Kirjahaku

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The first volume of this two-volume edition of MacDiarmid's "Complete Poems" reprints the texts of the Penguin edition (1986), which was based on the first edition of 1978, which MacDiarmid himself saw through the press. Additional poems discovered since the first edition of 1978 are included, and the additional text revised. MacDiarmid insisted that his "Complete Poems" should be books of poetry, uncluttered by editorial annotations and notes. Michael Grieve, the poet's son, and W. R. Aitken, his bibliographer, have carefully followed his instructions, and compiled an extensive glossary based on the earlier collections.

Kenneth Buthlay's edition of A Drunk Man Looks at the Thistle is widely considered to be the best edition of all and provides extensive commentary and notes, taking the reader through MacDiarmid's complex and often opaque use of language. The drunk man lies on a moonlit hillside looking at a thistle, jaggy and beautiful, which epitomises Scotland's divided self. The man reflects on the fate of the nation, the human condition in general and his own personal fears.

This selection explores the diversity of Hugh MacDiarmid's work, from delicate lyrics derived from the Scots ballad tradition to fierce polemic. "A Drunk Man Looks at the Thistle" and "On a Raised Beach--"with a full glossary of its technical terms--are included, as are glossed Scots words at the foot of each page and an illuminating memoir by MacDiarmid's son.

This volume contains the previously uncollected essays, journalism and interviews of Hugh MacDiarmid, as part of Carcanet's "MacDiarmid 2000" programme. Other titles in the series include "Complete Poems", "Lucky Poet", "Contemporary Scottish Studies" and "Scottish Eccentrics".

Hugh MacDiarmid's Selected Poetry is an invaluable introduction to the work of a major poet who, despite the enthusiasm of T.S. Eliot and Ezra Pound, remains little known in the United States. MacDiarmid (1892-1978), universally recognized as the greatest Scottish poet since Robert Burns and the man responsible for reviving Scots as a literary language, was also the author of an enormous body of poems in English. As the noted critic and translator Eliot Weinberger writes of MacDiarmid's work in his introduction: "There is nothing like it in modern literature, nothing even close. It is an attempt to return poetry to its original role as repository for all that a culture knows about itself." Edited by Alan Riach and the poet's son Michael Grieve, the Selected Poetry draws generously from fifty years of work, and includes the complete text of MacDiarmid's 1926 masterpiece, "A Drunk Man Looks at the Thistle."