen: Battle of Champions, Peasprout guides her battleband on a mission to save Pearl, and learns what it truly means to be a leader.

Peasprout Chen dreams of becoming a legend of wu liu, the deadly and beautiful art of martial arts figure skating. As the first students from the rural country of Shin to attend the famous Pearl Academy of Skate and Sword, Peasprout and her little brother, Cricket, have some pretty big skates to fill. They soon find themselves in a heated competition for top ranking. Tensions rise when the dazzling pearl buildings of the academy are vandalized and outsider Peasprout is blamed for the attacks by her rivals . . . and even some friends. Now, she must uncover the true vandal to ensure peace between Shin and Pearl - all while becoming a champion.

Discussions in the West around diversity in the arts often focus on the identities of characters and creators. Henry Lien makes the pathbreaking argument that diversity is about more than just plopping different faces into stories that are 100 percent Western in spirit; it can—and should—encompass diverse structures, themes and values. Using examples ranging from Parasite to The Thousand and One Nights to the Mario video game franchise, Lien shows how storytelling staples in the West, such as the three-act structure and themes of empowerment and change, are far from universal. He introduces the East Asian four-act structure (kishotenketsu), as well as circular and nested structures, and explains how Eastern value systems such as collectivism can dictate form. Spring, Summer, Asteroid, Bird is essential reading for any writer or reader who wants to broaden their understanding of how to tell a satisfying story.