Kirjahaku

With his customary wit and erudition, one of America's most celebrated and distinguished critics examines the response of literary Modernism to environmental changes caused by technology. Focusing on Eliot, Pound, Joyce, and Beckett, Hugh Kenner explores how inventions as various as the linotype, the typewriter, and the computer altered the way these writers viewed and depicted the world. 'splendid exploration of the relation between the mechanization of society and the literary imagination ... Immensely readable.' Washington Times Magazine

"'All humans, by their nature,' said Aristotle, 'desire to know.' A special and unparalleled way to know is to simply go where youve never been before. And the key to this quest for knowledge is 'elsewhere.'" So begins The Elsewhere Community by acclaimed literary critic Hugh Kenner, author of The Pound Era, and himself a living archive of modernism in twentieth century literature. Kenner traces the quest for elsewhere as it manifests itself in various modes of "travel," from the eighteenth century English tradition of a Grand Tour to the continent, to literary meetings-of-the mind (Miltons visit to Galileo, T.S. Eliots to Ezra Pound, Kenners own visit to Beckett), to todays planet-wide Internet journeys, free from all physical limitations. As he chronicles this Elsewhere Community built of people exploring the unknown, Kenner illuminates how this passion has infused literature, from Homer and Dante to Dickens and Joyce. Kenner frames this unique exploration with a witty rumination on the life of the literary expatriate, fondly recalling his friendships with Ezra Pound, Samuel Beckett, Wyndham Lewis, Marianne Moore, William Carlos Williams, and other twentieth century literary luminaries. Thus a fascinating intellectual autobiography emerges of Hugh Kenner as critic and chronicler, a man whose own life and work uniquely position him to assess the importance of travel in literary life. Written with the confidence, grace, and verve that have always characterized Kenner's work, this delightful book is for anyone seeking to understand the irrepressible human urge to travel and to know.

One of the most important books ever written on Uylsses, Dublin's Joyce established Hugh Kenner as a significant modernist critic. This pathbreaking analysis presents Uylsses as a "bit of anti-matter that Joyce sent out to eat the world." The author assumes that Joyce wasn't a man with a box of mysteries, but a writer with a subject: his native European metropolis of Dublin. Dublin's Joyce provides the reader with a perspective of Joyce as a superemely important literary figure without considering him to be the revealer of a secret doctrine.

"Hugh Kenner's "The Pound Era" could as well be known as the Kenner era, for there is no critic who has more firmly established his claim to valuable literary property than has Kenner to the first three decades of the 20th century in England. Author of pervious studies of Joyce, T.S. Eliot, Wyndham Lewis and Pound (to name a few), Kenner bestrides modern literature if not like a colossus then at least a presence of formidable proportions. A new book by him is certainly an event....A demanding, enticing book that glitters at the same time it antagonizes....""The Pound Era" presents us with an idiosyncratic but sharply etched skeletal view of our immediate literary heritage."--"The New York Times" "It is notoriously difficult to recognize degrees of pre-eminence among one's near-contemporaries. We talk now of the age of Donne, a label that would have seemed bizarre to Ben Johnson. Will "The Pound Era" seem an appropriate designation, 50 or 100 years hence, for the epoch we think of as 'modern'? Mr. Kenner's brilliantly written book establishes an excellent case for supposing the answer to be 'Yes.'"--"The Economist" "Mr. Kenner's study...is not so much a book as a library, or better, a new kind of book in which biography, history, and the analysis of literature are so harmoniously articulated that every page has a narrative sense...."The Pound Era" is a book to be read and reread and studied. For the student of modern letters it is a treasure, for the general reader it is one of the most interesting books he will ever pick up in a lifetime of reading."--"National Review"

It was 1976--twenty-five years after R. Buckminster Fuller introduced geodesic domes when literary critic Hugh Kenner published this fully-illustrated practical manual for their construction. Now, some twenty-five years later, Geodesic Math and How to Use It again presents a systematic method of design and provides a step-by-step method for producing mathematical specifications for orthodox geodesic domes, as well as for a variety of elliptical, super-elliptical, and other nonspherical contours. Out of print since 1990, Geodesic Math and How To Use It is California's most requested backlist title. This edition is fully illustrated with complete original appendices.

