Kirjahaku

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT153688Dedication signed: Henry Playford. Titlepage in red and black. The first book was published in 1698.London: printed by William Pearson, for Henry Playford, 1702. 4], ii, 2],176p.: ill., music; 2

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Trinity College Library Watkinson CollectionT154319Titlepage in red and black. Dedication signed: Fr. Purcell. The leaf after p. vi is an advertisement for John Cullen. A reissue of the second edition of the same year, with a cancel titlepage and, additionally, a frontispiece.London: printed by William Pearson, and sold by John Young, 1706. 2], vi, 2],286p., plate: ill., music, port.; 2

Music examples and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English. A score embodying the best available musical text. Historical background-what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material. A detailed analysis of the music, by the editor of the volume or another well-known scholar. Other significant analytic essays and critical comments, exposing the student to a variety of opinions about the music.

First published in 1931, this book presents the text of Thomas Purcell's opera The Fairy Queen, which was performed in this form as an acted adaptation at the New Theatre, Cambridge from 10-14 February 1931. Purcell based his opera on A Midsummer Night's Dream and this version was altered to incorporate more dialogue from Shakespeare's play in place of changes made by an anonymous librettist in 1692. This book will be of value to anyone with an interest in Purcell and Shakespeare.

The Music in Dryden's King Arthur is an unchanged, high-quality reprint of the original edition of 1897. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

V nastojaschem izdanii predstavlen perevod libretto odnoj iz samykh izvestnykh semi-oper Genri Pjorsella "Koroleva fej". Libretto "Korolevy fej" predstavljaet soboj anonimnuju pererabotku komedii Shekspira "Son v letnjuju noch". Allegorija i feerija, fantastika i vysokaja lirika, narodno-zhanrovye epizody i buffonada - vsjo nashlo otrazhenie v muzykalnykh nomerakh etoj volshebnoj opery. Libretto prednaznacheno v pervuju ochered dlja solistov-vokalistov opernykh teatrov, studentov vokalnykh otdelenij, a takzhe vsem ljubiteljam opernoj muzyki.