Creator of the mono-maniacal Wile E. Coyote and his elusive prey, the Road Runner, Chuck Jones has won three Academy Awards and been responsible for many classics of animation featuring Bugs Bunny, Daffy Duck, Porky Pig, and Elmer Fudd. Who better to do Chuck Jones than Hugh Kenner, master wordsmith and technophile, a man especially qualified to illuminate the form of literacy that Jones so wonderfully executes in the art of character animation? A Flurry of Drawings reveals in cartoon-like sequences the irrepressible humor and profound reflection that have shaped Chuck Jones's work. Unlike Walt Disney, Jones and his fellow animators at Warner Brothers were not interested in cartoons that mimicked reality. They pursued instead the reality of the imagination, the Toon world where believability is more important than realism and movement is the ultimate aesthetic arbiter. Kenner offers both a fascinating explanation of cartoon culture and a new understanding of art's relationship to technology, criticism, freedom, and imagination. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

Creator of the mono-maniacal Wile E. Coyote and his elusive prey, the Road Runner, Chuck Jones has won three Academy Awards and been responsible for many classics of animation featuring Bugs Bunny, Daffy Duck, Porky Pig, and Elmer Fudd. Who better to do Chuck Jones than Hugh Kenner, master wordsmith and technophile, a man especially qualified to illuminate the form of literacy that Jones so wonderfully executes in the art of character animation? A Flurry of Drawings reveals in cartoon-like sequences the irrepressible humor and profound reflection that have shaped Chuck Jones's work. Unlike Walt Disney, Jones and his fellow animators at Warner Brothers were not interested in cartoons that mimicked reality. They pursued instead the reality of the imagination, the Toon world where believability is more important than realism and movement is the ultimate aesthetic arbiter. Kenner offers both a fascinating explanation of cartoon culture and a new understanding of art's relationship to technology, criticism, freedom, and imagination. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

A critical discussion of Pound's poetry.

With characteristic flair, Kenner explores the ways Joyce teaches us to read his novel as Joyce taught himself to write it: moving from the simple to the complex, from the familiar to the strange and new, from the norms of the nineteenth-century novel to the open forms of modernism.

In Historical Fictions Hugh Kenner applies his extraordinarily nimble mind and unrivaled style to the alchemy of speech turning into language, language becoming art, and art finally settling down as culture. A variety of literary topics are addressed in forty-three lively, often humorous, and wonderfully informative essays.With his trenchant, famously entertaining touch, Kenner explores the role of counting in literature (Joyce and St. Augustine shared a preference for the number eleven); the extravagant efforts through the ages to preserve the Iliad and the Odyssey (focusing on Ezra Pound's contributions); and Tom Wolfe's prose through the purple decades (Kenner calls him "the nonchalant master of the neon-piped sentence"). Other writers who fall under Kenner's appraising gaze include Flann O'Brien, H.D., Ernest Hemingway, Sylvia Plath, Dante, Leslie Fiedler, Wallace Stevens, Saul Bellow, William Carlos Williams, Samuel Beckett, and Vladimir Nabokov.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Joyce and Ibsen's Naturalism: The Sewanee Review, V59, No. 1, Winter, 1951 is a critical analysis of the naturalistic writing styles of two renowned authors, James Joyce and Henrik Ibsen. The book is written by Hugh Kenner, a literary critic and scholar, and was published in 1951. The book explores the similarities and differences between Joyce and Ibsen's naturalistic styles, examining their use of language, characterization, and themes. Kenner delves into the historical context and literary movements that influenced the two authors, including the rise of naturalism in the late 19th and early 20th centuries. Kenner's analysis is based on a close reading of selected works by Joyce and Ibsen, including A Doll's House, Ghosts, Dubliners, and Ulysses. He argues that both authors were masters of naturalistic writing, but that Joyce's style was more experimental and avant-garde, while Ibsen's was more traditional and focused on social issues. Overall, Joyce and Ibsen's Naturalism: The Sewanee Review, V59, No. 1, Winter, 1951 is a valuable resource for literary scholars and enthusiasts interested in the naturalistic writing style of two of the most influential authors of the modern era.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

An enlightening study of three writers, Flaubert, Joyce and Beckett: The Stoic Comedians begins with an explanation of the effect of the printing press on books. The "book as book" has been removed from the oral tradition by such features as prefaces, footnotes, and indexes. Books have become voiceless in some sense--they are to be read silently, not recited aloud. How this mechanical change affected the possibilities of fiction is Kenner's subject. Each of the three featured authors approached this situation in a unique, yet connected way: Flaubert as the "Comedian of the Enlightenment," categorizing man's intellectual follies; Joyce as the "Comedian of the Inventory," with his meticulously constructed lists; and Beckett as the "Comedian of the Impasse," eliminating facts and writing novels about a man alone writing.

Originally published: Bloomington: Indiana University Press, 1968.

"An original and entertaining study of, chiefly, Ulysses . . . This is a most stimulating book." Anthony Burgess